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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51ADF it is the complementary color #3AE520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51ADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51ADF shade: #CA1ADA, #DB2CED, #EC3EFF, #FD50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51ADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51ADF shade: #C51ADF, #B408CC, #A300B9, #9200A6 and #810093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51ADF shade: #C51ADF, #DF1AC4, #DF1A8F, #DF1A5A and #DF1A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51ADF shade: #C51ADF, #901ADF, #5B1ADF, #251ADF and #1A1ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51ADF shade matches the following richer shades: #C51ADF and #D406F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51ADF shade: #C51ADF, #B62ECB, #A742B7, #9856A3 and #8A6B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51ADF shade: #5C1ADF, #901ADF, #C51ADF, #DF1AC5 and #DF1A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51ADF shade: #841195, #A415BA, #C51ADF, #D13BE8 and #D960EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51ADF shade: #C51ADF, #DF271A and #1ADF76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51ADF shade: #C51ADF, #DFC51A and #1ADFC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51ADF shade: #C51ADF, #DF271A, #34DF1A and #1AD2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51ADF shade: #C51ADF, #DF621A, #34DF1A and #1A97DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

Complementary color

CMYK 75 / 0 / 86 / 10

HEX #3AE520

RGB 58 229 32

HSL 112.08, 0.79%, 0.51%

LAB 80.2, -74.14, 73.3

 

CMYK 7 / 88 / 0 / 15

HEX #CA1ADA

RGB 202 26 218

HSL 295, 0.79%, 0.48%

LAB 49.93, 82.17, -57.21

 

CMYK 8 / 81 / 0 / 7

HEX #DB2CED

RGB 219 44 237

HSL 294.4, 0.84%, 0.55%

LAB 55.05, 84.61, -59.59

 

CMYK 7 / 76 / 0 / 0

HEX #EC3EFF

RGB 236 62 255

HSL 294.09, 1%, 0.62%

LAB 60.34, 86.01, -60.99

 

CMYK 1 / 69 / 0 / 0

HEX #FD50FF

RGB 253 80 255

HSL 299.31, 1%, 0.66%

LAB 64.84, 83.86, -53.67

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 12 / 96 / 0 / 20

HEX #B408CC

RGB 180 8 204

HSL 292.65, 0.92%, 0.42%

LAB 44.57, 78.63, -57.98

 

CMYK 12 / 100 / 0 / 27

HEX #A300B9

RGB 163 0 185

HSL 292.86, 1%, 0.36%

LAB 40.06, 73.77, -54.3

 

CMYK 12 / 100 / 0 / 35

HEX #9200A6

RGB 146 0 166

HSL 292.77, 1%, 0.33%

LAB 35.72, 68.06, -50.14

 

CMYK 12 / 100 / 0 / 42

HEX #810093

RGB 129 0 147

HSL 292.65, 1%, 0.29%

LAB 31.29, 62.23, -45.89

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 88 / 12 / 13

HEX #DF1AC4

RGB 223 26 196

HSL 308.22, 0.79%, 0.49%

LAB 52.3, 82.67, -40.57

 

CMYK 0 / 88 / 36 / 13

HEX #DF1A8F

RGB 223 26 143

HSL 324.37, 0.79%, 0.49%

LAB 49.99, 76.52, -12.88

 

CMYK 0 / 88 / 60 / 13

HEX #DF1A5A

RGB 223 26 90

HSL 340.51, 0.79%, 0.49%

LAB 48.47, 72.29, 17.26

 

CMYK 0 / 88 / 84 / 13

HEX #DF1A24

RGB 223 26 36

HSL 356.95, 0.79%, 0.49%

LAB 47.69, 70.07, 47.94

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 35 / 88 / 0 / 13

HEX #901ADF

RGB 144 26 223

HSL 275.94, 0.79%, 0.49%

LAB 41.21, 74.58, -74.63

 

CMYK 59 / 88 / 0 / 13

HEX #5B1ADF

RGB 91 26 223

HSL 259.8, 0.79%, 0.49%

LAB 34.58, 69.13, -85.79

 

CMYK 83 / 88 / 0 / 13

HEX #251ADF

RGB 37 26 223

HSL 243.35, 0.79%, 0.49%

LAB 30.54, 66.25, -92.61

 

