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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5344C it is the complementary color #3ACBB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5344C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5344C shade: #CA3447, #DB465A, #EC586D, #FD6A80 and #FF7C93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5344C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5344C shade: #C5344C, #B42239, #A31026, #920013 and #810000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5344C shade: #C5344C and #C53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5344C shade: #C5344C, #C53473, #C5349A, #C534C1 and #A234C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5344C shade matches the following richer shades: #C5344C, #D9203E and #ED0C31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5344C shade: #C5344C, #B14859, #9C5C67, #887175 and #748582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5344C shade: #C53499, #C53473, #C5344C, #C54234 and #C56934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5344C shade: #842333, #A42B3F, #C5344C, #D15267 and #D97283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5344C shade: #C5344C, #C0C534 and #3486C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5344C shade: #C5344C, #4CC534 and #344CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5344C shade: #C5344C, #C0C534, #34C5AD and #3934C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5344C shade: #C5344C, #95C534, #34C5AD and #6434C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

Complementary color

CMYK 71 / 0 / 12 / 20

HEX #3ACBB3

RGB 58 203 179

HSL 170.07, 0.58%, 0.51%

LAB 74.1, -43.33, 1

 

CMYK 0 / 74 / 65 / 21

HEX #CA3447

RGB 202 52 71

HSL 352.4, 0.59%, 0.5%

LAB 46.27, 59.16, 25.23

 

CMYK 0 / 68 / 59 / 14

HEX #DB465A

RGB 219 70 90

HSL 351.95, 0.67%, 0.57%

LAB 52.04, 59.03, 21.91

 

CMYK 0 / 63 / 54 / 7

HEX #EC586D

RGB 236 88 109

HSL 351.49, 0.8%, 0.64%

LAB 57.96, 58.52, 19.15

 

CMYK 0 / 58 / 49 / 1

HEX #FD6A80

RGB 253 106 128

HSL 351.02, 0.97%, 0.7%

LAB 63.96, 57.79, 16.82

 

CMYK 0 / 51 / 42 / 0

HEX #FF7C93

RGB 255 124 147

HSL 349.47, 1%, 0.74%

LAB 67.86, 51.92, 11.52

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 81 / 68 / 29

HEX #B42239

RGB 180 34 57

HSL 350.55, 0.68%, 0.42%

LAB 39.82, 57.45, 24.81

 

CMYK 0 / 90 / 77 / 36

HEX #A31026

RGB 163 16 38

HSL 351.02, 0.82%, 0.35%

LAB 34.59, 55.91, 29.56

 

CMYK 0 / 100 / 87 / 43

HEX #920013

RGB 146 0 19

HSL 352.19, 1%, 0.29%

LAB 29.81, 53.19, 34.8

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 74 / 42 / 23

HEX #C53473

RGB 197 52 115

HSL 333.93, 0.58%, 0.49%

LAB 46.4, 61.14, -1.74

 

CMYK 0 / 74 / 22 / 23

HEX #C5349A

RGB 197 52 154

HSL 317.79, 0.58%, 0.49%

LAB 47.83, 65.64, -23.2

 

CMYK 0 / 74 / 2 / 23

HEX #C534C1

RGB 197 52 193

HSL 301.66, 0.58%, 0.49%

LAB 49.71, 71.29, -43.21

 

CMYK 18 / 74 / 0 / 23

HEX #A234C5

RGB 162 52 197

HSL 285.52, 0.58%, 0.49%

LAB 44.47, 64.77, -54.22

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 85 / 71 / 15

HEX #D9203E

RGB 217 32 62

HSL 350.27, 0.74%, 0.49%

LAB 47.15, 68.25, 32.39

 

CMYK 0 / 95 / 79 / 7

HEX #ED0C31

RGB 237 12 49

HSL 350.13, 0.9%, 0.49%

LAB 50.08, 75.61, 44.29

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 59 / 50 / 31

HEX #B14859

RGB 177 72 89

HSL 350.29, 0.42%, 0.49%

LAB 45.22, 44.26, 12.08

 

CMYK 0 / 41 / 34 / 39

HEX #9C5C67

RGB 156 92 103

HSL 349.69, 0.26%, 0.49%

LAB 46.58, 27.58, 5.04

 

