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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4E1FD it is the complementary color #3B1E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4E1FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4E1FD shade: #C9E1F8, #DAF3FF, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4E1FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4E1FD shade: #C4E1FD, #B3CFEA, #A2BDD7, #91ABC4 and #8099B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4E1FD shade: #C3E0FC, #C3D1FC, #C5C3FC, #D5C3FC and #E4C3FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4E1FD shade: #C3E0FC, #C3D1FC and #C3C3FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4E1FD shade matches the following richer shades: #C3E0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4E1FD shade: #C3E0FC, #C8E0F7, #CDE0F2, #D2E0EE and #D7E0E9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4E1FD shade: #C3FCFA, #C3F0FC, #C3E1FC, #C3D2FC and #C4C3FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4E1FD shade: #74B8F9, #9CCCFB, #C3E0FC and #EBF5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4E1FD shade: #C4E1FD, #EAC3FC and #F8FCC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4E1FD shade: #C4E1FD, #FCC3E1 and #E1FCC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4E1FD shade: #C4E1FD, #EAC3FC, #FCDFC3 and #D5FCC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4E1FD shade: #C4E1FD, #FBC3FC, #FCDFC3 and #C4FCC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

Complementary color

CMYK 0 / 49 / 97 / 77

HEX #3B1E02

RGB 59 30 2

HSL 29.47, 0.93%, 0.12%

LAB 14.75, 11.64, 21.18

 

CMYK 19 / 9 / 0 / 3

HEX #C9E1F8

RGB 201 225 248

HSL 209.36, 0.77%, 0.88%

LAB 88.47, -3.2, -13.85

 

CMYK 15 / 5 / 0 / 0

HEX #DAF3FF

RGB 218 243 255

HSL 199.46, 1%, 0.93%

LAB 94.41, -5.76, -8.53

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

CMYK 24 / 12 / 0 / 8

HEX #B3CFEA

RGB 179 207 234

HSL 209.45, 0.57%, 0.81%

LAB 81.92, -3.51, -16.41

 

CMYK 25 / 12 / 0 / 16

HEX #A2BDD7

RGB 162 189 215

HSL 209.43, 0.4%, 0.74%

LAB 75.44, -3.4, -16.06

 

CMYK 26 / 13 / 0 / 23

HEX #91ABC4

RGB 145 171 196

HSL 209.41, 0.3%, 0.67%

LAB 68.85, -3.27, -15.72

 

CMYK 28 / 14 / 0 / 31

HEX #8099B1

RGB 128 153 177

HSL 209.39, 0.24%, 0.6%

LAB 62.12, -3.14, -15.38

 

CMYK 23 / 11 / 0 / 1

HEX #C3E0FC

RGB 195 224 252

HSL 209.47, 0.9%, 0.88%

LAB 87.94, -3.63, -16.78

 

CMYK 23 / 17 / 0 / 1

HEX #C3D1FC

RGB 195 209 252

HSL 225.26, 0.9%, 0.88%

LAB 84.09, 4.26, -22.61

 

CMYK 22 / 23 / 0 / 1

HEX #C5C3FC

RGB 197 195 252

HSL 242.11, 0.9%, 0.88%

LAB 80.7, 12.38, -27.75

 

CMYK 15 / 23 / 0 / 1

HEX #D5C3FC

RGB 213 195 252

HSL 258.95, 0.9%, 0.88%

LAB 81.95, 17.25, -25.73

 

CMYK 10 / 23 / 0 / 1

HEX #E4C3FC

RGB 228 195 252

HSL 274.74, 0.9%, 0.88%

LAB 83.21, 21.93, -23.7

 

CMYK 23 / 11 / 0 / 1

HEX #C3E0FC

RGB 195 224 252

HSL 209.47, 0.9%, 0.88%

LAB 87.94, -3.63, -16.78

 

CMYK 23 / 17 / 0 / 1

HEX #C3D1FC

RGB 195 209 252

HSL 225.26, 0.9%, 0.88%

LAB 84.09, 4.26, -22.61

 

CMYK 23 / 23 / 0 / 1

HEX #C3C3FC

RGB 195 195 252

HSL 240, 0.9%, 0.88%

LAB 80.55, 11.78, -28

 

CMYK 23 / 11 / 0 / 1

HEX #C3E0FC

RGB 195 224 252

HSL 209.47, 0.9%, 0.88%

LAB 87.94, -3.63, -16.78

 

CMYK 23 / 11 / 0 / 1

HEX #C3E0FC

RGB 195 224 252

HSL 209.47, 0.9%, 0.88%

LAB 87.94, -3.63, -16.78

 

CMYK 19 / 9 / 0 / 3

HEX #C8E0F7

RGB 200 224 247

HSL 209.36, 0.75%, 0.88%

LAB 88.12, -3.2, -13.86

 

