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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51111 it is the complementary color #3AEEEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51111 shade: #CA110C, #DB231F, #EC3532, #FD4745 and #FF5958

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51111 shade: #C51111, #B40000, #A30000, #920000 and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51111 shade: #C51111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51111 shade: #C51111, #C54111, #C57211, #C5A211 and #B6C511

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51111 shade matches the following richer shades: #C51111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51111 shade: #C51111, #B32222, #A23333, #914545 and #7F5656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51111 shade: #C51171, #C51141, #C51111, #C54111 and #C57111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51111 shade: #790A0A, #9F0D0D, #C51111, #EA1414 and #ED3A3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51111 shade: #C51111, #A1C511 and #1159C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51111 shade: #C51111, #11C511 and #1111C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51111 shade: #C51111, #A1C511, #11C5C5 and #3511C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51111 shade: #C51111, #6BC511, #11C5C5 and #6B11C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

Complementary color

CMYK 76 / 0 / 0 / 7

HEX #3AEEEE

RGB 58 238 238

HSL 180, 0.84%, 0.58%

LAB 86.12, -42.67, -12.7

 

CMYK 0 / 92 / 94 / 21

HEX #CA110C

RGB 202 17 12

HSL 1.58, 0.89%, 0.42%

LAB 42.74, 65.56, 52.74

 

CMYK 0 / 84 / 86 / 14

HEX #DB231F

RGB 219 35 31

HSL 1.28, 0.75%, 0.49%

LAB 47.44, 67.2, 49.87

 

CMYK 0 / 78 / 79 / 7

HEX #EC3532

RGB 236 53 50

HSL 0.97, 0.83%, 0.56%

LAB 52.52, 67.89, 46.16

 

CMYK 0 / 72 / 73 / 1

HEX #FD4745

RGB 253 71 69

HSL 0.65, 0.98%, 0.63%

LAB 57.86, 67.92, 42.54

 

CMYK 0 / 65 / 65 / 0

HEX #FF5958

RGB 255 89 88

HSL 0.36, 1%, 0.67%

LAB 60.88, 62.82, 35.61

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 67 / 91 / 23

HEX #C54111

RGB 197 65 17

HSL 16, 0.84%, 0.42%

LAB 46.57, 50.75, 53.07

 

CMYK 0 / 42 / 91 / 23

HEX #C57211

RGB 197 114 17

HSL 32.33, 0.84%, 0.42%

LAB 56.03, 26.68, 59.91

 

CMYK 0 / 18 / 91 / 23

HEX #C5A211

RGB 197 162 17

HSL 48.33, 0.84%, 0.42%

LAB 67.84, 0.56, 68.79

 

CMYK 8 / 0 / 91 / 23

HEX #B6C511

RGB 182 197 17

HSL 65, 0.84%, 0.42%

LAB 76.02, -23.95, 74.57

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 81 / 81 / 30

HEX #B32222

RGB 179 34 34

HSL 0, 0.68%, 0.42%

LAB 39.32, 56.22, 37.92

 

CMYK 0 / 69 / 69 / 36

HEX #A23333

RGB 162 51 51

HSL 0, 0.52%, 0.42%

LAB 38.35, 45.66, 25.93

 

CMYK 0 / 52 / 52 / 43

HEX #914545

RGB 145 69 69

HSL 0, 0.36%, 0.42%

LAB 39.08, 32.06, 15.18

 

CMYK 0 / 32 / 32 / 50

HEX #7F5656

RGB 127 86 86

HSL 0, 0.19%, 0.42%

LAB 40.96, 17.02, 6.89

 

CMYK 0 / 91 / 43 / 23

HEX #C51171

RGB 197 17 113

HSL 328, 0.84%, 0.42%

LAB 43.45, 69.17, -4.85

 

CMYK 0 / 91 / 67 / 23

HEX #C51141

RGB 197 17 65

HSL 344, 0.84%, 0.42%

LAB 42.24, 65.8, 23.59

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 67 / 91 / 23

HEX #C54111

RGB 197 65 17

HSL 16, 0.84%, 0.42%

LAB 46.57, 50.75, 53.07

 

CMYK 0 / 43 / 91 / 23

HEX #C57111

RGB 197 113 17

HSL 32, 0.84%, 0.42%

LAB 55.81, 27.22, 59.74

 

CMYK 0 / 92 / 92 / 53

HEX #790A0A

RGB 121 10 10

HSL 0, 0.85%, 0.26%

LAB 24.65, 44.34, 32.58

 

CMYK 0 / 92 / 92 / 38

HEX #9F0D0D

RGB 159 13 13

HSL 0, 0.85%, 0.34%

LAB 33.32, 54.65, 41.81

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 91 / 91 / 8

HEX #EA1414

RGB 234 20 20

HSL 0, 0.84%, 0.5%

LAB 49.55, 73.47, 57.44

 

CMYK 0 / 76 / 76 / 7

HEX #ED3A3A

RGB 237 58 58

HSL 0, 0.83%, 0.58%

LAB 53.32, 66.97, 42.73

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 18 / 0 / 91 / 23

HEX #A1C511

RGB 161 197 17

HSL 72, 0.84%, 0.42%

LAB 74.54, -32.68, 72.77

 

CMYK 91 / 55 / 0 / 23

HEX #1159C5

RGB 17 89 197

HSL 216, 0.84%, 0.42%

LAB 40.07, 21.62, -61.9

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 91 / 0 / 91 / 23

HEX #11C511

RGB 17 197 17

HSL 120, 0.84%, 0.42%

LAB 69.54, -69.82, 66.6

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 18 / 0 / 91 / 23

HEX #A1C511

RGB 161 197 17

HSL 72, 0.84%, 0.42%

LAB 74.54, -32.68, 72.77

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 73 / 91 / 0 / 23

HEX #3511C5

RGB 53 17 197

HSL 252, 0.84%, 0.42%

LAB 27.27, 62.56, -82.93

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 46 / 0 / 91 / 23

HEX #6BC511

RGB 107 197 17

HSL 90, 0.84%, 0.42%

LAB 71.62, -52.56, 69.19

 

CMYK 91 / 0 / 0 / 23

HEX #11C5C5

RGB 17 197 197

HSL 180, 0.84%, 0.42%

LAB 72.28, -39.06, -11.51

 

CMYK 46 / 91 / 0 / 23

HEX #6B11C5

RGB 107 17 197

HSL 270, 0.84%, 0.42%

LAB 33.04, 66.63, -73.18

 

Description

Color code: HEX #C51111 | qconv.com Color code: HEX #C51111 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 17 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 17 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 91 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 91% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - LevelUp: Videojuegos...
Link: http://levelup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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