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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D359 it is the complementary color #3B2CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D359 shade: #C9D354, #DAE567, #EBF77A, #FCFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D359 shade: #C4D359, #B3C146, #A2AF33, #919D20 and #808B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D359 shade: #C4D359, #D3C159, #D3A059, #D37F59 and #D35F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D359 shade: #C4D359, #A3D359, #82D359, #62D359 and #59D372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D359 shade matches the following richer shades: #C4D359, #D0E448 and #DDF437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D359 shade: #C4D359, #B7C26A, #AAB17B, #9DA08C and #918F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D359 shade: #D3A059, #D3C059, #C4D359, #A4D359 and #84D359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D359 shade: #9CAC2D, #B8CA39, #C4D359, #CFDB7A and #DBE49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D359 shade: #C4D359, #59D380 and #B059D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D359 shade: #C4D359, #59C4D3 and #D359C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D359 shade: #C4D359, #59D380, #6759D3 and #D359AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D359 shade: #C4D359, #59D3A4, #6759D3 and #D35988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

Complementary color

CMYK 64 / 73 / 0 / 35

HEX #3B2CA6

RGB 59 44 166

HSL 247.38, 0.58%, 0.41%

LAB 28.07, 42.78, -63.11

 

CMYK 5 / 0 / 60 / 17

HEX #C9D354

RGB 201 211 84

HSL 64.72, 0.59%, 0.58%

LAB 81.65, -20.02, 59.99

 

CMYK 5 / 0 / 55 / 10

HEX #DAE567

RGB 218 229 103

HSL 65.24, 0.71%, 0.65%

LAB 87.93, -20.54, 59.08

 

CMYK 5 / 0 / 51 / 3

HEX #EBF77A

RGB 235 247 122

HSL 65.76, 0.89%, 0.72%

LAB 94.14, -20.98, 58.05

 

CMYK 1 / 0 / 45 / 0

HEX #FCFF8D

RGB 252 255 141

HSL 61.58, 1%, 0.78%

LAB 97.69, -16.55, 53.84

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 7 / 0 / 64 / 24

HEX #B3C146

RGB 179 193 70

HSL 66.83, 0.5%, 0.52%

LAB 74.93, -21.14, 58.17

 

CMYK 7 / 0 / 71 / 31

HEX #A2AF33

RGB 162 175 51

HSL 66.29, 0.55%, 0.44%

LAB 68.45, -20.46, 58.62

 

CMYK 8 / 0 / 80 / 38

HEX #919D20

RGB 145 157 32

HSL 65.76, 0.66%, 0.37%

LAB 61.86, -19.59, 58.39

 

CMYK 8 / 0 / 91 / 45

HEX #808B0D

RGB 128 139 13

HSL 65.24, 0.83%, 0.3%

LAB 55.16, -18.49, 56.89

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 0 / 9 / 58 / 17

HEX #D3C159

RGB 211 193 89

HSL 51.15, 0.58%, 0.59%

LAB 77.7, -6.45, 53.63

 

CMYK 0 / 24 / 58 / 17

HEX #D3A059

RGB 211 160 89

HSL 34.92, 0.58%, 0.59%

LAB 69.26, 11, 43.84

 

CMYK 0 / 40 / 58 / 17

HEX #D37F59

RGB 211 127 89

HSL 18.69, 0.58%, 0.59%

LAB 61.44, 28.84, 34.32

 

CMYK 0 / 55 / 58 / 17

HEX #D35F59

RGB 211 95 89

HSL 2.95, 0.58%, 0.59%

LAB 54.82, 45.31, 25.9

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 23 / 0 / 58 / 17

HEX #A3D359

RGB 163 211 89

HSL 83.61, 0.58%, 0.59%

LAB 79.1, -34.58, 54.26

 

CMYK 38 / 0 / 58 / 17

HEX #82D359

RGB 130 211 89

HSL 99.84, 0.58%, 0.59%

LAB 77.31, -46.23, 51.75

 

CMYK 54 / 0 / 58 / 17

HEX #62D359

RGB 98 211 89

HSL 115.57, 0.58%, 0.59%

LAB 76.01, -55.66, 49.91

 

CMYK 58 / 0 / 46 / 17

HEX #59D372

RGB 89 211 114

HSL 132.3, 0.58%, 0.59%

LAB 76.02, -54.53, 37.93

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 9 / 0 / 68 / 11

HEX #D0E448

RGB 208 228 72

HSL 67.69, 0.74%, 0.59%

LAB 86.68, -26.14, 70.15

 

