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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DCEF it is the complementary color #3B2310. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DCEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DCEF shade: #C9DCEA, #DAEEFD, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DCEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DCEF shade: #C4DCEF, #B3CADC, #A2B8C9, #91A6B6 and #8094A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DCEF shade: #C2DBEE, #C2CFEE, #C2C3EE, #CDC2EE and #D9C2EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DCEF shade: #C2DBEE, #C2CFEE, #C2C3EE and #C2C2EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DCEF shade matches the following richer shades: #C2DBEE, #BCDCF4 and #B6DCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DCEF shade: #C2DBEE, #C9DAE8, #CFD9E2, #D5D9DB and #DBD8D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DCEF shade: #C2EEEA, #C2E7EE, #C2DBEE, #C2D0EE and #C2C4EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DCEF shade: #82B4DC, #A2C8E5, #C2DBEE and #E3EEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DCEF shade: #C4DCEF, #DEC2EE and #EDEEC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DCEF shade: #C4DCEF, #EEC2DB and #DBEEC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DCEF shade: #C4DCEF, #DEC2EE, #EED5C2 and #D2EEC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DCEF shade: #C4DCEF, #EBC2EE, #EED5C2 and #C5EEC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

Complementary color

CMYK 0 / 41 / 73 / 77

HEX #3B2310

RGB 59 35 16

HSL 26.51, 0.57%, 0.15%

LAB 16.35, 9.21, 17.08

 

CMYK 14 / 6 / 0 / 8

HEX #C9DCEA

RGB 201 220 234

HSL 205.45, 0.44%, 0.85%

LAB 86.77, -3.53, -9.01

 

CMYK 14 / 6 / 0 / 1

HEX #DAEEFD

RGB 218 238 253

HSL 205.71, 0.9%, 0.92%

LAB 93.08, -3.62, -9.47

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

CMYK 19 / 8 / 0 / 14

HEX #B3CADC

RGB 179 202 220

HSL 206.34, 0.37%, 0.78%

LAB 80.18, -3.97, -11.54

 

CMYK 19 / 8 / 0 / 21

HEX #A2B8C9

RGB 162 184 201

HSL 206.15, 0.27%, 0.71%

LAB 73.66, -3.88, -11.12

 

CMYK 20 / 9 / 0 / 29

HEX #91A6B6

RGB 145 166 182

HSL 205.95, 0.2%, 0.64%

LAB 67.03, -3.79, -10.69

 

CMYK 21 / 9 / 0 / 36

HEX #8094A3

RGB 128 148 163

HSL 205.71, 0.16%, 0.57%

LAB 60.26, -3.71, -10.26

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 18 / 13 / 0 / 7

HEX #C2CFEE

RGB 194 207 238

HSL 222.27, 0.56%, 0.85%

LAB 83.06, 1.94, -16.73

 

CMYK 18 / 18 / 0 / 7

HEX #C2C3EE

RGB 194 195 238

HSL 238.64, 0.56%, 0.85%

LAB 80, 8.36, -21.36

 

CMYK 14 / 18 / 0 / 7

HEX #CDC2EE

RGB 205 194 238

HSL 255, 0.56%, 0.85%

LAB 80.59, 12.34, -20.38

 

CMYK 9 / 18 / 0 / 7

HEX #D9C2EE

RGB 217 194 238

HSL 271.36, 0.56%, 0.85%

LAB 81.57, 16.17, -18.8

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 18 / 13 / 0 / 7

HEX #C2CFEE

RGB 194 207 238

HSL 222.27, 0.56%, 0.85%

LAB 83.06, 1.94, -16.73

 

CMYK 18 / 18 / 0 / 7

HEX #C2C3EE

RGB 194 195 238

HSL 238.64, 0.56%, 0.85%

LAB 80, 8.36, -21.36

 

CMYK 18 / 18 / 0 / 7

HEX #C2C2EE

RGB 194 194 238

HSL 240, 0.56%, 0.85%

LAB 79.74, 8.9, -21.74

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 23 / 10 / 0 / 4

HEX #BCDCF4

RGB 188 220 244

HSL 205.71, 0.72%, 0.85%

LAB 86.21, -5.4, -15.21

 

CMYK 27 / 12 / 0 / 2

HEX #B6DCFA

RGB 182 220 250

HSL 206.47, 0.87%, 0.85%

LAB 86.02, -5.8, -18.7

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 13 / 6 / 0 / 9

HEX #C9DAE8

RGB 201 218 232

HSL 207.1, 0.4%, 0.85%

LAB 86.2, -2.9, -8.8

 

