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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D363 it is the complementary color #3B2C9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D363 shade: #C9D35E, #DAE571, #EBF784, #FCFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D363 shade: #C4D363, #B3C150, #A2AF3D, #919D2A and #808B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D363 shade: #C4D363, #D3C463, #D3A663, #D38863 and #D36A63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D363 shade: #C4D363, #A6D363, #88D363, #6AD363 and #63D37B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D363 shade matches the following richer shades: #C4D363, #D0E353 and #DBF343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D363 shade: #C4D363, #B8C373, #ACB384, #A0A294 and #9592A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D363 shade: #D3A663, #D3C463, #C4D363, #A6D363 and #88D363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D363 shade: #A1B232, #B8CA43, #C4D363, #D0DC84 and #DCE5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D363 shade: #C4D363, #63D388 and #B563D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D363 shade: #C4D363, #63C4D3 and #D363C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D363 shade: #C4D363, #63D388, #7263D3 and #D363AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D363 shade: #C4D363, #63D3AA, #7263D3 and #D3638C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

Complementary color

CMYK 62 / 72 / 0 / 39

HEX #3B2C9C

RGB 59 44 156

HSL 248.04, 0.56%, 0.39%

LAB 27.11, 39.58, -58.63

 

CMYK 5 / 0 / 55 / 17

HEX #C9D35E

RGB 201 211 94

HSL 65.13, 0.57%, 0.6%

LAB 81.74, -19.27, 55.72

 

CMYK 5 / 0 / 51 / 10

HEX #DAE571

RGB 218 229 113

HSL 65.69, 0.69%, 0.67%

LAB 88.03, -19.71, 54.67

 

CMYK 5 / 0 / 47 / 3

HEX #EBF784

RGB 235 247 132

HSL 66.26, 0.88%, 0.74%

LAB 94.25, -20.08, 53.57

 

CMYK 1 / 0 / 41 / 0

HEX #FCFF97

RGB 252 255 151

HSL 61.73, 1%, 0.8%

LAB 97.81, -15.57, 49.25

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 7 / 0 / 59 / 24

HEX #B3C150

RGB 179 193 80

HSL 67.43, 0.48%, 0.54%

LAB 75.02, -20.42, 53.97

 

CMYK 7 / 0 / 65 / 31

HEX #A2AF3D

RGB 162 175 61

HSL 66.84, 0.48%, 0.46%

LAB 68.52, -19.86, 54.76

 

CMYK 8 / 0 / 73 / 38

HEX #919D2A

RGB 145 157 42

HSL 66.26, 0.58%, 0.39%

LAB 61.91, -19.14, 55.11

 

CMYK 8 / 0 / 83 / 45

HEX #808B17

RGB 128 139 23

HSL 65.69, 0.72%, 0.32%

LAB 55.19, -18.2, 54.59

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 0 / 7 / 53 / 17

HEX #D3C463

RGB 211 196 99

HSL 51.96, 0.56%, 0.61%

LAB 78.6, -7.21, 49.98

 

CMYK 0 / 21 / 53 / 17

HEX #D3A663

RGB 211 166 99

HSL 35.89, 0.56%, 0.61%

LAB 70.89, 8.59, 40.73

 

CMYK 0 / 36 / 53 / 17

HEX #D38863

RGB 211 136 99

HSL 19.82, 0.56%, 0.61%

LAB 63.64, 24.82, 31.65

 

CMYK 0 / 50 / 53 / 17

HEX #D36A63

RGB 211 106 99

HSL 3.75, 0.56%, 0.61%

LAB 57.13, 40.65, 23.18

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 21 / 0 / 53 / 17

HEX #A6D363

RGB 166 211 99

HSL 84.11, 0.56%, 0.61%

LAB 79.38, -32.51, 50.09

 

CMYK 36 / 0 / 53 / 17

HEX #88D363

RGB 136 211 99

HSL 100.18, 0.56%, 0.61%

LAB 77.71, -43.17, 47.69

 

CMYK 50 / 0 / 53 / 17

HEX #6AD363

RGB 106 211 99

HSL 116.25, 0.56%, 0.61%

LAB 76.41, -52.33, 45.82

 

CMYK 53 / 0 / 42 / 17

HEX #63D37B

RGB 99 211 123

HSL 132.86, 0.56%, 0.61%

LAB 76.48, -50.73, 34.06

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 8 / 0 / 63 / 11

HEX #D0E353

RGB 208 227 83

HSL 67.92, 0.72%, 0.61%

LAB 86.49, -25, 65.74

 

