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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4F9BD it is the complementary color #3B0642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4F9BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4F9BD shade: #C9F9B8, #DAFFCB, #EBFFDE and #FCFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4F9BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4F9BD shade: #C4F9BD, #B3E7AA, #A2D597, #91C384 and #80B171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4F9BD shade: #C4F8BD, #D4F8BD, #E4F8BD, #F4F8BD and #F8EDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4F9BD shade: #C4F8BD, #BDF8C6, #BDF8D6, #BDF8E6 and #BDF8F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4F9BD shade matches the following richer shades: #C4F8BD and #C0FEB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4F9BD shade: #C4F8BD, #C9F3C3, #CDEDC9, #D1E7CE and #D6E1D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4F9BD shade: #E4F8BD, #D4F8BD, #C4F8BD, #BDF8C6 and #BDF8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4F9BD shade: #81F172, #A2F597, #C4F8BD and #E6FCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4F9BD shade: #C4F9BD, #BDF3F8 and #F8BDDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4F9BD shade: #C4F9BD, #BDC4F8 and #F8BDC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4F9BD shade: #C4F9BD, #BDF3F8, #F2BDF8 and #F8C2BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4F9BD shade: #C4F9BD, #BDE2F8, #F2BDF8 and #F8D4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

Complementary color

CMYK 11 / 91 / 0 / 74

HEX #3B0642

RGB 59 6 66

HSL 293, 0.83%, 0.14%

LAB 12.31, 33.35, -24.14

 

CMYK 19 / 0 / 26 / 2

HEX #C9F9B8

RGB 201 249 184

HSL 104.31, 0.84%, 0.85%

LAB 93.29, -26.94, 26.32

 

CMYK 15 / 0 / 20 / 0

HEX #DAFFCB

RGB 218 255 203

HSL 102.69, 1%, 0.9%

LAB 96.3, -21.09, 20.98

 

CMYK 8 / 0 / 13 / 0

HEX #EBFFDE

RGB 235 255 222

HSL 96.36, 1%, 0.94%

LAB 97.82, -12.28, 13.57

 

CMYK 1 / 0 / 5 / 0

HEX #FCFFF1

RGB 252 255 241

HSL 72.86, 1%, 0.97%

LAB 99.44, -3.39, 6.33

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

CMYK 23 / 0 / 26 / 9

HEX #B3E7AA

RGB 179 231 170

HSL 111.15, 0.56%, 0.79%

LAB 86.82, -27.99, 24.42

 

CMYK 24 / 0 / 29 / 16

HEX #A2D597

RGB 162 213 151

HSL 109.35, 0.42%, 0.71%

LAB 80.46, -28.18, 25.45

 

CMYK 26 / 0 / 32 / 24

HEX #91C384

RGB 145 195 132

HSL 107.62, 0.34%, 0.64%

LAB 74.01, -28.37, 26.53

 

CMYK 28 / 0 / 36 / 31

HEX #80B171

RGB 128 177 113

HSL 105.94, 0.29%, 0.57%

LAB 67.45, -28.56, 27.67

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 15 / 0 / 24 / 3

HEX #D4F8BD

RGB 212 248 189

HSL 96.61, 0.81%, 0.86%

LAB 93.8, -21.95, 24.59

 

CMYK 8 / 0 / 24 / 3

HEX #E4F8BD

RGB 228 248 189

HSL 80.34, 0.81%, 0.86%

LAB 94.87, -16.35, 26.22

 

CMYK 2 / 0 / 24 / 3

HEX #F4F8BD

RGB 244 248 189

HSL 64.07, 0.81%, 0.86%

LAB 96.01, -10.61, 27.98

 

CMYK 0 / 4 / 24 / 3

HEX #F8EDBD

RGB 248 237 189

HSL 48.81, 0.81%, 0.86%

LAB 93.54, -3.66, 24.64

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 24 / 0 / 20 / 3

HEX #BDF8C6

RGB 189 248 198

HSL 129.15, 0.81%, 0.86%

LAB 92.59, -28.11, 18.09

 

CMYK 24 / 0 / 14 / 3

HEX #BDF8D6

RGB 189 248 214

HSL 145.42, 0.81%, 0.86%

LAB 92.93, -25.22, 10.33

 

CMYK 24 / 0 / 7 / 3

HEX #BDF8E6

RGB 189 248 230

HSL 161.69, 0.81%, 0.86%

LAB 93.31, -22.13, 2.6

 

CMYK 24 / 0 / 1 / 3

HEX #BDF8F6

RGB 189 248 246

HSL 177.97, 0.81%, 0.86%

LAB 93.71, -18.83, -5.09

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 24 / 0 / 28 / 0

HEX #C0FEB7

RGB 192 254 183

HSL 112.39, 0.97%, 0.86%

LAB 94.1, -32.42, 27.85

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 17 / 0 / 20 / 5

HEX #C9F3C3

RGB 201 243 195

HSL 112.5, 0.67%, 0.86%

LAB 91.89, -22.31, 18.76

 

