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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4E69E it is the complementary color #3B1961. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4E69E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4E69E shade: #C9E699, #DAF8AC, #EBFFBF, #FCFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4E69E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4E69E shade: #C4E69E, #B3D48B, #A2C278, #91B065 and #809E52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4E69E shade: #C3E59D, #D7E59D, #E5E19D, #E5CD9D and #E5BA9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4E69E shade: #C3E59D, #B0E59D, #9DE59E, #9DE5B1 and #9DE5C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4E69E shade matches the following richer shades: #C3E59D, #C4EF93 and #C4F989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4E69E shade: #C3E59D, #C3DCA7, #C2D2B1, #C2C8BB and #C1BEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4E69E shade: #E5E19D, #D7E59D, #C4E59D, #B0E59D and #9DE59D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4E69E shade: #9BD45C, #AFDD7C, #C3E59D, #D7EEBE and #EBF6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4E69E shade: #C4E69E, #9DE5CD and #E59DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4E69E shade: #C4E69E, #9DC4E5 and #E59DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4E69E shade: #C4E69E, #9DE5CD, #BF9DE5 and #E59DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4E69E shade: #C4E69E, #9DE5E3, #BF9DE5 and #E59DA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

Complementary color

CMYK 39 / 74 / 0 / 62

HEX #3B1961

RGB 59 25 97

HSL 268.33, 0.59%, 0.24%

LAB 17.86, 32.32, -36.32

 

CMYK 13 / 0 / 33 / 10

HEX #C9E699

RGB 201 230 153

HSL 82.6, 0.61%, 0.75%

LAB 87.64, -22.28, 34.45

 

CMYK 12 / 0 / 31 / 3

HEX #DAF8AC

RGB 218 248 172

HSL 83.68, 0.84%, 0.82%

LAB 93.89, -22.29, 33.38

 

CMYK 8 / 0 / 25 / 0

HEX #EBFFBF

RGB 235 255 191

HSL 78.75, 1%, 0.87%

LAB 97.2, -17, 28.48

 

CMYK 1 / 0 / 18 / 0

HEX #FCFFD2

RGB 252 255 210

HSL 64, 1%, 0.91%

LAB 98.78, -8.26, 21.22

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

CMYK 16 / 0 / 34 / 17

HEX #B3D48B

RGB 179 212 139

HSL 87.12, 0.46%, 0.69%

LAB 81.04, -23.45, 32.61

 

CMYK 16 / 0 / 38 / 24

HEX #A2C278

RGB 162 194 120

HSL 85.95, 0.38%, 0.62%

LAB 74.59, -23.47, 33.75

 

CMYK 18 / 0 / 43 / 31

HEX #91B065

RGB 145 176 101

HSL 84.8, 0.32%, 0.54%

LAB 68.03, -23.46, 34.93

 

CMYK 19 / 0 / 48 / 38

HEX #809E52

RGB 128 158 82

HSL 83.68, 0.32%, 0.47%

LAB 61.35, -23.42, 36.13

 

CMYK 15 / 0 / 31 / 10

HEX #C3E59D

RGB 195 229 157

HSL 88.33, 0.58%, 0.76%

LAB 87.03, -23.43, 31.55

 

CMYK 6 / 0 / 31 / 10

HEX #D7E59D

RGB 215 229 157

HSL 71.67, 0.58%, 0.76%

LAB 88.41, -16.11, 33.63

 

CMYK 0 / 2 / 31 / 10

HEX #E5E19D

RGB 229 225 157

HSL 56.67, 0.58%, 0.76%

LAB 88.42, -8.84, 33.83

 

CMYK 0 / 10 / 31 / 10

HEX #E5CD9D

RGB 229 205 157

HSL 40, 0.58%, 0.76%

LAB 83.31, 1.39, 27

 

CMYK 0 / 19 / 31 / 10

HEX #E5BA9D

RGB 229 186 157

HSL 24.17, 0.58%, 0.76%

LAB 78.58, 11.37, 20.54

 

CMYK 15 / 0 / 31 / 10

HEX #C3E59D

RGB 195 229 157

HSL 88.33, 0.58%, 0.76%

LAB 87.03, -23.43, 31.55

 

CMYK 23 / 0 / 31 / 10

HEX #B0E59D

RGB 176 229 157

HSL 104.17, 0.58%, 0.76%

LAB 85.86, -30.08, 29.77

 

CMYK 31 / 0 / 31 / 10

HEX #9DE59E

RGB 157 229 158

HSL 120.83, 0.58%, 0.76%

LAB 84.83, -36.18, 27.69

 

CMYK 31 / 0 / 23 / 10

HEX #9DE5B1

RGB 157 229 177

HSL 136.67, 0.58%, 0.76%

LAB 85.19, -32.92, 18.36

 

CMYK 31 / 0 / 14 / 10

HEX #9DE5C5

RGB 157 229 197

HSL 153.33, 0.58%, 0.76%

LAB 85.62, -29.09, 8.5

 

CMYK 15 / 0 / 31 / 10

HEX #C3E59D

RGB 195 229 157

HSL 88.33, 0.58%, 0.76%

LAB 87.03, -23.43, 31.55

 

CMYK 18 / 0 / 38 / 6

HEX #C4EF93

RGB 196 239 147

HSL 88.04, 0.74%, 0.76%

LAB 89.66, -29.16, 40.03

 

