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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DC3B it is the complementary color #3B23C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DC3B shade: #C9DC36, #DAEE49, #EBFF5C, #FCFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DC3B shade: #C4DC3B, #B3CA28, #A2B815, #91A602 and #809400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DC3B shade: #C4DC3B, #DCC93B, #DC9D3B, #DC723B and #DC473B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DC3B shade: #C4DC3B, #99DC3B, #6DDC3B, #42DC3B and #3BDC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DC3B shade matches the following richer shades: #C4DC3B and #D1EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DC3B shade: #C4DC3B, #B7CA4E, #AAB761, #9DA473 and #909286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DC3B shade: #DC9C3B, #DCC73B, #C7DC3B, #9CDC3B and #71DC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DC3B shade: #93A81D, #B2CB23, #C4DC3B, #CFE25E and #D9E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DC3B shade: #C4DC3B, #3BDC71 and #B13BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DC3B shade: #C4DC3B, #3BC7DC and #DC3BC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DC3B shade: #C4DC3B, #3BDC71, #513BDC and #DC3BA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DC3B shade: #C4DC3B, #3BDCA1, #513BDC and #DC3B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

Complementary color

CMYK 70 / 82 / 0 / 23

HEX #3B23C4

RGB 59 35 196

HSL 248.94, 0.7%, 0.45%

LAB 29.71, 56.36, -78.28

 

CMYK 9 / 0 / 75 / 14

HEX #C9DC36

RGB 201 220 54

HSL 66.87, 0.7%, 0.54%

LAB 83.9, -26.04, 73.34

 

CMYK 8 / 0 / 69 / 7

HEX #DAEE49

RGB 218 238 73

HSL 67.27, 0.83%, 0.61%

LAB 90.11, -26.8, 73.43

 

CMYK 8 / 0 / 64 / 0

HEX #EBFF5C

RGB 235 255 92

HSL 67.36, 1%, 0.68%

LAB 95.98, -26.97, 72.76

 

CMYK 1 / 0 / 56 / 0

HEX #FCFF6F

RGB 252 255 111

HSL 61.25, 1%, 0.72%

LAB 97.37, -19.02, 66.93

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 11 / 0 / 80 / 21

HEX #B3CA28

RGB 179 202 40

HSL 68.52, 0.67%, 0.47%

LAB 77.27, -27.03, 70.79

 

CMYK 12 / 0 / 89 / 28

HEX #A2B815

RGB 162 184 21

HSL 68.1, 0.8%, 0.4%

LAB 70.88, -26.02, 69.21

 

CMYK 13 / 0 / 99 / 35

HEX #91A602

RGB 145 166 2

HSL 67.68, 0.98%, 0.33%

LAB 64.4, -24.81, 66.29

 

CMYK 14 / 0 / 100 / 42

HEX #809400

RGB 128 148 0

HSL 68.11, 1%, 0.29%

LAB 57.82, -23.32, 61.08

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 0 / 9 / 73 / 14

HEX #DCC93B

RGB 220 201 59

HSL 52.92, 0.7%, 0.55%

LAB 80.35, -8.5, 68.92

 

CMYK 0 / 29 / 73 / 14

HEX #DC9D3B

RGB 220 157 59

HSL 36.52, 0.7%, 0.55%

LAB 69.22, 14.62, 58.04

 

CMYK 0 / 48 / 73 / 14

HEX #DC723B

RGB 220 114 59

HSL 20.5, 0.7%, 0.55%

LAB 59.49, 37.43, 48.02

 

CMYK 0 / 68 / 73 / 14

HEX #DC473B

RGB 220 71 59

HSL 4.47, 0.7%, 0.55%

LAB 51.88, 57.26, 39.72

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 30 / 0 / 73 / 14

HEX #99DC3B

RGB 153 220 59

HSL 84.97, 0.7%, 0.55%

LAB 80.89, -44.45, 67.81

 

CMYK 50 / 0 / 73 / 14

HEX #6DDC3B

RGB 109 220 59

HSL 101.37, 0.7%, 0.55%

LAB 78.9, -58.73, 65.18

 

CMYK 70 / 0 / 73 / 14

HEX #42DC3B

RGB 66 220 59

HSL 117.39, 0.7%, 0.55%

LAB 77.67, -68.6, 63.55

 

CMYK 73 / 0 / 56 / 14

HEX #3BDC60

RGB 59 220 96

HSL 133.79, 0.7%, 0.55%

LAB 77.85, -65.97, 48.63

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 13 / 0 / 83 / 6

HEX #D1EF29

RGB 209 239 41

HSL 69.09, 0.86%, 0.55%

LAB 89.6, -32.16, 82.03

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 9 / 0 / 61 / 21

HEX #B7CA4E

RGB 183 202 78

HSL 69.19, 0.54%, 0.55%

LAB 77.79, -23.36, 57.97

 

