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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DAE8 it is the complementary color #3B2517. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DAE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DAE8 shade: #C9DAE3, #DAECF6, #EBFEFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DAE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DAE8 shade: #C4DAE8, #B3C8D5, #A2B6C2, #91A4AF and #80929C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DAE8 shade: #C4DAE8, #C4D0E8, #C4C6E8, #CBC4E8 and #D5C4E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DAE8 shade: #C4DAE8, #C4D0E8, #C4C6E8 and #C4C4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DAE8 shade matches the following richer shades: #C4DAE8, #BDDBEE, #B7DDF5 and #B0DEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DAE8 shade: #C4DAE8, #CAD8E1, #D1D7DA, #D8D5D4 and #DED4CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DAE8 shade: #C4E8E2, #C4E3E8, #C4DAE8, #C4D0E8 and #C4C7E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DAE8 shade: #88B4D1, #A6C7DC, #C4DAE8 and #E1ECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DAE8 shade: #C4DAE8, #D9C4E8 and #E8E7C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DAE8 shade: #C4DAE8, #E8C4DA and #DAE8C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DAE8 shade: #C4DAE8, #D9C4E8, #E8D2C4 and #D3E8C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DAE8 shade: #C4DAE8, #E3C4E8, #E8D2C4 and #C8E8C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

Complementary color

CMYK 0 / 37 / 61 / 77

HEX #3B2517

RGB 59 37 23

HSL 23.33, 0.44%, 0.16%

LAB 17.06, 8.54, 13.51

 

CMYK 11 / 4 / 0 / 11

HEX #C9DAE3

RGB 201 218 227

HSL 200.77, 0.32%, 0.84%

LAB 86.06, -3.91, -6.36

 

CMYK 11 / 4 / 0 / 4

HEX #DAECF6

RGB 218 236 246

HSL 201.43, 0.61%, 0.91%

LAB 92.38, -3.99, -6.87

 

CMYK 8 / 0 / 0 / 0

HEX #EBFEFF

RGB 235 254 255

HSL 183, 1%, 0.96%

LAB 98.34, -5.97, -2.61

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 16 / 6 / 0 / 16

HEX #B3C8D5

RGB 179 200 213

HSL 202.94, 0.29%, 0.77%

LAB 79.44, -4.41, -8.88

 

CMYK 16 / 6 / 0 / 24

HEX #A2B6C2

RGB 162 182 194

HSL 202.5, 0.21%, 0.7%

LAB 72.91, -4.33, -8.41

 

CMYK 17 / 6 / 0 / 31

HEX #91A4AF

RGB 145 164 175

HSL 202, 0.16%, 0.63%

LAB 66.26, -4.27, -7.93

 

CMYK 18 / 6 / 0 / 39

HEX #80929C

RGB 128 146 156

HSL 201.43, 0.12%, 0.56%

LAB 59.48, -4.2, -7.45

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 16 / 10 / 0 / 9

HEX #C4D0E8

RGB 196 208 232

HSL 220, 0.44%, 0.84%

LAB 83.27, 0.76, -13.2

 

CMYK 16 / 15 / 0 / 9

HEX #C4C6E8

RGB 196 198 232

HSL 236.67, 0.44%, 0.84%

LAB 80.71, 6.08, -17.05

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E8

RGB 203 196 232

HSL 251.67, 0.44%, 0.84%

LAB 80.74, 9.38, -16.95

 

CMYK 8 / 16 / 0 / 9

HEX #D5C4E8

RGB 213 196 232

HSL 268.33, 0.44%, 0.84%

LAB 81.54, 12.61, -15.67

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 16 / 10 / 0 / 9

HEX #C4D0E8

RGB 196 208 232

HSL 220, 0.44%, 0.84%

LAB 83.27, 0.76, -13.2

 

CMYK 16 / 15 / 0 / 9

HEX #C4C6E8

RGB 196 198 232

HSL 236.67, 0.44%, 0.84%

LAB 80.71, 6.08, -17.05

 

CMYK 16 / 16 / 0 / 9

HEX #C4C4E8

RGB 196 196 232

HSL 240, 0.44%, 0.84%

LAB 80.2, 7.15, -17.81

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 21 / 8 / 0 / 7

HEX #BDDBEE

RGB 189 219 238

HSL 203.27, 0.59%, 0.84%

LAB 85.83, -5.89, -12.6

 

CMYK 25 / 10 / 0 / 4

HEX #B7DDF5

RGB 183 221 245

HSL 203.23, 0.76%, 0.84%

LAB 86.19, -7.17, -15.8

 