CMYK 21 / 0 / 45 / 2

HEX #C4F989

RGB 196 249 137

HSL 88.39, 0.9%, 0.76%

LAB 92.26, -34.99, 48.19

 

CMYK 15 / 0 / 31 / 10

HEX #C3E59D

RGB 195 229 157

HSL 88.33, 0.58%, 0.76%

LAB 87.03, -23.43, 31.55

 

CMYK 11 / 0 / 24 / 14

HEX #C3DCA7

RGB 195 220 167

HSL 88.3, 0.43%, 0.76%

LAB 84.78, -17.56, 23.35

 

CMYK 8 / 0 / 16 / 18

HEX #C2D2B1

RGB 194 210 177

HSL 89.09, 0.27%, 0.76%

LAB 82.24, -11.3, 14.55

 

CMYK 3 / 0 / 7 / 22

HEX #C2C8BB

RGB 194 200 187

HSL 87.69, 0.11%, 0.76%

LAB 79.82, -4.42, 5.77

 

CMYK 2 / 4 / 0 / 23

HEX #C1BEC5

RGB 193 190 197

HSL 265.71, 0.06%, 0.76%

LAB 77.4, 2.35, -3.15

 

CMYK 0 / 2 / 31 / 10

HEX #E5E19D

RGB 229 225 157

HSL 56.67, 0.58%, 0.76%

LAB 88.42, -8.84, 33.83

 

CMYK 6 / 0 / 31 / 10

HEX #D7E59D

RGB 215 229 157

HSL 71.67, 0.58%, 0.76%

LAB 88.41, -16.11, 33.63

 

CMYK 14 / 0 / 31 / 10

HEX #C4E59D

RGB 196 229 157

HSL 87.5, 0.58%, 0.76%

LAB 87.1, -23.07, 31.65

 

CMYK 23 / 0 / 31 / 10

HEX #B0E59D

RGB 176 229 157

HSL 104.17, 0.58%, 0.76%

LAB 85.86, -30.08, 29.77

 

CMYK 31 / 0 / 31 / 10

HEX #9DE59D

RGB 157 229 157

HSL 120, 0.58%, 0.76%

LAB 84.81, -36.34, 28.18

 

CMYK 27 / 0 / 57 / 17

HEX #9BD45C

RGB 155 212 92

HSL 88.5, 0.58%, 0.6%

LAB 78.94, -37.71, 52.62

 

CMYK 21 / 0 / 44 / 13

HEX #AFDD7C

RGB 175 221 124

HSL 88.45, 0.59%, 0.68%

LAB 83.06, -31.12, 42.71

 

CMYK 15 / 0 / 31 / 10

HEX #C3E59D

RGB 195 229 157

HSL 88.33, 0.58%, 0.76%

LAB 87.03, -23.43, 31.55

 

CMYK 10 / 0 / 20 / 7

HEX #D7EEBE

RGB 215 238 190

HSL 88.75, 0.59%, 0.84%

LAB 91.38, -15.87, 20.76

 

CMYK 4 / 0 / 9 / 4

HEX #EBF6DF

RGB 235 246 223

HSL 88.7, 0.56%, 0.92%

LAB 95.54, -7.64, 9.81

 

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

CMYK 31 / 0 / 10 / 10

HEX #9DE5CD

RGB 157 229 205

HSL 160, 0.58%, 0.76%

LAB 85.81, -27.45, 4.57

 

CMYK 0 / 31 / 2 / 10

HEX #E59DE1

RGB 229 157 225

HSL 303.33, 0.58%, 0.76%

LAB 73.68, 37.45, -23.64

 

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

CMYK 31 / 14 / 0 / 10

HEX #9DC4E5

RGB 157 196 229

HSL 207.5, 0.58%, 0.76%

LAB 77.46, -5.27, -20.6

 

CMYK 0 / 31 / 14 / 10

HEX #E59DC4

RGB 229 157 196

HSL 327.5, 0.58%, 0.76%

LAB 72.73, 32.5, -9.14

 

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

CMYK 31 / 0 / 10 / 10

HEX #9DE5CD

RGB 157 229 205

HSL 160, 0.58%, 0.76%

LAB 85.81, -27.45, 4.57

 

CMYK 17 / 31 / 0 / 10

HEX #BF9DE5

RGB 191 157 229

HSL 268.33, 0.58%, 0.76%

LAB 70.07, 26.31, -31.7

 

CMYK 0 / 31 / 21 / 10

HEX #E59DB5

RGB 229 157 181

HSL 340, 0.58%, 0.76%

LAB 72.3, 30.19, -1.49

 

CMYK 15 / 0 / 31 / 10

HEX #C4E69E

RGB 196 230 158

HSL 88.33, 0.59%, 0.76%

LAB 87.39, -23.41, 31.52

 

CMYK 31 / 0 / 1 / 10

HEX #9DE5E3

RGB 157 229 227

HSL 178.33, 0.58%, 0.76%

LAB 86.38, -22.66, -6.18

 

CMYK 17 / 31 / 0 / 10

HEX #BF9DE5

RGB 191 157 229

HSL 268.33, 0.58%, 0.76%

LAB 70.07, 26.31, -31.7

 

CMYK 0 / 31 / 30 / 10

HEX #E59DA0

RGB 229 157 160

HSL 357.5, 0.58%, 0.76%

LAB 71.76, 27.25, 9.35

 

Description

Color code: HEX #C4E69E | qconv.com Color code: HEX #C4E69E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 230 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 230 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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