CMYK 8 / 4 / 0 / 11

HEX #CFD9E2

RGB 207 217 226

HSL 208.42, 0.25%, 0.85%

LAB 86.2, -1.64, -5.58

 

CMYK 3 / 1 / 0 / 14

HEX #D5D9DB

RGB 213 217 219

HSL 200, 0.08%, 0.85%

LAB 86.45, -0.98, -1.46

 

CMYK 0 / 1 / 3 / 14

HEX #DBD8D5

RGB 219 216 213

HSL 30, 0.08%, 0.85%

LAB 86.49, 0.49, 1.83

 

CMYK 18 / 0 / 2 / 7

HEX #C2EEEA

RGB 194 238 234

HSL 174.55, 0.56%, 0.85%

LAB 91.03, -14.88, -2.76

 

CMYK 18 / 3 / 0 / 7

HEX #C2E7EE

RGB 194 231 238

HSL 189.55, 0.56%, 0.85%

LAB 89.3, -10.53, -7.42

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 18 / 13 / 0 / 7

HEX #C2D0EE

RGB 194 208 238

HSL 220.91, 0.56%, 0.85%

LAB 83.31, 1.41, -16.35

 

CMYK 18 / 18 / 0 / 7

HEX #C2C4EE

RGB 194 196 238

HSL 237.27, 0.56%, 0.85%

LAB 80.25, 7.82, -20.98

 

CMYK 41 / 18 / 0 / 14

HEX #82B4DC

RGB 130 180 220

HSL 206.67, 0.56%, 0.69%

LAB 71.25, -6.31, -25.33

 

CMYK 29 / 13 / 0 / 10

HEX #A2C8E5

RGB 162 200 229

HSL 205.97, 0.56%, 0.77%

LAB 78.84, -5.97, -18.49

 

CMYK 18 / 8 / 0 / 7

HEX #C2DBEE

RGB 194 219 238

HSL 205.91, 0.56%, 0.85%

LAB 86.16, -4.36, -12.08

 

CMYK 8 / 4 / 0 / 3

HEX #E3EEF7

RGB 227 238 247

HSL 207, 0.56%, 0.93%

LAB 93.54, -1.94, -5.6

 

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

CMYK 7 / 18 / 0 / 7

HEX #DEC2EE

RGB 222 194 238

HSL 278.18, 0.56%, 0.85%

LAB 81.99, 17.79, -18.12

 

CMYK 0 / 0 / 18 / 7

HEX #EDEEC2

RGB 237 238 194

HSL 61.36, 0.56%, 0.85%

LAB 93.04, -7.46, 21.24

 

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

CMYK 0 / 18 / 8 / 7

HEX #EEC2DB

RGB 238 194 219

HSL 325.91, 0.56%, 0.85%

LAB 82.85, 19.67, -6.53

 

CMYK 8 / 0 / 18 / 7

HEX #DBEEC2

RGB 219 238 194

HSL 85.91, 0.56%, 0.85%

LAB 91.73, -13.85, 19.23

 

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

CMYK 7 / 18 / 0 / 7

HEX #DEC2EE

RGB 222 194 238

HSL 278.18, 0.56%, 0.85%

LAB 81.99, 17.79, -18.12

 

CMYK 0 / 11 / 18 / 7

HEX #EED5C2

RGB 238 213 194

HSL 25.91, 0.56%, 0.85%

LAB 86.83, 5.69, 12.55

 

CMYK 12 / 0 / 18 / 7

HEX #D2EEC2

RGB 210 238 194

HSL 98.18, 0.56%, 0.85%

LAB 91.12, -16.97, 18.28

 

CMYK 18 / 8 / 0 / 6

HEX #C4DCEF

RGB 196 220 239

HSL 206.51, 0.57%, 0.85%

LAB 86.58, -4.05, -11.97

 

CMYK 1 / 18 / 0 / 7

HEX #EBC2EE

RGB 235 194 238

HSL 295.91, 0.56%, 0.85%

LAB 83.14, 22.03, -16.29

 

CMYK 0 / 11 / 18 / 7

HEX #EED5C2

RGB 238 213 194

HSL 25.91, 0.56%, 0.85%

LAB 86.83, 5.69, 12.55

 

CMYK 17 / 0 / 18 / 7

HEX #C5EEC2

RGB 197 238 194

HSL 115.91, 0.56%, 0.85%

LAB 90.28, -21.38, 16.99

 

Description

Color code: HEX #C4DCEF | qconv.com Color code: HEX #C4DCEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 220 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 220 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 8 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 8% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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