CMYK 9 / 0 / 77 / 4

HEX #DDF437

RGB 221 244 55

HSL 67.3, 0.9%, 0.59%

LAB 91.84, -29.21, 80.81

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 6 / 0 / 45 / 24

HEX #B7C26A

RGB 183 194 106

HSL 67.5, 0.42%, 0.59%

LAB 75.88, -16.95, 42.78

 

CMYK 4 / 0 / 31 / 31

HEX #AAB17B

RGB 170 177 123

HSL 67.78, 0.26%, 0.59%

LAB 70.47, -11.37, 26.87

 

CMYK 2 / 0 / 13 / 37

HEX #9DA08C

RGB 157 160 140

HSL 69, 0.1%, 0.59%

LAB 65.12, -4.72, 10.06

 

CMYK 8 / 9 / 0 / 38

HEX #918F9D

RGB 145 143 157

HSL 248.57, 0.07%, 0.59%

LAB 59.98, 3.55, -7.13

 

CMYK 0 / 24 / 58 / 17

HEX #D3A059

RGB 211 160 89

HSL 34.92, 0.58%, 0.59%

LAB 69.26, 11, 43.84

 

CMYK 0 / 9 / 58 / 17

HEX #D3C059

RGB 211 192 89

HSL 50.66, 0.58%, 0.59%

LAB 77.44, -5.93, 53.34

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 22 / 0 / 58 / 17

HEX #A4D359

RGB 164 211 89

HSL 83.11, 0.58%, 0.59%

LAB 79.16, -34.2, 54.35

 

CMYK 37 / 0 / 58 / 17

HEX #84D359

RGB 132 211 89

HSL 98.85, 0.58%, 0.59%

LAB 77.41, -45.57, 51.89

 

CMYK 9 / 0 / 74 / 33

HEX #9CAC2D

RGB 156 172 45

HSL 67.56, 0.59%, 0.43%

LAB 67.1, -21.82, 59.32

 

CMYK 9 / 0 / 72 / 21

HEX #B8CA39

RGB 184 202 57

HSL 67.45, 0.58%, 0.51%

LAB 77.71, -24.23, 66.08

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 5 / 0 / 44 / 14

HEX #CFDB7A

RGB 207 219 122

HSL 67.42, 0.57%, 0.67%

LAB 84.66, -18.27, 46.14

 

CMYK 4 / 0 / 32 / 11

HEX #DBE49B

RGB 219 228 155

HSL 67.4, 0.57%, 0.75%

LAB 88.41, -14.37, 34.69

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 58 / 0 / 39 / 17

HEX #59D380

RGB 89 211 128

HSL 139.18, 0.58%, 0.59%

LAB 76.24, -52.25, 31.13

 

CMYK 17 / 58 / 0 / 17

HEX #B059D3

RGB 176 89 211

HSL 282.79, 0.58%, 0.59%

LAB 53.03, 54.69, -48.46

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 58 / 7 / 0 / 17

HEX #59C4D3

RGB 89 196 211

HSL 187.38, 0.58%, 0.59%

LAB 73.74, -26.35, -16.8

 

CMYK 0 / 58 / 7 / 17

HEX #D359C4

RGB 211 89 196

HSL 307.38, 0.58%, 0.59%

LAB 57.06, 61.05, -33.24

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 58 / 0 / 39 / 17

HEX #59D380

RGB 89 211 128

HSL 139.18, 0.58%, 0.59%

LAB 76.24, -52.25, 31.13

 

CMYK 51 / 58 / 0 / 17

HEX #6759D3

RGB 103 89 211

HSL 246.89, 0.58%, 0.59%

LAB 45.26, 37.84, -61.35

 

CMYK 0 / 58 / 18 / 17

HEX #D359AC

RGB 211 89 172

HSL 319.18, 0.58%, 0.59%

LAB 56.06, 57.36, -20.95

 

CMYK 7 / 0 / 58 / 17

HEX #C4D359

RGB 196 211 89

HSL 67.38, 0.58%, 0.59%

LAB 81.32, -21.68, 57.36

 

CMYK 58 / 0 / 22 / 17

HEX #59D3A4

RGB 89 211 164

HSL 156.89, 0.58%, 0.59%

LAB 76.92, -45.17, 13.19

 

CMYK 51 / 58 / 0 / 17

HEX #6759D3

RGB 103 89 211

HSL 246.89, 0.58%, 0.59%

LAB 45.26, 37.84, -61.35

 

CMYK 0 / 58 / 36 / 17

HEX #D35988

RGB 211 89 136

HSL 336.89, 0.58%, 0.59%

LAB 54.84, 52.65, -1.71

 

Description

Color code: HEX #C4D359 | qconv.com Color code: HEX #C4D359 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 211 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 211 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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