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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DE64 it is the complementary color #3B219B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DE64 shade: #C9DE5F, #DAF072, #EBFF85, #FCFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DE64 shade: #C4DE64, #B3CC51, #A2BA3E, #91A82B and #809618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DE64 shade: #C3DD63, #DDD763, #DDB563, #DD9463 and #DD7363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DE64 shade: #C3DD63, #A2DD63, #81DD63, #63DD66 and #63DD87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DE64 shade matches the following richer shades: #C3DD63, #CCED54 and #D5FC44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DE64 shade: #C3DD63, #BBCE72, #B2BF81, #A9B091 and #A0A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DE64 shade: #DDB563, #DDD563, #C5DD63, #A4DD63 and #84DD63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DE64 shade: #A3C429, #B6D641, #C3DD63, #D0E585 and #DDECA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DE64 shade: #C4DE64, #63DD94 and #C563DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DE64 shade: #C4DE64, #63C5DD and #DD63C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DE64 shade: #C4DE64, #63DD94, #7B63DD and #DD63AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DE64 shade: #C4DE64, #63DDB9, #7B63DD and #DD6388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

Complementary color

CMYK 62 / 79 / 0 / 39

HEX #3B219B

RGB 59 33 155

HSL 252.79, 0.65%, 0.37%

LAB 24.9, 45.2, -61.64

 

CMYK 9 / 0 / 57 / 13

HEX #C9DE5F

RGB 201 222 95

HSL 69.92, 0.66%, 0.62%

LAB 84.73, -24.54, 58.66

 

CMYK 9 / 0 / 53 / 6

HEX #DAF072

RGB 218 240 114

HSL 70.48, 0.81%, 0.69%

LAB 90.98, -24.92, 57.67

 

CMYK 8 / 0 / 48 / 0

HEX #EBFF85

RGB 235 255 133

HSL 69.84, 1%, 0.76%

LAB 96.36, -23.8, 55.66

 

CMYK 1 / 0 / 40 / 0

HEX #FCFF98

RGB 252 255 152

HSL 61.75, 1%, 0.8%

LAB 97.83, -15.47, 48.79

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

CMYK 12 / 0 / 60 / 20

HEX #B3CC51

RGB 179 204 81

HSL 72.2, 0.55%, 0.56%

LAB 78.09, -25.72, 56.93

 

CMYK 13 / 0 / 67 / 27

HEX #A2BA3E

RGB 162 186 62

HSL 71.61, 0.5%, 0.49%

LAB 71.65, -25.24, 57.62

 

CMYK 14 / 0 / 74 / 34

HEX #91A82B

RGB 145 168 43

HSL 71.04, 0.59%, 0.41%

LAB 65.12, -24.6, 57.84

 

CMYK 15 / 0 / 84 / 41

HEX #809618

RGB 128 150 24

HSL 70.48, 0.72%, 0.34%

LAB 58.48, -23.77, 57.17

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 0 / 3 / 55 / 13

HEX #DDD763

RGB 221 215 99

HSL 57.05, 0.64%, 0.63%

LAB 84.42, -12.75, 56.93

 

CMYK 0 / 18 / 55 / 13

HEX #DDB563

RGB 221 181 99

HSL 40.33, 0.64%, 0.63%

LAB 75.65, 4.77, 46.72

 

CMYK 0 / 33 / 55 / 13

HEX #DD9463

RGB 221 148 99

HSL 24.1, 0.64%, 0.63%

LAB 67.62, 22.41, 36.93

 

CMYK 0 / 48 / 55 / 13

HEX #DD7363

RGB 221 115 99

HSL 7.87, 0.64%, 0.63%

LAB 60.37, 39.82, 27.7

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 27 / 0 / 55 / 13

HEX #A2DD63

RGB 162 221 99

HSL 89.02, 0.64%, 0.63%

LAB 82, -38.54, 53.09

 

CMYK 42 / 0 / 55 / 13

HEX #81DD63

RGB 129 221 99

HSL 105.25, 0.64%, 0.63%

LAB 80.34, -49.63, 50.73

 

CMYK 55 / 0 / 54 / 13

HEX #63DD66

RGB 99 221 102

HSL 121.48, 0.64%, 0.63%

LAB 79.23, -57.63, 47.74

 

CMYK 55 / 0 / 39 / 13

HEX #63DD87

RGB 99 221 135

HSL 137.7, 0.64%, 0.63%

LAB 79.68, -52.75, 32.15

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 14 / 0 / 65 / 7

HEX #CCED54

RGB 204 237 84

HSL 72.94, 0.81%, 0.63%

LAB 88.94, -31.23, 67.85

 