CMYK 30 / 12 / 0 / 2

HEX #B0DEFB

RGB 176 222 251

HSL 203.2, 0.9%, 0.84%

LAB 86.22, -8.31, -18.96

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 10 / 4 / 0 / 12

HEX #CAD8E1

RGB 202 216 225

HSL 203.48, 0.28%, 0.84%

LAB 85.56, -2.94, -6.04

 

CMYK 4 / 1 / 0 / 15

HEX #D1D7DA

RGB 209 215 218

HSL 200, 0.11%, 0.84%

LAB 85.61, -1.47, -2.19

 

CMYK 0 / 1 / 2 / 15

HEX #D8D5D4

RGB 216 213 212

HSL 15, 0.05%, 0.84%

LAB 85.47, 0.85, 0.85

 

CMYK 0 / 5 / 8 / 13

HEX #DED4CD

RGB 222 212 205

HSL 24.71, 0.2%, 0.84%

LAB 85.52, 2.24, 4.67

 

CMYK 16 / 0 / 3 / 9

HEX #C4E8E2

RGB 196 232 226

HSL 170, 0.44%, 0.84%

LAB 89.36, -12.86, -1.01

 

CMYK 16 / 2 / 0 / 9

HEX #C4E3E8

RGB 196 227 232

HSL 188.33, 0.44%, 0.84%

LAB 88.21, -9.11, -5.86

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 16 / 10 / 0 / 9

HEX #C4D0E8

RGB 196 208 232

HSL 220, 0.44%, 0.84%

LAB 83.27, 0.76, -13.2

 

CMYK 16 / 14 / 0 / 9

HEX #C4C7E8

RGB 196 199 232

HSL 235, 0.44%, 0.84%

LAB 80.97, 5.54, -16.66

 

CMYK 35 / 14 / 0 / 18

HEX #88B4D1

RGB 136 180 209

HSL 203.84, 0.44%, 0.68%

LAB 71.2, -7.58, -19.36

 

CMYK 25 / 10 / 0 / 14

HEX #A6C7DC

RGB 166 199 220

HSL 203.33, 0.44%, 0.76%

LAB 78.53, -6.36, -14.09

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 7 / 3 / 0 / 5

HEX #E1ECF3

RGB 225 236 243

HSL 203.33, 0.43%, 0.92%

LAB 92.78, -2.33, -4.65

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 6 / 16 / 0 / 9

HEX #D9C4E8

RGB 217 196 232

HSL 275, 0.44%, 0.84%

LAB 81.87, 13.92, -15.14

 

CMYK 0 / 0 / 16 / 9

HEX #E8E7C4

RGB 232 231 196

HSL 58.33, 0.44%, 0.84%

LAB 90.91, -5.42, 17.19

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 0 / 16 / 6 / 9

HEX #E8C4DA

RGB 232 196 218

HSL 323.33, 0.44%, 0.84%

LAB 82.75, 16.38, -6.19

 

CMYK 6 / 0 / 16 / 9

HEX #DAE8C4

RGB 218 232 196

HSL 83.33, 0.44%, 0.84%

LAB 90.14, -10.89, 15.95

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 6 / 16 / 0 / 9

HEX #D9C4E8

RGB 217 196 232

HSL 275, 0.44%, 0.84%

LAB 81.87, 13.92, -15.14

 

CMYK 0 / 9 / 16 / 9

HEX #E8D2C4

RGB 232 210 196

HSL 23.33, 0.44%, 0.84%

LAB 85.62, 5.38, 9.7

 

CMYK 9 / 0 / 16 / 9

HEX #D3E8C4

RGB 211 232 196

HSL 95, 0.44%, 0.84%

LAB 89.65, -13.33, 15.19

 

CMYK 16 / 6 / 0 / 9

HEX #C4DAE8

RGB 196 218 232

HSL 203.33, 0.44%, 0.84%

LAB 85.86, -4.48, -9.34

 

CMYK 2 / 16 / 0 / 9

HEX #E3C4E8

RGB 227 196 232

HSL 291.67, 0.44%, 0.84%

LAB 82.72, 17.21, -13.78

 

CMYK 0 / 9 / 16 / 9

HEX #E8D2C4

RGB 232 210 196

HSL 23.33, 0.44%, 0.84%

LAB 85.62, 5.38, 9.7

 

CMYK 14 / 0 / 16 / 9

HEX #C8E8C4

RGB 200 232 196

HSL 113.33, 0.44%, 0.84%

LAB 88.91, -17.09, 14.05

 

Description

Color code: HEX #C4DAE8 | qconv.com Color code: HEX #C4DAE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 218 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 218 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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