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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4E028 it is the complementary color #3B1FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4E028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4E028 shade: #C9E023, #DAF236, #EBFF49, #FCFF5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4E028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4E028 shade: #C4E028, #B3CE15, #A2BC02, #91AA00 and #809800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4E028 shade: #C4E028, #E0CA28, #E09928, #E06728 and #E03628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4E028 shade: #C4E028, #92E028, #61E028, #2FE028 and #28E053

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4E028 shade matches the following richer shades: #C4E028 and #D2F414

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4E028 shade: #C4E028, #B6CC3C, #A8B850, #9BA464 and #8D9178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4E028 shade: #E09A28, #E0CA28, #C4E028, #93E028 and #62E028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4E028 shade: #8A9F16, #AAC31B, #C4E028, #CEE54C and #D8EA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4E028 shade: #C4E028, #28E069 and #B228E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4E028 shade: #C4E028, #28C4E0 and #E028C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4E028 shade: #C4E028, #28E069, #4428E0 and #E028A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4E028 shade: #C4E028, #28E0A0, #4428E0 and #E02869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

Complementary color

CMYK 73 / 86 / 0 / 16

HEX #3B1FD7

RGB 59 31 215

HSL 249.13, 0.75%, 0.48%

LAB 31.38, 63.29, -86.57

 

CMYK 10 / 0 / 84 / 12

HEX #C9E023

RGB 201 224 35

HSL 67.3, 0.75%, 0.51%

LAB 84.92, -28.58, 79.16

 

CMYK 10 / 0 / 78 / 5

HEX #DAF236

RGB 218 242 54

HSL 67.66, 0.88%, 0.58%

LAB 91.09, -29.52, 80.33

 

CMYK 8 / 0 / 71 / 0

HEX #EBFF49

RGB 235 255 73

HSL 66.59, 1%, 0.64%

LAB 95.86, -27.99, 79.44

 

CMYK 1 / 0 / 64 / 0

HEX #FCFF5C

RGB 252 255 92

HSL 61.1, 1%, 0.68%

LAB 97.22, -20.24, 74.45

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 13 / 0 / 90 / 19

HEX #B3CE15

RGB 179 206 21

HSL 68.76, 0.81%, 0.45%

LAB 78.33, -29.44, 75.72

 

CMYK 14 / 0 / 99 / 26

HEX #A2BC02

RGB 162 188 2

HSL 68.39, 0.98%, 0.37%

LAB 72, -28.24, 72.56

 

CMYK 15 / 0 / 100 / 33

HEX #91AA00

RGB 145 170 0

HSL 68.82, 1%, 0.33%

LAB 65.57, -26.8, 67.44

 

CMYK 16 / 0 / 100 / 40

HEX #809800

RGB 128 152 0

HSL 69.47, 1%, 0.3%

LAB 59.02, -25.31, 61.98

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 0 / 10 / 82 / 12

HEX #E0CA28

RGB 224 202 40

HSL 52.83, 0.75%, 0.52%

LAB 80.87, -7.98, 75.32

 

CMYK 0 / 32 / 82 / 12

HEX #E09928

RGB 224 153 40

HSL 36.85, 0.75%, 0.52%

LAB 68.59, 17.76, 64.78

 

CMYK 0 / 54 / 82 / 12

HEX #E06728

RGB 224 103 40

HSL 20.54, 0.75%, 0.52%

LAB 57.75, 43.78, 55.2

 

CMYK 0 / 76 / 82 / 12

HEX #E03628

RGB 224 54 40

HSL 4.57, 0.75%, 0.52%

LAB 50.26, 63.82, 48.34

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 35 / 0 / 82 / 12

HEX #92E028

RGB 146 224 40

HSL 85.43, 0.75%, 0.52%

LAB 81.61, -49.51, 73.87

 

CMYK 57 / 0 / 82 / 12

HEX #61E028

RGB 97 224 40

HSL 101.41, 0.75%, 0.52%

LAB 79.62, -64.42, 71.34

 

CMYK 79 / 0 / 82 / 12

HEX #2FE028

RGB 47 224 40

HSL 117.72, 0.75%, 0.52%

LAB 78.5, -73.81, 69.91

 

