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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DB7E it is the complementary color #3B2481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DB7E shade: #C9DB79, #DAED8C, #EBFF9F, #FCFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DB7E shade: #C4DB7E, #B3C96B, #A2B758, #91A545 and #809332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DB7E shade: #C4DB7F, #DBD97F, #DBC07F, #DBA77F and #DB8F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DB7E shade: #C4DB7F, #ABDB7F, #93DB7F, #7FDB84 and #7FDB9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DB7E shade matches the following richer shades: #C4DB7F, #CBE872 and #D1F565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DB7E shade: #C4DB7F, #BDCD8C, #B7C09A, #B0B3A7 and #A9A6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DB7E shade: #DBBF7F, #DBD87F, #C5DB7F, #ADDB7F and #95DB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DB7E shade: #A6C83F, #B5D25F, #C4DB7F, #D3E49F and #E2EDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DB7E shade: #C4DB7E, #7FDBA7 and #CB7FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DB7E shade: #C4DB7E, #7FC5DB and #DB7FC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DB7E shade: #C4DB7E, #7FDBA7, #957FDB and #DB7FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DB7E shade: #C4DB7E, #7FDBC2, #957FDB and #DB7F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

Complementary color

CMYK 54 / 72 / 0 / 49

HEX #3B2481

RGB 59 36 129

HSL 254.84, 0.56%, 0.32%

LAB 22.92, 35.63, -48.75

 

CMYK 8 / 0 / 45 / 14

HEX #C9DB79

RGB 201 219 121

HSL 71.02, 0.58%, 0.67%

LAB 84.21, -20.71, 45.97

 

CMYK 8 / 0 / 41 / 7

HEX #DAED8C

RGB 218 237 140

HSL 71.75, 0.73%, 0.74%

LAB 90.49, -20.92, 44.83

 

CMYK 8 / 0 / 38 / 0

HEX #EBFF9F

RGB 235 255 159

HSL 72.5, 1%, 0.81%

LAB 96.69, -21.09, 43.71

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB2

RGB 252 255 178

HSL 62.34, 1%, 0.85%

LAB 98.21, -12.55, 36.56

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

CMYK 11 / 0 / 47 / 21

HEX #B3C96B

RGB 179 201 107

HSL 74.04, 0.47%, 0.6%

LAB 77.53, -21.92, 44.24

 

CMYK 11 / 0 / 52 / 28

HEX #A2B758

RGB 162 183 88

HSL 73.26, 0.4%, 0.53%

LAB 71.04, -21.67, 45.39

 

CMYK 12 / 0 / 58 / 35

HEX #91A545

RGB 145 165 69

HSL 72.5, 0.41%, 0.46%

LAB 64.45, -21.34, 46.45

 

CMYK 13 / 0 / 66 / 42

HEX #809332

RGB 128 147 50

HSL 71.75, 0.49%, 0.39%

LAB 57.74, -20.88, 47.3

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7F

RGB 196 219 127

HSL 75, 0.56%, 0.68%

LAB 83.93, -21.98, 42.61

 

CMYK 0 / 1 / 42 / 14

HEX #DBD97F

RGB 219 217 127

HSL 58.7, 0.56%, 0.68%

LAB 85.11, -12.06, 44.46

 

CMYK 0 / 12 / 42 / 14

HEX #DBC07F

RGB 219 192 127

HSL 42.39, 0.56%, 0.68%

LAB 78.63, 0.77, 36.24

 

CMYK 0 / 24 / 42 / 14

HEX #DBA77F

RGB 219 167 127

HSL 26.09, 0.56%, 0.68%

LAB 72.38, 14.05, 28.07

 

CMYK 0 / 35 / 42 / 14

HEX #DB8F7F

RGB 219 143 127

HSL 10.43, 0.56%, 0.68%

LAB 66.7, 26.97, 20.42

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7F

RGB 196 219 127

HSL 75, 0.56%, 0.68%

LAB 83.93, -21.98, 42.61

 

CMYK 22 / 0 / 42 / 14

HEX #ABDB7F

RGB 171 219 127

HSL 91.3, 0.56%, 0.68%

LAB 82.3, -31.27, 40.21

 

CMYK 33 / 0 / 42 / 14

HEX #93DB7F

RGB 147 219 127

HSL 106.96, 0.56%, 0.68%

LAB 80.96, -39.54, 38.23

 

CMYK 42 / 0 / 40 / 14

HEX #7FDB84

RGB 127 219 132

HSL 123.26, 0.56%, 0.68%

LAB 80.09, -45.04, 34.4

 

CMYK 42 / 0 / 28 / 14

HEX #7FDB9D

RGB 127 219 157

HSL 139.57, 0.56%, 0.68%

LAB 80.52, -40.82, 22.11

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7F

RGB 196 219 127

HSL 75, 0.56%, 0.68%

LAB 83.93, -21.98, 42.61

 

CMYK 13 / 0 / 51 / 9

HEX #CBE872

RGB 203 232 114

HSL 74.75, 0.72%, 0.68%

LAB 87.79, -26.89, 53.66

 

