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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C53475 it is the complementary color #3ACB8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C53475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C53475 shade: #CA3470, #DB4683, #EC5896, #FD6AA9 and #FF7CBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C53475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C53475 shade: #C53475, #B42262, #A3104F, #92003C and #810029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C53475 shade: #C53475, #C5344E and #C53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C53475 shade: #C53475, #C5349C, #C534C3, #A034C5 and #7934C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C53475 shade matches the following richer shades: #C53475, #D92073 and #ED0C71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C53475 shade: #C53475, #B14877, #9C5C79, #88717B and #74857D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C53475 shade: #C534C3, #C5349C, #C53475, #C5344F and #C54034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C53475 shade: #84234E, #A42B62, #C53475, #D1528B and #D972A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C53475 shade: #C53475, #C5A134 and #34AFC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C53475 shade: #C53475, #75C534 and #3475C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C53475 shade: #C53475, #C5A134, #34C584 and #3458C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C53475 shade: #C53475, #BEC534, #34C584 and #3B34C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

Complementary color

CMYK 71 / 0 / 32 / 20

HEX #3ACB8A

RGB 58 203 138

HSL 153.1, 0.58%, 0.51%

LAB 73.18, -52.96, 21.69

 

CMYK 0 / 74 / 45 / 21

HEX #CA3470

RGB 202 52 112

HSL 336, 0.59%, 0.5%

LAB 47.21, 62.23, 1.4

 

CMYK 0 / 68 / 40 / 14

HEX #DB4683

RGB 219 70 131

HSL 335.44, 0.67%, 0.57%

LAB 53.04, 62.51, -1.23

 

CMYK 0 / 63 / 36 / 7

HEX #EC5896

RGB 236 88 150

HSL 334.86, 0.8%, 0.64%

LAB 58.99, 62.35, -3.37

 

CMYK 0 / 58 / 33 / 1

HEX #FD6AA9

RGB 253 106 169

HSL 334.29, 0.97%, 0.7%

LAB 65.01, 61.92, -5.14

 

CMYK 0 / 51 / 26 / 0

HEX #FF7CBC

RGB 255 124 188

HSL 330.69, 1%, 0.74%

LAB 68.97, 56.68, -9.96

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 81 / 46 / 29

HEX #B42262

RGB 180 34 98

HSL 333.7, 0.68%, 0.42%

LAB 40.78, 60.37, 0.23

 

CMYK 0 / 90 / 52 / 36

HEX #A3104F

RGB 163 16 79

HSL 334.29, 0.82%, 0.35%

LAB 35.44, 58.31, 4.23

 

CMYK 0 / 100 / 59 / 43

HEX #92003C

RGB 146 0 60

HSL 335.34, 1%, 0.29%

LAB 30.49, 55.03, 9.26

 

CMYK 0 / 100 / 68 / 49

HEX #810029

RGB 129 0 41

HSL 340.93, 1%, 0.25%

LAB 26.24, 49.61, 15.74

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 74 / 60 / 23

HEX #C5344E

RGB 197 52 78

HSL 349.24, 0.58%, 0.49%

LAB 45.46, 58.09, 19.74

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 74 / 21 / 23

HEX #C5349C

RGB 197 52 156

HSL 316.97, 0.58%, 0.49%

LAB 47.91, 65.9, -24.26

 

CMYK 0 / 74 / 1 / 23

HEX #C534C3

RGB 197 52 195

HSL 300.83, 0.58%, 0.49%

LAB 49.82, 71.6, -44.2

 

CMYK 19 / 74 / 0 / 23

HEX #A034C5

RGB 160 52 197

HSL 284.69, 0.58%, 0.49%

LAB 44.18, 64.37, -54.71

 

CMYK 39 / 74 / 0 / 23

HEX #7934C5

RGB 121 52 197

HSL 268.55, 0.58%, 0.49%

LAB 38.82, 57.06, -63.65

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 85 / 47 / 15

HEX #D92073

RGB 217 32 115

HSL 333.08, 0.74%, 0.49%

LAB 48.29, 71.55, 1.47

 

CMYK 0 / 95 / 52 / 7

HEX #ED0C71

RGB 237 12 113

HSL 333.07, 0.9%, 0.49%

LAB 51.22, 78.72, 7.42

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 59 / 33 / 31

HEX #B14877

RGB 177 72 119

HSL 333.14, 0.42%, 0.49%

LAB 46.06, 47.55, -5.06

 