CMYK 82 / 0 / 63 / 12

HEX #28E053

RGB 40 224 83

HSL 134.02, 0.75%, 0.52%

LAB 78.69, -71.17, 55.25

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 14 / 0 / 92 / 4

HEX #D2F414

RGB 210 244 20

HSL 69.11, 0.91%, 0.52%

LAB 90.99, -34.49, 86.76

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 11 / 0 / 71 / 20

HEX #B6CC3C

RGB 182 204 60

HSL 69.17, 0.59%, 0.52%

LAB 78.14, -25.86, 65.39

 

CMYK 9 / 0 / 57 / 28

HEX #A8B850

RGB 168 184 80

HSL 69.23, 0.42%, 0.52%

LAB 71.68, -20.45, 50

 

CMYK 5 / 0 / 39 / 36

HEX #9BA464

RGB 155 164 100

HSL 68.44, 0.26%, 0.52%

LAB 65.31, -13.51, 32.14

 

CMYK 3 / 0 / 17 / 43

HEX #8D9178

RGB 141 145 120

HSL 69.6, 0.1%, 0.52%

LAB 59.22, -6.03, 12.8

 

CMYK 0 / 31 / 82 / 12

HEX #E09A28

RGB 224 154 40

HSL 37.17, 0.75%, 0.52%

LAB 68.83, 17.22, 64.99

 

CMYK 0 / 10 / 82 / 12

HEX #E0CA28

RGB 224 202 40

HSL 52.83, 0.75%, 0.52%

LAB 80.87, -7.98, 75.32

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 34 / 0 / 82 / 12

HEX #93E028

RGB 147 224 40

HSL 85.11, 0.75%, 0.52%

LAB 81.66, -49.16, 73.93

 

CMYK 56 / 0 / 82 / 12

HEX #62E028

RGB 98 224 40

HSL 101.09, 0.75%, 0.52%

LAB 79.65, -64.17, 71.38

 

CMYK 13 / 0 / 86 / 38

HEX #8A9F16

RGB 138 159 22

HSL 69.2, 0.76%, 0.35%

LAB 61.88, -23.98, 60.85

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 10 / 0 / 67 / 10

HEX #CEE54C

RGB 206 229 76

HSL 69.02, 0.75%, 0.6%

LAB 86.84, -27.19, 68.78

 

CMYK 8 / 0 / 52 / 8

HEX #D8EA71

RGB 216 234 113

HSL 68.93, 0.74%, 0.68%

LAB 89.22, -22.91, 56.03

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 82 / 0 / 53 / 12

HEX #28E069

RGB 40 224 105

HSL 141.2, 0.75%, 0.52%

LAB 78.92, -68.38, 45.66

 

CMYK 21 / 82 / 0 / 12

HEX #B228E0

RGB 178 40 224

HSL 285, 0.75%, 0.52%

LAB 47.45, 76.41, -64.82

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 82 / 13 / 0 / 12

HEX #28C4E0

RGB 40 196 224

HSL 189.13, 0.75%, 0.52%

LAB 73.1, -28.86, -24.93

 

CMYK 0 / 82 / 13 / 12

HEX #E028C4

RGB 224 40 196

HSL 309.13, 0.75%, 0.52%

LAB 53.33, 80.37, -38.93

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 82 / 0 / 53 / 12

HEX #28E069

RGB 40 224 105

HSL 141.2, 0.75%, 0.52%

LAB 78.92, -68.38, 45.66

 

CMYK 70 / 82 / 0 / 12

HEX #4428E0

RGB 68 40 224

HSL 249.13, 0.75%, 0.52%

LAB 34.25, 62.88, -86.97

 

CMYK 0 / 82 / 29 / 12

HEX #E028A0

RGB 224 40 160

HSL 320.87, 0.75%, 0.52%

LAB 51.73, 75.91, -20.37

 

CMYK 13 / 0 / 82 / 12

HEX #C4E028

RGB 196 224 40

HSL 69.13, 0.75%, 0.52%

LAB 84.59, -30.47, 77.62

 

CMYK 82 / 0 / 29 / 12

HEX #28E0A0

RGB 40 224 160

HSL 159.13, 0.75%, 0.52%

LAB 79.78, -58.36, 19.17

 

CMYK 70 / 82 / 0 / 12

HEX #4428E0

RGB 68 40 224

HSL 249.13, 0.75%, 0.52%

LAB 34.25, 62.88, -86.97

 

CMYK 0 / 82 / 53 / 12

HEX #E02869

RGB 224 40 105

HSL 338.8, 0.75%, 0.52%

LAB 49.96, 70.8, 10.16

 

Description

Color code: HEX #C4E028 | qconv.com Color code: HEX #C4E028 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 224 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 224 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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