CMYK 0 / 17 / 14 / 47

HEX #887175

RGB 136 113 117

HSL 349.57, 0.09%, 0.49%

LAB 49.89, 9.71, 1.16

 

CMYK 13 / 0 / 2 / 48

HEX #748582

RGB 116 133 130

HSL 169.41, 0.07%, 0.49%

LAB 54.13, -6.8, -0.48

 

CMYK 0 / 74 / 22 / 23

HEX #C53499

RGB 197 52 153

HSL 318.21, 0.58%, 0.49%

LAB 47.79, 65.51, -22.67

 

CMYK 0 / 74 / 42 / 23

HEX #C53473

RGB 197 52 115

HSL 333.93, 0.58%, 0.49%

LAB 46.4, 61.14, -1.74

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 66 / 74 / 23

HEX #C54234

RGB 197 66 52

HSL 5.79, 0.58%, 0.49%

LAB 46.99, 51.35, 37.03

 

CMYK 0 / 47 / 74 / 23

HEX #C56934

RGB 197 105 52

HSL 21.93, 0.58%, 0.49%

LAB 54.26, 32.58, 44.92

 

CMYK 0 / 73 / 61 / 48

HEX #842333

RGB 132 35 51

HSL 350.1, 0.58%, 0.33%

LAB 30.27, 42.09, 14.46

 

CMYK 0 / 74 / 62 / 36

HEX #A42B3F

RGB 164 43 63

HSL 350.08, 0.58%, 0.41%

LAB 37.8, 50.19, 17.82

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 0 / 61 / 51 / 18

HEX #D15267

RGB 209 82 103

HSL 350.08, 0.58%, 0.57%

LAB 52.47, 51.81, 14.47

 

CMYK 0 / 47 / 40 / 15

HEX #D97283

RGB 217 114 131

HSL 350.1, 0.58%, 0.65%

LAB 60.27, 41.93, 9.17

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 3 / 0 / 74 / 23

HEX #C0C534

RGB 192 197 52

HSL 62.07, 0.58%, 0.49%

LAB 76.91, -18.67, 67.23

 

CMYK 74 / 32 / 0 / 23

HEX #3486C5

RGB 52 134 197

HSL 206.07, 0.58%, 0.49%

LAB 53.83, -3.49, -39.83

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 61 / 0 / 74 / 23

HEX #4CC534

RGB 76 197 52

HSL 110.07, 0.58%, 0.49%

LAB 70.68, -59.49, 59.03

 

CMYK 74 / 61 / 0 / 23

HEX #344CC5

RGB 52 76 197

HSL 230.07, 0.58%, 0.49%

LAB 37.72, 33.01, -65.69

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 3 / 0 / 74 / 23

HEX #C0C534

RGB 192 197 52

HSL 62.07, 0.58%, 0.49%

LAB 76.91, -18.67, 67.23

 

CMYK 74 / 0 / 12 / 23

HEX #34C5AD

RGB 52 197 173

HSL 170.07, 0.58%, 0.49%

LAB 72.01, -43.05, 1.2

 

CMYK 71 / 74 / 0 / 23

HEX #3934C5

RGB 57 52 197

HSL 242.07, 0.58%, 0.49%

LAB 32.61, 48.06, -74.07

 

CMYK 0 / 74 / 61 / 23

HEX #C5344C

RGB 197 52 76

HSL 350.07, 0.58%, 0.49%

LAB 45.43, 57.96, 20.91

 

CMYK 24 / 0 / 74 / 23

HEX #95C534

RGB 149 197 52

HSL 79.86, 0.58%, 0.49%

LAB 73.91, -36.21, 63.31

 

CMYK 74 / 0 / 12 / 23

HEX #34C5AD

RGB 52 197 173

HSL 170.07, 0.58%, 0.49%

LAB 72.01, -43.05, 1.2

 

CMYK 49 / 74 / 0 / 23

HEX #6434C5

RGB 100 52 197

HSL 259.86, 0.58%, 0.49%

LAB 36.36, 53.58, -67.77

 

Description

Color code: HEX #C5344C | qconv.com Color code: HEX #C5344C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 52 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 52 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 61 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 61% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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