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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4FA13 it is the complementary color #3B05EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4FA13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4FA13 shade: #C9FA0E, #DAFF21, #EBFF34, #FCFF47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4FA13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4FA13 shade: #C4FA13, #B3E800, #A2D600, #91C400 and #80B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4FA13 shade: #C4FA14, #FAF114, #FAB314, #FA7514 and #FA3714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4FA13 shade: #C4FA14, #86FA14, #48FA14, #14FA1D and #14FA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4FA13 shade matches the following richer shades: #C4FA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4FA13 shade: #C4FA14, #BAE627, #AFD33A, #A5C04E and #9BAC61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4FA13 shade: #FAB514, #FAF214, #C4FA14, #87FA14 and #49FA14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4FA13 shade: #8DB803, #ADE004, #C4FA14, #CEFB3C and #D8FB64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4FA13 shade: #C4FA13, #14FA77 and #D314FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4FA13 shade: #C4FA13, #14C4FA and #FA14C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4FA13 shade: #C4FA13, #14FA77, #4914FA and #FA1496

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4FA13 shade: #C4FA13, #14FABC, #4914FA and #FA1451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

Complementary color

CMYK 75 / 98 / 0 / 7

HEX #3B05EC

RGB 59 5 236

HSL 254.03, 0.96%, 0.47%

LAB 32.02, 74.72, -97.55

 

CMYK 20 / 0 / 94 / 2

HEX #C9FA0E

RGB 201 250 14

HSL 72.46, 0.96%, 0.52%

LAB 92.05, -40.79, 87.97

 

CMYK 15 / 0 / 87 / 0

HEX #DAFF21

RGB 218 255 33

HSL 70, 1%, 0.56%

LAB 94.54, -36.07, 87.94

 

CMYK 8 / 0 / 80 / 0

HEX #EBFF34

RGB 235 255 52

HSL 65.91, 1%, 0.6%

LAB 95.76, -28.82, 85.45

 

CMYK 1 / 0 / 72 / 0

HEX #FCFF47

RGB 252 255 71

HSL 60.98, 1%, 0.64%

LAB 97.09, -21.28, 81.7

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

CMYK 23 / 0 / 100 / 9

HEX #B3E800

RGB 179 232 0

HSL 73.71, 1%, 0.45%

LAB 85.65, -41.53, 83.58

 

CMYK 24 / 0 / 100 / 16

HEX #A2D600

RGB 162 214 0

HSL 74.58, 1%, 0.42%

LAB 79.49, -40.2, 78.45

 

CMYK 26 / 0 / 100 / 23

HEX #91C400

RGB 145 196 0

HSL 75.61, 1%, 0.38%

LAB 73.22, -38.86, 73.23

 

CMYK 28 / 0 / 100 / 30

HEX #80B200

RGB 128 178 0

HSL 76.85, 1%, 0.35%

LAB 66.85, -37.5, 67.92

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 0 / 4 / 92 / 2

HEX #FAF114

RGB 250 241 20

HSL 57.65, 0.96%, 0.53%

LAB 93.14, -16.74, 89.7

 

CMYK 0 / 28 / 92 / 2

HEX #FAB314

RGB 250 179 20

HSL 41.48, 0.96%, 0.53%

LAB 77.65, 14.69, 78.1

 

CMYK 0 / 53 / 92 / 2

HEX #FA7514

RGB 250 117 20

HSL 25.3, 0.96%, 0.53%

LAB 64.24, 46.45, 68.53

 

CMYK 0 / 78 / 92 / 2

HEX #FA3714

RGB 250 55 20

HSL 9.13, 0.96%, 0.53%

LAB 55.18, 70.72, 62.56

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 46 / 0 / 92 / 2

HEX #86FA14

RGB 134 250 20

HSL 90.26, 0.96%, 0.53%

LAB 88.68, -64, 83.23

 

CMYK 71 / 0 / 92 / 2

HEX #48FA14

RGB 72 250 20

HSL 106.43, 0.96%, 0.53%

LAB 86.9, -78.5, 81.03

 

CMYK 92 / 0 / 88 / 2

HEX #14FA1D

RGB 20 250 29

HSL 122.35, 0.96%, 0.53%

LAB 86.31, -83.65, 79

 

CMYK 92 / 0 / 63 / 2

HEX #14FA5C

RGB 20 250 92

HSL 138.78, 0.96%, 0.53%

LAB 86.65, -79.33, 60.37

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 19 / 0 / 83 / 10

HEX #BAE627

RGB 186 230 39

HSL 73.82, 0.79%, 0.53%

LAB 85.59, -37.23, 78.46

 