CMYK 15 / 0 / 73 / 1

HEX #D5FC44

RGB 213 252 68

HSL 72.72, 0.97%, 0.63%

LAB 93.53, -35.49, 78.31

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 9 / 0 / 45 / 19

HEX #BBCE72

RGB 187 206 114

HSL 72.39, 0.48%, 0.63%

LAB 79.57, -20.51, 43.44

 

CMYK 7 / 0 / 32 / 25

HEX #B2BF81

RGB 178 191 129

HSL 72.58, 0.33%, 0.63%

LAB 75.02, -14.68, 29.85

 

CMYK 4 / 0 / 18 / 31

HEX #A9B091

RGB 169 176 145

HSL 73.55, 0.16%, 0.63%

LAB 70.55, -7.96, 15.07

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 0 / 18 / 55 / 13

HEX #DDB563

RGB 221 181 99

HSL 40.33, 0.64%, 0.63%

LAB 75.65, 4.77, 46.72

 

CMYK 0 / 4 / 55 / 13

HEX #DDD563

RGB 221 213 99

HSL 56.07, 0.64%, 0.63%

LAB 83.89, -11.75, 56.34

 

CMYK 11 / 0 / 55 / 13

HEX #C5DD63

RGB 197 221 99

HSL 71.8, 0.64%, 0.63%

LAB 84.22, -25.31, 56.22

 

CMYK 26 / 0 / 55 / 13

HEX #A4DD63

RGB 164 221 99

HSL 88.03, 0.64%, 0.63%

LAB 82.11, -37.82, 53.25

 

CMYK 40 / 0 / 55 / 13

HEX #84DD63

RGB 132 221 99

HSL 103.77, 0.64%, 0.63%

LAB 80.47, -48.7, 50.92

 

CMYK 17 / 0 / 79 / 23

HEX #A3C429

RGB 163 196 41

HSL 72.77, 0.65%, 0.46%

LAB 74.46, -30.71, 67.59

 

CMYK 15 / 0 / 70 / 16

HEX #B6D641

RGB 182 214 65

HSL 72.89, 0.65%, 0.55%

LAB 80.97, -30.34, 66.39

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 9 / 0 / 42 / 10

HEX #D0E585

RGB 208 229 133

HSL 73.13, 0.65%, 0.71%

LAB 87.55, -21.61, 44.4

 

CMYK 6 / 0 / 29 / 7

HEX #DDECA7

RGB 221 236 167

HSL 73.04, 0.64%, 0.79%

LAB 90.85, -16.04, 31.88

 

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

CMYK 55 / 0 / 33 / 13

HEX #63DD94

RGB 99 221 148

HSL 144.1, 0.64%, 0.63%

LAB 79.9, -50.44, 25.77

 

CMYK 11 / 55 / 0 / 13

HEX #C563DD

RGB 197 99 221

HSL 288.2, 0.64%, 0.63%

LAB 58.05, 57.19, -46

 

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

CMYK 55 / 11 / 0 / 13

HEX #63C5DD

RGB 99 197 221

HSL 191.8, 0.64%, 0.63%

LAB 74.7, -22.09, -20.73

 

CMYK 0 / 55 / 11 / 13

HEX #DD63C5

RGB 221 99 197

HSL 311.8, 0.64%, 0.63%

LAB 60.18, 59.46, -28.85

 

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

CMYK 55 / 0 / 33 / 13

HEX #63DD94

RGB 99 221 148

HSL 144.1, 0.64%, 0.63%

LAB 79.9, -50.44, 25.77

 

CMYK 44 / 55 / 0 / 13

HEX #7B63DD

RGB 123 99 221

HSL 251.8, 0.64%, 0.63%

LAB 49.92, 39.09, -59.44

 

CMYK 0 / 55 / 22 / 13

HEX #DD63AC

RGB 221 99 172

HSL 324.1, 0.64%, 0.63%

LAB 59.23, 55.75, -16

 

CMYK 12 / 0 / 55 / 13

HEX #C4DE64

RGB 196 222 100

HSL 72.79, 0.65%, 0.63%

LAB 84.43, -26.1, 56

 

CMYK 55 / 0 / 16 / 13

HEX #63DDB9

RGB 99 221 185

HSL 162.3, 0.64%, 0.63%

LAB 80.67, -42.72, 7.41

 

CMYK 44 / 55 / 0 / 13

HEX #7B63DD

RGB 123 99 221

HSL 251.8, 0.64%, 0.63%

LAB 49.92, 39.09, -59.44

 

CMYK 0 / 55 / 38 / 13

HEX #DD6388

RGB 221 99 136

HSL 341.8, 0.64%, 0.63%

LAB 58.11, 51.24, 3.24

 

Description

Color code: HEX #C4DE64 | qconv.com Color code: HEX #C4DE64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 222 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 222 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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