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Color name
HEX #C4F022

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4F022 it is the complementary color #3B0FDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4F022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4F022 shade: #C9F01D, #DAFF30, #EBFF43, #FCFF56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4F022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4F022 shade: #C4F022, #B3DE0F, #A2CC00, #91BA00 and #80A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4F022 shade: #C4EF23, #EFE423, #EFAD23, #EF7623 and #EF3F23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4F022 shade: #C4EF23, #8DEF23, #56EF23, #23EF28 and #23EF5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4F022 shade matches the following richer shades: #C4EF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4F022 shade: #C4EF23, #B9DC36, #AEC949, #A3B65C and #98A36F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4F022 shade: #EFAB23, #EFE223, #C6EF23, #90EF23 and #5AEF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4F022 shade: #90B40C, #AFDA0F, #C4EF23, #CEF24A and #D8F570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4F022 shade: #C4F022, #23EF75 and #C623EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4F022 shade: #C4F022, #23C6EF and #EF23C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4F022 shade: #C4F022, #23EF75, #4C23EF and #EF239E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4F022 shade: #C4F022, #23EFB2, #4C23EF and #EF2360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

Complementary color

CMYK 73 / 93 / 0 / 13

HEX #3B0FDD

RGB 59 15 221

HSL 252.82, 0.87%, 0.46%

LAB 30.62, 69.4, -91.3

 

CMYK 16 / 0 / 88 / 6

HEX #C9F01D

RGB 201 240 29

HSL 71.09, 0.88%, 0.53%

LAB 89.31, -36.09, 83.9

 

CMYK 15 / 0 / 81 / 0

HEX #DAFF30

RGB 218 255 48

HSL 70.72, 1%, 0.59%

LAB 94.58, -35.68, 84.94

 

CMYK 8 / 0 / 74 / 0

HEX #EBFF43

RGB 235 255 67

HSL 66.38, 1%, 0.63%

LAB 95.83, -28.26, 81.32

 

CMYK 1 / 0 / 66 / 0

HEX #FCFF56

RGB 252 255 86

HSL 61.07, 1%, 0.67%

LAB 97.18, -20.57, 76.65

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

CMYK 19 / 0 / 93 / 13

HEX #B3DE0F

RGB 179 222 15

HSL 72.46, 0.87%, 0.46%

LAB 82.84, -36.92, 80.08

 

CMYK 21 / 0 / 100 / 20

HEX #A2CC00

RGB 162 204 0

HSL 72.35, 1%, 0.4%

LAB 76.6, -35.72, 76.25

 

CMYK 22 / 0 / 100 / 27

HEX #91BA00

RGB 145 186 0

HSL 73.23, 1%, 0.36%

LAB 70.27, -34.35, 70.98

 

CMYK 24 / 0 / 100 / 34

HEX #80A800

RGB 128 168 0

HSL 74.29, 1%, 0.33%

LAB 63.83, -32.95, 65.62

 

CMYK 18 / 0 / 85 / 6

HEX #C4EF23

RGB 196 239 35

HSL 72.65, 0.86%, 0.54%

LAB 88.73, -37.47, 82.21

 

CMYK 0 / 5 / 85 / 6

HEX #EFE423

RGB 239 228 35

HSL 56.76, 0.86%, 0.54%

LAB 88.9, -14.74, 83.64

 

CMYK 0 / 28 / 85 / 6

HEX #EFAD23

RGB 239 173 35

HSL 40.59, 0.86%, 0.54%

LAB 75.05, 13.42, 72.37

 

CMYK 0 / 51 / 85 / 6

HEX #EF7623

RGB 239 118 35

HSL 24.41, 0.86%, 0.54%

LAB 62.87, 42.03, 62.39

 

CMYK 0 / 74 / 85 / 6

HEX #EF3F23

RGB 239 63 35

HSL 8.24, 0.86%, 0.54%

LAB 54.06, 65.33, 55.11

 

CMYK 18 / 0 / 85 / 6

HEX #C4EF23

RGB 196 239 35

HSL 72.65, 0.86%, 0.54%

LAB 88.73, -37.47, 82.21

 

CMYK 41 / 0 / 85 / 6

HEX #8DEF23

RGB 141 239 35

HSL 88.82, 0.86%, 0.54%

LAB 85.76, -57.34, 78.51

 

CMYK 64 / 0 / 85 / 6

HEX #56EF23

RGB 86 239 35

HSL 105, 0.86%, 0.54%

LAB 83.88, -72.1, 76.14

 

CMYK 85 / 0 / 83 / 6

HEX #23EF28

RGB 35 239 40

HSL 121.47, 0.86%, 0.54%

LAB 83.04, -79.28, 73.98

 

CMYK 85 / 0 / 60 / 6

HEX #23EF5F

RGB 35 239 95

HSL 137.65, 0.86%, 0.54%

LAB 83.4, -74.81, 55.46

 

CMYK 18 / 0 / 85 / 6

HEX #C4EF23

RGB 196 239 35

HSL 72.65, 0.86%, 0.54%

LAB 88.73, -37.47, 82.21

 

CMYK 18 / 0 / 85 / 6

HEX #C4EF23

RGB 196 239 35

HSL 72.65, 0.86%, 0.54%

LAB 88.73, -37.47, 82.21

 