CMYK 15 / 0 / 59 / 4

HEX #D1F565

RGB 209 245 101

HSL 75, 0.88%, 0.68%

LAB 91.59, -31.79, 63.89

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7F

RGB 196 219 127

HSL 75, 0.56%, 0.68%

LAB 83.93, -21.98, 42.61

 

CMYK 8 / 0 / 32 / 20

HEX #BDCD8C

RGB 189 205 140

HSL 74.77, 0.39%, 0.68%

LAB 79.83, -16.12, 30.62

 

CMYK 5 / 0 / 20 / 25

HEX #B7C09A

RGB 183 192 154

HSL 74.21, 0.23%, 0.68%

LAB 76.13, -9.71, 18.14

 

CMYK 2 / 0 / 7 / 30

HEX #B0B3A7

RGB 176 179 167

HSL 75, 0.07%, 0.68%

LAB 72.4, -3.25, 5.75

 

CMYK 6 / 8 / 0 / 29

HEX #A9A6B4

RGB 169 166 180

HSL 252.86, 0.09%, 0.68%

LAB 68.75, 3.79, -6.82

 

CMYK 0 / 13 / 42 / 14

HEX #DBBF7F

RGB 219 191 127

HSL 41.74, 0.56%, 0.68%

LAB 78.38, 1.29, 35.91

 

CMYK 0 / 1 / 42 / 14

HEX #DBD87F

RGB 219 216 127

HSL 58.04, 0.56%, 0.68%

LAB 84.85, -11.56, 44.13

 

CMYK 10 / 0 / 42 / 14

HEX #C5DB7F

RGB 197 219 127

HSL 74.35, 0.56%, 0.68%

LAB 84, -21.6, 42.72

 

CMYK 21 / 0 / 42 / 14

HEX #ADDB7F

RGB 173 219 127

HSL 90, 0.56%, 0.68%

LAB 82.42, -30.54, 40.39

 

CMYK 32 / 0 / 42 / 14

HEX #95DB7F

RGB 149 219 127

HSL 105.65, 0.56%, 0.68%

LAB 81.06, -38.88, 38.38

 

CMYK 17 / 0 / 69 / 22

HEX #A6C83F

RGB 166 200 63

HSL 74.89, 0.55%, 0.52%

LAB 75.93, -30.26, 61.7

 

CMYK 14 / 0 / 55 / 18

HEX #B5D25F

RGB 181 210 95

HSL 75.13, 0.56%, 0.6%

LAB 80.03, -26.66, 52.94

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7F

RGB 196 219 127

HSL 75, 0.56%, 0.68%

LAB 83.93, -21.98, 42.61

 

CMYK 7 / 0 / 30 / 11

HEX #D3E49F

RGB 211 228 159

HSL 74.78, 0.56%, 0.76%

LAB 87.89, -16.84, 31.87

 

CMYK 5 / 0 / 19 / 7

HEX #E2EDC0

RGB 226 237 192

HSL 74.67, 0.56%, 0.84%

LAB 91.93, -11.19, 20.61

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

CMYK 42 / 0 / 24 / 14

HEX #7FDBA7

RGB 127 219 167

HSL 146.09, 0.56%, 0.68%

LAB 80.72, -38.92, 17.14

 

CMYK 7 / 42 / 0 / 14

HEX #CB7FDB

RGB 203 127 219

HSL 289.57, 0.56%, 0.68%

LAB 64.15, 44.22, -35.25

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

CMYK 42 / 10 / 0 / 14

HEX #7FC5DB

RGB 127 197 219

HSL 194.35, 0.56%, 0.68%

LAB 75.8, -16.34, -17.88

 

CMYK 0 / 42 / 10 / 14

HEX #DB7FC5

RGB 219 127 197

HSL 314.35, 0.56%, 0.68%

LAB 65.18, 45.16, -21.2

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

CMYK 42 / 0 / 24 / 14

HEX #7FDBA7

RGB 127 219 167

HSL 146.09, 0.56%, 0.68%

LAB 80.72, -38.92, 17.14

 

CMYK 32 / 42 / 0 / 14

HEX #957FDB

RGB 149 127 219

HSL 254.35, 0.56%, 0.68%

LAB 58.68, 28.71, -44.22

 

CMYK 0 / 42 / 18 / 14

HEX #DB7FB3

RGB 219 127 179

HSL 326.09, 0.56%, 0.68%

LAB 64.56, 42.29, -11.98

 

CMYK 11 / 0 / 42 / 14

HEX #C4DB7E

RGB 196 219 126

HSL 74.84, 0.56%, 0.68%

LAB 83.92, -22.1, 43.09

 

CMYK 42 / 0 / 11 / 14

HEX #7FDBC2

RGB 127 219 194

HSL 163.7, 0.56%, 0.68%

LAB 81.33, -33.26, 3.72

 

CMYK 32 / 42 / 0 / 14

HEX #957FDB

RGB 149 127 219

HSL 254.35, 0.56%, 0.68%

LAB 58.68, 28.71, -44.22

 

CMYK 0 / 42 / 31 / 14

HEX #DB7F98

RGB 219 127 152

HSL 343.7, 0.56%, 0.68%

LAB 63.76, 38.47, 2.17

 

Description

Color code: HEX #C4DB7E | qconv.com Color code: HEX #C4DB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 219 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 219 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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