CMYK 14 / 0 / 15 / 7

HEX #CDEDC9

RGB 205 237 201

HSL 113.33, 0.5%, 0.86%

LAB 90.67, -17.02, 13.98

 

CMYK 10 / 0 / 11 / 9

HEX #D1E7CE

RGB 209 231 206

HSL 112.8, 0.34%, 0.86%

LAB 89.47, -11.82, 9.71

 

CMYK 5 / 0 / 6 / 12

HEX #D6E1D4

RGB 214 225 212

HSL 110.77, 0.18%, 0.86%

LAB 88.4, -6.03, 5.07

 

CMYK 8 / 0 / 24 / 3

HEX #E4F8BD

RGB 228 248 189

HSL 80.34, 0.81%, 0.86%

LAB 94.87, -16.35, 26.22

 

CMYK 15 / 0 / 24 / 3

HEX #D4F8BD

RGB 212 248 189

HSL 96.61, 0.81%, 0.86%

LAB 93.8, -21.95, 24.59

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 24 / 0 / 20 / 3

HEX #BDF8C6

RGB 189 248 198

HSL 129.15, 0.81%, 0.86%

LAB 92.59, -28.11, 18.09

 

CMYK 24 / 0 / 14 / 3

HEX #BDF8D6

RGB 189 248 214

HSL 145.42, 0.81%, 0.86%

LAB 92.93, -25.22, 10.33

 

CMYK 46 / 0 / 53 / 5

HEX #81F172

RGB 129 241 114

HSL 112.91, 0.82%, 0.7%

LAB 86.4, -55.93, 51.05

 

CMYK 34 / 0 / 38 / 4

HEX #A2F597

RGB 162 245 151

HSL 112.98, 0.82%, 0.78%

LAB 89.5, -42.82, 37.47

 

CMYK 21 / 0 / 24 / 3

HEX #C4F8BD

RGB 196 248 189

HSL 112.88, 0.81%, 0.86%

LAB 92.81, -27.35, 23.08

 

CMYK 9 / 0 / 10 / 1

HEX #E6FCE3

RGB 230 252 227

HSL 112.8, 0.81%, 0.94%

LAB 96.82, -11.63, 9.53

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

CMYK 24 / 2 / 0 / 3

HEX #BDF3F8

RGB 189 243 248

HSL 185.08, 0.81%, 0.86%

LAB 92.44, -15.93, -8.01

 

CMYK 0 / 24 / 11 / 3

HEX #F8BDDC

RGB 248 189 220

HSL 328.47, 0.81%, 0.86%

LAB 82.66, 25.92, -7.24

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

CMYK 24 / 21 / 0 / 3

HEX #BDC4F8

RGB 189 196 248

HSL 232.88, 0.81%, 0.86%

LAB 80.22, 8.54, -26.4

 

CMYK 0 / 24 / 21 / 3

HEX #F8BDC4

RGB 248 189 196

HSL 352.88, 0.81%, 0.86%

LAB 82.02, 22.2, 4.72

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

CMYK 24 / 2 / 0 / 3

HEX #BDF3F8

RGB 189 243 248

HSL 185.08, 0.81%, 0.86%

LAB 92.44, -15.93, -8.01

 

CMYK 2 / 24 / 0 / 3

HEX #F2BDF8

RGB 242 189 248

HSL 293.9, 0.81%, 0.86%

LAB 82.94, 28.82, -21.86

 

CMYK 0 / 22 / 24 / 3

HEX #F8C2BD

RGB 248 194 189

HSL 5.08, 0.81%, 0.86%

LAB 83.03, 18.56, 9.91

 

CMYK 21 / 0 / 24 / 2

HEX #C4F9BD

RGB 196 249 189

HSL 113, 0.83%, 0.86%

LAB 93.08, -27.82, 23.45

 

CMYK 24 / 9 / 0 / 3

HEX #BDE2F8

RGB 189 226 248

HSL 202.37, 0.81%, 0.86%

LAB 87.96, -7.32, -14.68

 

CMYK 2 / 24 / 0 / 3

HEX #F2BDF8

RGB 242 189 248

HSL 293.9, 0.81%, 0.86%

LAB 82.94, 28.82, -21.86

 

CMYK 0 / 15 / 24 / 3

HEX #F8D4BD

RGB 248 212 189

HSL 23.39, 0.81%, 0.86%

LAB 87.35, 9.15, 16.03

 

Description

Color code: HEX #C4F9BD | qconv.com Color code: HEX #C4F9BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 249 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 249 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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