CMYK 88 / 88 / 0 / 13

HEX #1A1ADF

RGB 26 26 223

HSL 240, 0.79%, 0.49%

LAB 30.12, 65.97, -93.32

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 13 / 98 / 0 / 5

HEX #D406F3

RGB 212 6 243

HSL 292.15, 0.95%, 0.49%

LAB 52.51, 89.72, -67.1

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 10 / 77 / 0 / 20

HEX #B62ECB

RGB 182 46 203

HSL 291.97, 0.63%, 0.49%

LAB 47.25, 71.72, -53.07

 

CMYK 9 / 64 / 0 / 28

HEX #A742B7

RGB 167 66 183

HSL 291.79, 0.47%, 0.49%

LAB 46.35, 57.6, -43

 

CMYK 7 / 47 / 0 / 36

HEX #9856A3

RGB 152 86 163

HSL 291.43, 0.31%, 0.49%

LAB 46.94, 39.77, -30.45

 

CMYK 3 / 25 / 0 / 44

HEX #8A6B8E

RGB 138 107 142

HSL 293.14, 0.14%, 0.49%

LAB 49.34, 18.81, -14.46

 

CMYK 59 / 88 / 0 / 13

HEX #5C1ADF

RGB 92 26 223

HSL 260.1, 0.79%, 0.49%

LAB 34.68, 69.21, -85.61

 

CMYK 35 / 88 / 0 / 13

HEX #901ADF

RGB 144 26 223

HSL 275.94, 0.79%, 0.49%

LAB 41.21, 74.58, -74.63

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 88 / 12 / 13

HEX #DF1AC5

RGB 223 26 197

HSL 307.92, 0.79%, 0.49%

LAB 52.35, 82.8, -41.06

 

CMYK 0 / 88 / 35 / 13

HEX #DF1A90

RGB 223 26 144

HSL 324.06, 0.79%, 0.49%

LAB 50.03, 76.61, -13.43

 

CMYK 11 / 89 / 0 / 42

HEX #841195

RGB 132 17 149

HSL 292.27, 0.8%, 0.33%

LAB 32.87, 60.41, -44.54

 

CMYK 12 / 89 / 0 / 27

HEX #A415BA

RGB 164 21 186

HSL 292, 0.8%, 0.41%

LAB 41.17, 71.51, -53.08

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 10 / 75 / 0 / 9

HEX #D13BE8

RGB 209 59 232

HSL 292.02, 0.79%, 0.57%

LAB 54.56, 77.96, -57.64

 

CMYK 8 / 59 / 0 / 7

HEX #D960EC

RGB 217 96 236

HSL 291.86, 0.79%, 0.65%

LAB 60.93, 66.39, -49.66

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 83 / 88 / 13

HEX #DF271A

RGB 223 39 26

HSL 3.96, 0.79%, 0.49%

LAB 48.53, 67.3, 53.31

 

CMYK 88 / 0 / 47 / 13

HEX #1ADF76

RGB 26 223 118

HSL 148.02, 0.79%, 0.49%

LAB 78.64, -67.17, 39.03

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 12 / 88 / 13

HEX #DFC51A

RGB 223 197 26

HSL 52.08, 0.79%, 0.49%

LAB 79.44, -6.19, 77.23

 

CMYK 88 / 0 / 12 / 13

HEX #1ADFC5

RGB 26 223 197

HSL 172.08, 0.79%, 0.49%

LAB 80.19, -49.9, 0.18

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 83 / 88 / 13

HEX #DF271A

RGB 223 39 26

HSL 3.96, 0.79%, 0.49%

LAB 48.53, 67.3, 53.31

 

CMYK 77 / 0 / 88 / 13

HEX #34DF1A

RGB 52 223 26

HSL 112.08, 0.79%, 0.49%

LAB 78.22, -73.45, 72.68

 

CMYK 88 / 6 / 0 / 13

HEX #1AD2DF

RGB 26 210 223

HSL 183.96, 0.79%, 0.49%

LAB 77.07, -36.75, -18.37

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 56 / 88 / 13

HEX #DF621A

RGB 223 98 26

HSL 21.93, 0.79%, 0.49%

LAB 56.58, 45.48, 59.43

 

CMYK 77 / 0 / 88 / 13

HEX #34DF1A

RGB 52 223 26

HSL 112.08, 0.79%, 0.49%

LAB 78.22, -73.45, 72.68

 

CMYK 88 / 32 / 0 / 13

HEX #1A97DF

RGB 26 151 223

HSL 201.93, 0.79%, 0.49%

LAB 59.6, -6.3, -45.38

 

Description

Color code: HEX #C51ADF | qconv.com Color code: HEX #C51ADF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 26 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 26 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 88 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 88% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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