CMYK 16 / 0 / 75 / 14

HEX #B9DC36

RGB 185 220 54

HSL 72.65, 0.7%, 0.54%

LAB 82.79, -32.5, 71.91

 

CMYK 13 / 0 / 64 / 21

HEX #AEC949

RGB 174 201 73

HSL 72.66, 0.54%, 0.54%

LAB 76.83, -26.87, 58.84

 

CMYK 10 / 0 / 49 / 29

HEX #A3B65C

RGB 163 182 92

HSL 72.67, 0.38%, 0.54%

LAB 70.88, -20.38, 43.26

 

CMYK 7 / 0 / 32 / 36

HEX #98A36F

RGB 152 163 111

HSL 72.69, 0.22%, 0.54%

LAB 64.98, -12.76, 25.77

 

CMYK 0 / 28 / 85 / 6

HEX #EFAB23

RGB 239 171 35

HSL 40, 0.86%, 0.54%

LAB 74.57, 14.48, 71.98

 

CMYK 0 / 5 / 85 / 6

HEX #EFE223

RGB 239 226 35

HSL 56.18, 0.86%, 0.54%

LAB 88.38, -13.75, 83.21

 

CMYK 17 / 0 / 85 / 6

HEX #C6EF23

RGB 198 239 35

HSL 72.06, 0.86%, 0.54%

LAB 88.86, -36.68, 82.36

 

CMYK 40 / 0 / 85 / 6

HEX #90EF23

RGB 144 239 35

HSL 87.94, 0.86%, 0.54%

LAB 85.9, -56.36, 78.68

 

CMYK 62 / 0 / 85 / 6

HEX #5AEF23

RGB 90 239 35

HSL 103.82, 0.86%, 0.54%

LAB 83.98, -71.25, 76.27

 

CMYK 20 / 0 / 93 / 29

HEX #90B40C

RGB 144 180 12

HSL 72.86, 0.88%, 0.38%

LAB 68.46, -31.8, 68.15

 

CMYK 20 / 0 / 93 / 15

HEX #AFDA0F

RGB 175 218 15

HSL 72.71, 0.87%, 0.46%

LAB 81.45, -36.7, 78.88

 

CMYK 18 / 0 / 85 / 6

HEX #C4EF23

RGB 196 239 35

HSL 72.65, 0.86%, 0.54%

LAB 88.73, -37.47, 82.21

 

CMYK 15 / 0 / 69 / 5

HEX #CEF24A

RGB 206 242 74

HSL 72.86, 0.87%, 0.62%

LAB 90.38, -33.35, 73.07

 

CMYK 12 / 0 / 54 / 4

HEX #D8F570

RGB 216 245 112

HSL 73.08, 0.87%, 0.7%

LAB 92.16, -28.22, 59.9

 

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

CMYK 85 / 0 / 51 / 6

HEX #23EF75

RGB 35 239 117

HSL 144.12, 0.86%, 0.54%

LAB 83.64, -71.88, 45.79

 

CMYK 17 / 85 / 0 / 6

HEX #C623EF

RGB 198 35 239

HSL 287.94, 0.86%, 0.54%

LAB 51.2, 83.39, -67.08

 

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

CMYK 85 / 17 / 0 / 6

HEX #23C6EF

RGB 35 198 239

HSL 192.06, 0.86%, 0.54%

LAB 74.18, -25.37, -31.39

 

CMYK 0 / 85 / 17 / 6

HEX #EF23C6

RGB 239 35 198

HSL 312.06, 0.86%, 0.54%

LAB 55.72, 84.55, -36.16

 

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

CMYK 85 / 0 / 51 / 6

HEX #23EF75

RGB 35 239 117

HSL 144.12, 0.86%, 0.54%

LAB 83.64, -71.88, 45.79

 

CMYK 68 / 85 / 0 / 6

HEX #4C23EF

RGB 76 35 239

HSL 252.06, 0.86%, 0.54%

LAB 35.93, 69.35, -92.71

 

CMYK 0 / 85 / 34 / 6

HEX #EF239E

RGB 239 35 158

HSL 323.82, 0.86%, 0.54%

LAB 54.05, 80.01, -15.4

 

CMYK 18 / 0 / 86 / 6

HEX #C4F022

RGB 196 240 34

HSL 72.82, 0.87%, 0.54%

LAB 89, -37.94, 82.63

 

CMYK 85 / 0 / 26 / 6

HEX #23EFB2

RGB 35 239 178

HSL 162.06, 0.86%, 0.54%

LAB 84.64, -60.37, 16.55

 

CMYK 68 / 85 / 0 / 6

HEX #4C23EF

RGB 76 35 239

HSL 252.06, 0.86%, 0.54%

LAB 35.93, 69.35, -92.71

 

CMYK 0 / 85 / 60 / 6

HEX #EF2360

RGB 239 35 96

HSL 342.06, 0.86%, 0.54%

LAB 52.28, 75.01, 19.29

 

Description

Color code: HEX #C4F022 | qconv.com Color code: HEX #C4F022 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 240 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 240 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 86 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 86% 6% C M Y K

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Provide designers and agencies with accurate color values.

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