CMYK 10 / 0 / 72 / 5

HEX #DBF343

RGB 219 243 67

HSL 68.18, 0.88%, 0.61%

LAB 91.49, -29.04, 76.82

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 6 / 0 / 41 / 24

HEX #B8C373

RGB 184 195 115

HSL 68.25, 0.4%, 0.61%

LAB 76.35, -16.09, 38.87

 

CMYK 4 / 0 / 26 / 30

HEX #ACB384

RGB 172 179 132

HSL 68.94, 0.24%, 0.61%

LAB 71.34, -10.38, 23.24

 

CMYK 1 / 0 / 9 / 36

HEX #A0A294

RGB 160 162 148

HSL 68.57, 0.07%, 0.61%

LAB 66.1, -3.3, 7.03

 

CMYK 9 / 11 / 0 / 36

HEX #9592A4

RGB 149 146 164

HSL 250, 0.09%, 0.61%

LAB 61.33, 4.72, -9.06

 

CMYK 0 / 21 / 53 / 17

HEX #D3A663

RGB 211 166 99

HSL 35.89, 0.56%, 0.61%

LAB 70.89, 8.59, 40.73

 

CMYK 0 / 7 / 53 / 17

HEX #D3C463

RGB 211 196 99

HSL 51.96, 0.56%, 0.61%

LAB 78.6, -7.21, 49.98

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 21 / 0 / 53 / 17

HEX #A6D363

RGB 166 211 99

HSL 84.11, 0.56%, 0.61%

LAB 79.38, -32.51, 50.09

 

CMYK 36 / 0 / 53 / 17

HEX #88D363

RGB 136 211 99

HSL 100.18, 0.56%, 0.61%

LAB 77.71, -43.17, 47.69

 

CMYK 10 / 0 / 72 / 30

HEX #A1B232

RGB 161 178 50

HSL 67.97, 0.56%, 0.45%

LAB 69.22, -22.43, 59.72

 

CMYK 9 / 0 / 67 / 21

HEX #B8CA43

RGB 184 202 67

HSL 68, 0.56%, 0.53%

LAB 77.78, -23.68, 62.45

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 5 / 0 / 40 / 14

HEX #D0DC84

RGB 208 220 132

HSL 68.18, 0.56%, 0.69%

LAB 85.13, -17.31, 41.83

 

CMYK 4 / 0 / 28 / 10

HEX #DCE5A4

RGB 220 229 164

HSL 68.31, 0.56%, 0.77%

LAB 88.89, -13.34, 30.77

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 53 / 0 / 36 / 17

HEX #63D388

RGB 99 211 136

HSL 139.82, 0.56%, 0.61%

LAB 76.69, -48.52, 27.67

 

CMYK 14 / 53 / 0 / 17

HEX #B563D3

RGB 181 99 211

HSL 283.93, 0.56%, 0.61%

LAB 55.53, 50.99, -44.46

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 53 / 7 / 0 / 17

HEX #63C4D3

RGB 99 196 211

HSL 188.04, 0.56%, 0.61%

LAB 74.08, -24.39, -16.25

 

CMYK 0 / 53 / 7 / 17

HEX #D363C4

RGB 211 99 196

HSL 308.04, 0.56%, 0.61%

LAB 58.75, 56.48, -30.61

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 53 / 0 / 36 / 17

HEX #63D388

RGB 99 211 136

HSL 139.82, 0.56%, 0.61%

LAB 76.69, -48.52, 27.67

 

CMYK 46 / 53 / 0 / 17

HEX #7263D3

RGB 114 99 211

HSL 248.04, 0.56%, 0.61%

LAB 48.52, 34.21, -56.06

 

CMYK 0 / 53 / 18 / 17

HEX #D363AE

RGB 211 99 174

HSL 319.82, 0.56%, 0.61%

LAB 57.87, 53.01, -19.34

 

CMYK 7 / 0 / 53 / 17

HEX #C4D363

RGB 196 211 99

HSL 68.04, 0.56%, 0.61%

LAB 81.42, -20.86, 52.98

 

CMYK 53 / 0 / 19 / 17

HEX #63D3AA

RGB 99 211 170

HSL 158.04, 0.56%, 0.61%

LAB 77.37, -41.7, 10.67

 

CMYK 46 / 53 / 0 / 17

HEX #7263D3

RGB 114 99 211

HSL 248.04, 0.56%, 0.61%

LAB 48.52, 34.21, -56.06

 

CMYK 0 / 53 / 34 / 17

HEX #D3638C

RGB 211 99 140

HSL 338.04, 0.56%, 0.61%

LAB 56.75, 48.39, -1.26

 

Description

Color code: HEX #C4D363 | qconv.com Color code: HEX #C4D363 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 211 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 211 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 53 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 53% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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