CMYK 7 / 0 / 47 / 28

HEX #AAB761

RGB 170 183 97

HSL 69.07, 0.37%, 0.55%

LAB 71.74, -17.55, 41.96

 

CMYK 4 / 0 / 30 / 36

HEX #9DA473

RGB 157 164 115

HSL 68.57, 0.21%, 0.55%

LAB 65.72, -10.75, 24.66

 

CMYK 1 / 0 / 8 / 43

HEX #909286

RGB 144 146 134

HSL 70, 0.05%, 0.55%

LAB 60.08, -2.99, 6.1

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 10 / 73 / 14

HEX #DCC73B

RGB 220 199 59

HSL 52.17, 0.7%, 0.55%

LAB 79.83, -7.48, 68.42

 

CMYK 10 / 0 / 73 / 14

HEX #C7DC3B

RGB 199 220 59

HSL 67.83, 0.7%, 0.55%

LAB 83.78, -26.63, 71.6

 

CMYK 29 / 0 / 73 / 14

HEX #9CDC3B

RGB 156 220 59

HSL 83.85, 0.7%, 0.55%

LAB 81.05, -43.35, 68.03

 

CMYK 49 / 0 / 73 / 14

HEX #71DC3B

RGB 113 220 59

HSL 99.88, 0.7%, 0.55%

LAB 79.05, -57.59, 65.38

 

CMYK 13 / 0 / 83 / 34

HEX #93A81D

RGB 147 168 29

HSL 69.06, 0.71%, 0.39%

LAB 65.2, -24.35, 62.24

 

CMYK 12 / 0 / 83 / 20

HEX #B2CB23

RGB 178 203 35

HSL 68.93, 0.71%, 0.47%

LAB 77.46, -28.08, 72.2

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 8 / 0 / 58 / 11

HEX #CFE25E

RGB 207 226 94

HSL 68.64, 0.69%, 0.63%

LAB 86.24, -24.16, 60.89

 

CMYK 6 / 0 / 44 / 9

HEX #D9E882

RGB 217 232 130

HSL 68.82, 0.69%, 0.71%

LAB 88.96, -19.94, 47.75

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 73 / 0 / 49 / 14

HEX #3BDC71

RGB 59 220 113

HSL 140.12, 0.7%, 0.55%

LAB 78.06, -63.56, 40.83

 

CMYK 20 / 73 / 0 / 14

HEX #B13BDC

RGB 177 59 220

HSL 283.98, 0.7%, 0.55%

LAB 49.06, 69.62, -59.95

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 73 / 10 / 0 / 14

HEX #3BC7DC

RGB 59 199 220

HSL 187.83, 0.7%, 0.55%

LAB 74.15, -29.72, -21.13

 

CMYK 0 / 73 / 10 / 14

HEX #DC3BC7

RGB 220 59 199

HSL 307.83, 0.7%, 0.55%

LAB 54.52, 75.02, -38.84

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 73 / 0 / 49 / 14

HEX #3BDC71

RGB 59 220 113

HSL 140.12, 0.7%, 0.55%

LAB 78.06, -63.56, 40.83

 

CMYK 63 / 73 / 0 / 14

HEX #513BDC

RGB 81 59 220

HSL 248.2, 0.7%, 0.55%

LAB 37.92, 54.05, -78.57

 

CMYK 0 / 73 / 24 / 14

HEX #DC3BA7

RGB 220 59 167

HSL 319.75, 0.7%, 0.55%

LAB 53.1, 70.69, -22.46

 

CMYK 11 / 0 / 73 / 14

HEX #C4DC3B

RGB 196 220 59

HSL 68.94, 0.7%, 0.55%

LAB 83.57, -27.85, 71.32

 

CMYK 73 / 0 / 27 / 14

HEX #3BDCA1

RGB 59 220 161

HSL 158.01, 0.7%, 0.55%

LAB 78.86, -54.55, 17.4

 

CMYK 63 / 73 / 0 / 14

HEX #513BDC

RGB 81 59 220

HSL 248.2, 0.7%, 0.55%

LAB 37.92, 54.05, -78.57

 

CMYK 0 / 73 / 46 / 14

HEX #DC3B76

RGB 220 59 118

HSL 338.01, 0.7%, 0.55%

LAB 51.44, 65.45, 4.28

 

Description

Color code: HEX #C4DC3B | qconv.com Color code: HEX #C4DC3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 220 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 220 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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