CMYK 0 / 41 / 22 / 39

HEX #9C5C79

RGB 156 92 121

HSL 332.81, 0.26%, 0.49%

LAB 47.11, 30.2, -5.05

 

CMYK 0 / 17 / 10 / 47

HEX #88717B

RGB 136 113 123

HSL 333.91, 0.09%, 0.49%

LAB 50.07, 10.8, -2.14

 

CMYK 13 / 0 / 6 / 48

HEX #74857D

RGB 116 133 125

HSL 151.76, 0.07%, 0.49%

LAB 53.99, -7.86, 2.22

 

CMYK 0 / 74 / 1 / 23

HEX #C534C3

RGB 197 52 195

HSL 300.83, 0.58%, 0.49%

LAB 49.82, 71.6, -44.2

 

CMYK 0 / 74 / 21 / 23

HEX #C5349C

RGB 197 52 156

HSL 316.97, 0.58%, 0.49%

LAB 47.91, 65.9, -24.26

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 74 / 60 / 23

HEX #C5344F

RGB 197 52 79

HSL 348.83, 0.58%, 0.49%

LAB 45.48, 58.16, 19.15

 

CMYK 0 / 68 / 74 / 23

HEX #C54034

RGB 197 64 52

HSL 4.97, 0.58%, 0.49%

LAB 46.69, 52.17, 36.69

 

CMYK 0 / 73 / 41 / 48

HEX #84234E

RGB 132 35 78

HSL 333.4, 0.58%, 0.33%

LAB 31.01, 44.59, -2.31

 

CMYK 0 / 74 / 40 / 36

HEX #A42B62

RGB 164 43 98

HSL 332.73, 0.58%, 0.41%

LAB 38.73, 53.23, -3.14

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 61 / 33 / 18

HEX #D1528B

RGB 209 82 139

HSL 333.07, 0.58%, 0.57%

LAB 53.44, 55.52, -5.57

 

CMYK 0 / 47 / 26 / 15

HEX #D972A0

RGB 217 114 160

HSL 333.2, 0.58%, 0.65%

LAB 61.07, 45.54, -6.39

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 18 / 74 / 23

HEX #C5A134

RGB 197 161 52

HSL 45.1, 0.58%, 0.49%

LAB 67.73, 2.16, 58.59

 

CMYK 74 / 11 / 0 / 23

HEX #34AFC5

RGB 52 175 197

HSL 189.1, 0.58%, 0.49%

LAB 66.08, -25.8, -20.85

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 41 / 0 / 74 / 23

HEX #75C534

RGB 117 197 52

HSL 93.1, 0.58%, 0.49%

LAB 72.2, -47.8, 61.06

 

CMYK 74 / 41 / 0 / 23

HEX #3475C5

RGB 52 117 197

HSL 213.1, 0.58%, 0.49%

LAB 48.86, 6.78, -47.69

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 0 / 18 / 74 / 23

HEX #C5A134

RGB 197 161 52

HSL 45.1, 0.58%, 0.49%

LAB 67.73, 2.16, 58.59

 

CMYK 74 / 0 / 33 / 23

HEX #34C584

RGB 52 197 132

HSL 153.1, 0.58%, 0.49%

LAB 71.1, -52.74, 22

 

CMYK 74 / 55 / 0 / 23

HEX #3458C5

RGB 52 88 197

HSL 225.1, 0.58%, 0.49%

LAB 40.8, 25.27, -60.67

 

CMYK 0 / 74 / 41 / 23

HEX #C53475

RGB 197 52 117

HSL 333.1, 0.58%, 0.49%

LAB 46.46, 61.34, -2.87

 

CMYK 4 / 0 / 74 / 23

HEX #BEC534

RGB 190 197 52

HSL 62.9, 0.58%, 0.49%

LAB 76.76, -19.51, 67.02

 

CMYK 74 / 0 / 33 / 23

HEX #34C584

RGB 52 197 132

HSL 153.1, 0.58%, 0.49%

LAB 71.1, -52.74, 22

 

CMYK 70 / 74 / 0 / 23

HEX #3B34C5

RGB 59 52 197

HSL 242.9, 0.58%, 0.49%

LAB 32.74, 48.26, -73.85

 

Description

Color code: HEX #C53475 | qconv.com Color code: HEX #C53475 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 52 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 52 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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