CMYK 17 / 0 / 73 / 17

HEX #AFD33A

RGB 175 211 58

HSL 74.12, 0.63%, 0.53%

LAB 79.62, -32.11, 67.36

 

CMYK 14 / 0 / 59 / 25

HEX #A5C04E

RGB 165 192 78

HSL 74.21, 0.48%, 0.53%

LAB 73.71, -25.77, 53.12

 

CMYK 10 / 0 / 44 / 33

HEX #9BAC61

RGB 155 172 97

HSL 73.6, 0.31%, 0.53%

LAB 67.53, -18, 36.51

 

CMYK 0 / 28 / 92 / 2

HEX #FAB514

RGB 250 181 20

HSL 42, 0.96%, 0.53%

LAB 78.12, 13.65, 78.45

 

CMYK 0 / 3 / 92 / 2

HEX #FAF214

RGB 250 242 20

HSL 57.91, 0.96%, 0.53%

LAB 93.4, -17.23, 89.9

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 46 / 0 / 92 / 2

HEX #87FA14

RGB 135 250 20

HSL 90, 0.96%, 0.53%

LAB 88.72, -63.7, 83.28

 

CMYK 71 / 0 / 92 / 2

HEX #49FA14

RGB 73 250 20

HSL 106.17, 0.96%, 0.53%

LAB 86.92, -78.33, 81.05

 

CMYK 23 / 0 / 98 / 28

HEX #8DB803

RGB 141 184 3

HSL 74.25, 0.97%, 0.37%

LAB 69.43, -35, 69.89

 

CMYK 23 / 0 / 98 / 12

HEX #ADE004

RGB 173 224 4

HSL 73.91, 0.96%, 0.45%

LAB 83.02, -40.29, 81.08

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA14

RGB 196 250 20

HSL 74.09, 0.96%, 0.53%

LAB 91.76, -42.63, 86.99

 

CMYK 18 / 0 / 76 / 2

HEX #CEFB3C

RGB 206 251 60

HSL 74.14, 0.96%, 0.61%

LAB 92.77, -38.1, 79.87

 

CMYK 14 / 0 / 60 / 2

HEX #D8FB64

RGB 216 251 100

HSL 73.91, 0.95%, 0.69%

LAB 93.67, -31.95, 66.73

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

CMYK 92 / 0 / 52 / 2

HEX #14FA77

RGB 20 250 119

HSL 145.83, 0.96%, 0.53%

LAB 86.92, -75.93, 48.86

 

CMYK 16 / 92 / 0 / 2

HEX #D314FA

RGB 211 20 250

HSL 289.83, 0.96%, 0.53%

LAB 53.22, 89.49, -69.87

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

CMYK 92 / 22 / 0 / 2

HEX #14C4FA

RGB 20 196 250

HSL 194.09, 0.96%, 0.53%

LAB 73.89, -21.44, -37.76

 

CMYK 0 / 92 / 22 / 2

HEX #FA14C4

RGB 250 20 196

HSL 314.09, 0.96%, 0.53%

LAB 56.89, 88.47, -33.03

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

CMYK 92 / 0 / 52 / 2

HEX #14FA77

RGB 20 250 119

HSL 145.83, 0.96%, 0.53%

LAB 86.92, -75.93, 48.86

 

CMYK 71 / 92 / 0 / 2

HEX #4914FA

RGB 73 20 250

HSL 253.83, 0.96%, 0.53%

LAB 35.63, 76.09, -99.42

 

CMYK 0 / 92 / 40 / 2

HEX #FA1496

RGB 250 20 150

HSL 326.09, 0.96%, 0.53%

LAB 55.1, 83.75, -8.87

 

CMYK 22 / 0 / 92 / 2

HEX #C4FA13

RGB 196 250 19

HSL 74.03, 0.96%, 0.53%

LAB 91.75, -42.64, 87.1

 

CMYK 92 / 0 / 25 / 2

HEX #14FABC

RGB 20 250 188

HSL 163.83, 0.96%, 0.53%

LAB 88.04, -62.98, 16.14

 

CMYK 71 / 92 / 0 / 2

HEX #4914FA

RGB 73 20 250

HSL 253.83, 0.96%, 0.53%

LAB 35.63, 76.09, -99.42

 

CMYK 0 / 92 / 68 / 2

HEX #FA1451

RGB 250 20 81

HSL 344.09, 0.96%, 0.53%

LAB 53.4, 79.12, 30.19

 

Description

Color code: HEX #C4FA13 | qconv.com Color code: HEX #C4FA13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 250 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 250 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 92 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 92% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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