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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4FA3B it is the complementary color #3B05C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4FA3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4FA3B shade: #C9FA36, #DAFF49, #EBFF5C, #FCFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4FA3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4FA3B shade: #C4FA3B, #B3E828, #A2D615, #91C402 and #80B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4FA3B shade: #C4FA3D, #F7FA3D, #FAC93D, #FA963D and #FA633D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4FA3B shade: #C4FA3D, #91FA3D, #5EFA3D, #3DFA4E and #3DFA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4FA3B shade matches the following richer shades: #C4FA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4FA3B shade: #C4FA3D, #BDE94D, #B6D95D, #AFC96D and #A8B97D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4FA3B shade: #FAC73D, #FAFA3D, #C7FA3D, #95FA3D and #62FA3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4FA3B shade: #A1DE05, #B8F814, #C4FA3D, #D0FB65 and #DCFC8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4FA3B shade: #C4FA3B, #3DFA95 and #E03DFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4FA3B shade: #C4FA3B, #3DC7FA and #FA3DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4FA3B shade: #C4FA3B, #3DFA95, #6F3DFA and #FA3DA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4FA3B shade: #C4FA3B, #3DFACD, #6F3DFA and #FA3D69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

Complementary color

CMYK 70 / 97 / 0 / 23

HEX #3B05C4

RGB 59 5 196

HSL 256.96, 0.95%, 0.39%

LAB 26.8, 65.09, -83.1

 

CMYK 20 / 0 / 78 / 2

HEX #C9FA36

RGB 201 250 54

HSL 75, 0.95%, 0.6%

LAB 92.16, -39.82, 80.87

 

CMYK 15 / 0 / 71 / 0

HEX #DAFF49

RGB 218 255 73

HSL 72.2, 1%, 0.64%

LAB 94.7, -34.66, 77.92

 

CMYK 8 / 0 / 64 / 0

HEX #EBFF5C

RGB 235 255 92

HSL 67.36, 1%, 0.68%

LAB 95.98, -26.97, 72.76

 

CMYK 1 / 0 / 56 / 0

HEX #FCFF6F

RGB 252 255 111

HSL 61.25, 1%, 0.72%

LAB 97.37, -19.02, 66.93

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

CMYK 23 / 0 / 83 / 9

HEX #B3E828

RGB 179 232 40

HSL 76.56, 0.81%, 0.53%

LAB 85.73, -40.79, 78.18

 

CMYK 24 / 0 / 90 / 16

HEX #A2D615

RGB 162 214 21

HSL 76.17, 0.82%, 0.46%

LAB 79.52, -39.9, 76.21

 

CMYK 26 / 0 / 99 / 23

HEX #91C402

RGB 145 196 2

HSL 75.77, 0.98%, 0.39%

LAB 73.22, -38.83, 73.02

 

CMYK 28 / 0 / 100 / 30

HEX #80B200

RGB 128 178 0

HSL 76.85, 1%, 0.35%

LAB 66.85, -37.5, 67.92

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3D

RGB 196 250 61

HSL 77.14, 0.95%, 0.61%

LAB 91.88, -41.42, 78.53

 

CMYK 1 / 0 / 76 / 2

HEX #F7FA3D

RGB 247 250 61

HSL 60.95, 0.95%, 0.61%

LAB 95.36, -21.32, 83.01

 

CMYK 0 / 20 / 76 / 2

HEX #FAC93D

RGB 250 201 61

HSL 44.44, 0.95%, 0.61%

LAB 83.14, 4.3, 71.85

 

CMYK 0 / 40 / 76 / 2

HEX #FA963D

RGB 250 150 61

HSL 28.25, 0.95%, 0.61%

LAB 71.2, 30.91, 60.36

 

CMYK 0 / 60 / 76 / 2

HEX #FA633D

RGB 250 99 61

HSL 12.06, 0.95%, 0.61%

LAB 61.29, 55.75, 50.32

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3D

RGB 196 250 61

HSL 77.14, 0.95%, 0.61%

LAB 91.88, -41.42, 78.53

 

CMYK 42 / 0 / 76 / 2

HEX #91FA3D

RGB 145 250 61

HSL 93.33, 0.95%, 0.61%

LAB 89.27, -59.17, 75.13

 

CMYK 62 / 0 / 76 / 2

HEX #5EFA3D

RGB 94 250 61

HSL 109.52, 0.95%, 0.61%

LAB 87.53, -72.66, 72.85

 

CMYK 76 / 0 / 69 / 2

HEX #3DFA4E

RGB 61 250 78

HSL 125.4, 0.95%, 0.61%

LAB 86.95, -77.1, 66.28

 

CMYK 76 / 0 / 48 / 2

HEX #3DFA81

RGB 61 250 129

HSL 141.59, 0.95%, 0.61%

LAB 87.46, -71.03, 44.92

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3D

RGB 196 250 61

HSL 77.14, 0.95%, 0.61%

LAB 91.88, -41.42, 78.53

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3D

RGB 196 250 61

HSL 77.14, 0.95%, 0.61%

LAB 91.88, -41.42, 78.53

 