CMYK 15 / 7 / 0 / 5

HEX #CDE0F2

RGB 205 224 242

HSL 209.19, 0.59%, 0.88%

LAB 88.31, -2.71, -10.91

 

CMYK 12 / 6 / 0 / 7

HEX #D2E0EE

RGB 210 224 238

HSL 210, 0.45%, 0.88%

LAB 88.54, -1.94, -8.43

 

CMYK 8 / 4 / 0 / 9

HEX #D7E0E9

RGB 215 224 233

HSL 210, 0.29%, 0.88%

LAB 88.75, -1.31, -5.44

 

CMYK 23 / 0 / 1 / 1

HEX #C3FCFA

RGB 195 252 250

HSL 177.89, 0.9%, 0.88%

LAB 95.21, -18.21, -4.91

 

CMYK 23 / 5 / 0 / 1

HEX #C3F0FC

RGB 195 240 252

HSL 192.63, 0.9%, 0.88%

LAB 92.11, -11.81, -10.55

 

CMYK 23 / 11 / 0 / 1

HEX #C3E1FC

RGB 195 225 252

HSL 208.42, 0.9%, 0.88%

LAB 88.2, -4.14, -16.39

 

CMYK 23 / 17 / 0 / 1

HEX #C3D2FC

RGB 195 210 252

HSL 224.21, 0.9%, 0.88%

LAB 84.34, 3.73, -22.22

 

CMYK 22 / 23 / 0 / 1

HEX #C4C3FC

RGB 196 195 252

HSL 241.05, 0.9%, 0.88%

LAB 80.62, 12.08, -27.88

 

CMYK 53 / 26 / 0 / 2

HEX #74B8F9

RGB 116 184 249

HSL 209.32, 0.92%, 0.72%

LAB 72.78, -3.54, -38.77

 

CMYK 38 / 19 / 0 / 2

HEX #9CCCFB

RGB 156 204 251

HSL 209.68, 0.92%, 0.8%

LAB 80.3, -4.29, -28.06

 

CMYK 23 / 11 / 0 / 1

HEX #C3E0FC

RGB 195 224 252

HSL 209.47, 0.9%, 0.88%

LAB 87.94, -3.63, -16.78

 

CMYK 7 / 4 / 0 / 0

HEX #EBF5FE

RGB 235 245 254

HSL 208.42, 0.9%, 0.96%

LAB 96.05, -1.61, -5.46

 

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

CMYK 7 / 23 / 0 / 1

HEX #EAC3FC

RGB 234 195 252

HSL 281.05, 0.9%, 0.88%

LAB 83.73, 23.83, -22.86

 

CMYK 2 / 0 / 23 / 1

HEX #F8FCC3

RGB 248 252 195

HSL 64.21, 0.9%, 0.88%

LAB 97.44, -10.33, 26.93

 

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

CMYK 0 / 23 / 11 / 1

HEX #FCC3E1

RGB 252 195 225

HSL 328.42, 0.9%, 0.88%

LAB 84.57, 24.94, -7.04

 

CMYK 11 / 0 / 23 / 1

HEX #E1FCC3

RGB 225 252 195

HSL 88.42, 0.9%, 0.88%

LAB 95.82, -18.48, 24.45

 

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

CMYK 7 / 23 / 0 / 1

HEX #EAC3FC

RGB 234 195 252

HSL 281.05, 0.9%, 0.88%

LAB 83.73, 23.83, -22.86

 

CMYK 0 / 12 / 23 / 1

HEX #FCDFC3

RGB 252 223 195

HSL 29.47, 0.9%, 0.88%

LAB 90.51, 5.76, 17.38

 

CMYK 15 / 0 / 23 / 1

HEX #D5FCC3

RGB 213 252 195

HSL 101.05, 0.9%, 0.88%

LAB 95.04, -22.6, 23.25

 

CMYK 23 / 11 / 0 / 1

HEX #C4E1FD

RGB 196 225 253

HSL 209.47, 0.93%, 0.88%

LAB 88.29, -3.63, -16.77

 

CMYK 0 / 23 / 0 / 1

HEX #FBC3FC

RGB 251 195 252

HSL 298.95, 0.9%, 0.88%

LAB 85.29, 29.27, -20.35

 

CMYK 0 / 12 / 23 / 1

HEX #FCDFC3

RGB 252 223 195

HSL 29.47, 0.9%, 0.88%

LAB 90.51, 5.76, 17.38

 

CMYK 22 / 0 / 23 / 1

HEX #C4FCC3

RGB 196 252 195

HSL 118.95, 0.9%, 0.88%

LAB 94.01, -28.26, 21.67

 

Description

Color code: HEX #C4E1FD | qconv.com Color code: HEX #C4E1FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 225 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 225 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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