CMYK 19 / 0 / 67 / 9

HEX #BDE94D

RGB 189 233 77

HSL 76.92, 0.78%, 0.61%

LAB 86.82, -35.64, 68.02

 

CMYK 16 / 0 / 57 / 15

HEX #B6D95D

RGB 182 217 93

HSL 76.94, 0.62%, 0.61%

LAB 82.03, -29.77, 56.14

 

CMYK 13 / 0 / 46 / 21

HEX #AFC96D

RGB 175 201 109

HSL 76.96, 0.46%, 0.61%

LAB 77.28, -23.26, 42.89

 

CMYK 9 / 0 / 32 / 27

HEX #A8B97D

RGB 168 185 125

HSL 77, 0.3%, 0.61%

LAB 72.56, -16, 28.57

 

CMYK 0 / 20 / 76 / 2

HEX #FAC73D

RGB 250 199 61

HSL 43.81, 0.95%, 0.61%

LAB 82.65, 5.34, 71.38

 

CMYK 0 / 0 / 76 / 2

HEX #FAFA3D

RGB 250 250 61

HSL 60, 0.95%, 0.61%

LAB 95.59, -20.1, 83.3

 

CMYK 20 / 0 / 76 / 2

HEX #C7FA3D

RGB 199 250 61

HSL 76.19, 0.95%, 0.61%

LAB 92.07, -40.29, 78.77

 

CMYK 40 / 0 / 76 / 2

HEX #95FA3D

RGB 149 250 61

HSL 92.06, 0.95%, 0.61%

LAB 89.44, -57.91, 75.36

 

CMYK 61 / 0 / 76 / 2

HEX #62FA3D

RGB 98 250 61

HSL 108.25, 0.95%, 0.61%

LAB 87.63, -71.8, 72.99

 

CMYK 27 / 0 / 98 / 13

HEX #A1DE05

RGB 161 222 5

HSL 76.87, 0.96%, 0.45%

LAB 81.75, -44, 79.7

 

CMYK 26 / 0 / 92 / 3

HEX #B8F814

RGB 184 248 20

HSL 76.84, 0.94%, 0.53%

LAB 90.49, -46.29, 85.69

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3D

RGB 196 250 61

HSL 77.14, 0.95%, 0.61%

LAB 91.88, -41.42, 78.53

 

CMYK 17 / 0 / 60 / 2

HEX #D0FB65

RGB 208 251 101

HSL 77.2, 0.95%, 0.69%

LAB 93.16, -34.91, 65.61

 

CMYK 13 / 0 / 44 / 1

HEX #DCFC8D

RGB 220 252 141

HSL 77.3, 0.95%, 0.77%

LAB 94.64, -27.22, 49.57

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

CMYK 76 / 0 / 40 / 2

HEX #3DFA95

RGB 61 250 149

HSL 147.94, 0.95%, 0.61%

LAB 87.74, -67.74, 35.57

 

CMYK 10 / 76 / 0 / 2

HEX #E03DFA

RGB 224 61 250

HSL 291.75, 0.95%, 0.61%

LAB 58.12, 83.24, -61.87

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

CMYK 76 / 20 / 0 / 2

HEX #3DC7FA

RGB 61 199 250

HSL 196.19, 0.95%, 0.61%

LAB 75.29, -20.04, -35.55

 

CMYK 0 / 76 / 20 / 2

HEX #FA3DC7

RGB 250 61 199

HSL 316.19, 0.95%, 0.61%

LAB 59.69, 81.1, -30.39

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

CMYK 76 / 0 / 40 / 2

HEX #3DFA95

RGB 61 250 149

HSL 147.94, 0.95%, 0.61%

LAB 87.74, -67.74, 35.57

 

CMYK 56 / 76 / 0 / 2

HEX #6F3DFA

RGB 111 61 250

HSL 255.87, 0.95%, 0.61%

LAB 43.68, 65.15, -85.99

 

CMYK 0 / 76 / 36 / 2

HEX #FA3DA1

RGB 250 61 161

HSL 328.25, 0.95%, 0.61%

LAB 58.26, 76.77, -10.62

 

CMYK 22 / 0 / 76 / 2

HEX #C4FA3B

RGB 196 250 59

HSL 76.96, 0.95%, 0.61%

LAB 91.87, -41.51, 79.11

 

CMYK 76 / 0 / 18 / 2

HEX #3DFACD

RGB 61 250 205

HSL 165.71, 0.95%, 0.61%

LAB 88.81, -56.03, 8.5

 

CMYK 56 / 76 / 0 / 2

HEX #6F3DFA

RGB 111 61 250

HSL 255.87, 0.95%, 0.61%

LAB 43.68, 65.15, -85.99

 

CMYK 0 / 76 / 58 / 2

HEX #FA3D69

RGB 250 61 105

HSL 346.03, 0.95%, 0.61%

LAB 56.76, 72.1, 20.29

 

Description

Color code: HEX #C4FA3B | qconv.com Color code: HEX #C4FA3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 250 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 250 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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