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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C539AE it is the complementary color #3AC651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C539AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C539AE shade: #CA39A9, #DB4BBC, #EC5DCF, #FD6FE2 and #FF81F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C539AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C539AE shade: #C539AE, #B4279B, #A31588, #920375 and #810062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C539AE shade: #C539AE, #C53988, #C53962, #C5393D and #C53939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C539AE shade: #C539AE, #B639C5, #9139C5, #6B39C5 and #4539C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C539AE shade matches the following richer shades: #C539AE, #DA24BC and #EE10CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C539AE shade: #C539AE, #B04EA0, #9C6292, #877785 and #738B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C539AE shade: #8F39C5, #B539C5, #C539B0, #C5398B and #C53965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C539AE shade: #852676, #A53092, #C539AE, #CE59BB and #D879C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C539AE shade: #C539AE, #C56A39 and #39C5A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C539AE shade: #C539AE, #B0C539 and #39B0C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C539AE shade: #C539AE, #C56A39, #39C54E and #3994C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C539AE shade: #C539AE, #C59439, #39C54E and #396AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

Complementary color

CMYK 71 / 0 / 59 / 22

HEX #3AC651

RGB 58 198 81

HSL 129.86, 0.55%, 0.5%

LAB 70.79, -60.61, 47.19

 

CMYK 0 / 72 / 16 / 21

HEX #CA39A9

RGB 202 57 169

HSL 313.66, 0.58%, 0.51%

LAB 49.91, 67.24, -28.8

 

CMYK 0 / 66 / 14 / 14

HEX #DB4BBC

RGB 219 75 188

HSL 312.92, 0.67%, 0.58%

LAB 55.81, 67.67, -30.5

 

CMYK 0 / 61 / 12 / 7

HEX #EC5DCF

RGB 236 93 207

HSL 312.17, 0.79%, 0.65%

LAB 61.8, 67.67, -31.84

 

CMYK 0 / 56 / 11 / 1

HEX #FD6FE2

RGB 253 111 226

HSL 311.41, 0.97%, 0.71%

LAB 67.83, 67.39, -32.94

 

CMYK 0 / 49 / 4 / 0

HEX #FF81F5

RGB 255 129 245

HSL 304.76, 1%, 0.75%

LAB 71.93, 62.8, -37.02

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 78 / 14 / 29

HEX #B4279B

RGB 180 39 155

HSL 310.64, 0.64%, 0.43%

LAB 43.54, 65.7, -30.7

 

CMYK 0 / 87 / 17 / 36

HEX #A31588

RGB 163 21 136

HSL 311.41, 0.77%, 0.36%

LAB 38.02, 63.63, -28

 

CMYK 0 / 98 / 20 / 43

HEX #920375

RGB 146 3 117

HSL 312.17, 0.96%, 0.29%

LAB 32.83, 60.3, -24.49

 

CMYK 0 / 100 / 24 / 49

HEX #810062

RGB 129 0 98

HSL 314.42, 1%, 0.25%

LAB 28.24, 54.84, -19.69

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 71 / 31 / 23

HEX #C53988

RGB 197 57 136

HSL 326.14, 0.55%, 0.5%

LAB 47.72, 61.7, -12.55

 

CMYK 0 / 71 / 50 / 23

HEX #C53962

RGB 197 57 98

HSL 342.43, 0.55%, 0.5%

LAB 46.55, 57.83, 8.92

 

CMYK 0 / 71 / 69 / 23

HEX #C5393D

RGB 197 57 61

HSL 358.29, 0.55%, 0.5%

LAB 45.82, 55.32, 30.47

 

CMYK 0 / 71 / 71 / 23

HEX #C53939

RGB 197 57 57

HSL 0, 0.55%, 0.5%

LAB 45.76, 55.12, 32.76

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 8 / 71 / 0 / 23

HEX #B639C5

RGB 182 57 197

HSL 293.57, 0.55%, 0.5%

LAB 48.14, 67.1, -48.18

 

CMYK 26 / 71 / 0 / 23

HEX #9139C5

RGB 145 57 197

HSL 277.71, 0.55%, 0.5%

LAB 42.73, 59.42, -57.16

 

CMYK 46 / 71 / 0 / 23

HEX #6B39C5

RGB 107 57 197

HSL 261.43, 0.55%, 0.5%

LAB 37.99, 52.29, -65.07

 

CMYK 65 / 71 / 0 / 23

HEX #4539C5

RGB 69 57 197

HSL 245.14, 0.55%, 0.5%

LAB 34.44, 46.61, -71.02

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 83 / 14 / 15

HEX #DA24BC

RGB 218 36 188

HSL 309.89, 0.72%, 0.5%

LAB 51.61, 78.93, -37.08

 

CMYK 0 / 93 / 15 / 7

HEX #EE10CA

RGB 238 16 202

HSL 309.73, 0.87%, 0.5%

LAB 54.88, 87.36, -39.78

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 56 / 9 / 31

HEX #B04EA0

RGB 176 78 160

HSL 309.8, 0.39%, 0.5%

LAB 48.53, 50.42, -25.95

 

CMYK 0 / 37 / 6 / 39

HEX #9C6292

RGB 156 98 146

HSL 310.34, 0.23%, 0.5%

LAB 49.35, 31.1, -16.63

 

CMYK 0 / 12 / 1 / 47

HEX #877785

RGB 135 119 133

HSL 307.5, 0.06%, 0.5%

LAB 51.88, 8.83, -5.37

 

CMYK 17 / 0 / 14 / 45

HEX #738B77

RGB 115 139 119

HSL 130, 0.09%, 0.5%

LAB 55.52, -12.73, 7.87

 

CMYK 27 / 71 / 0 / 23

HEX #8F39C5

RGB 143 57 197

HSL 276.86, 0.55%, 0.5%

LAB 42.46, 59.02, -57.61

 

CMYK 8 / 71 / 0 / 23

HEX #B539C5

RGB 181 57 197

HSL 293.14, 0.55%, 0.5%

LAB 47.98, 66.89, -48.43

 

CMYK 0 / 71 / 11 / 23

HEX #C539B0

RGB 197 57 176

HSL 309, 0.55%, 0.5%

LAB 49.41, 67.06, -33.76

 

CMYK 0 / 71 / 29 / 23

HEX #C5398B

RGB 197 57 139

HSL 324.86, 0.55%, 0.5%

LAB 47.83, 62.06, -14.2

 

CMYK 0 / 71 / 49 / 23

HEX #C53965

RGB 197 57 101

HSL 341.14, 0.55%, 0.5%

LAB 46.63, 58.08, 7.19

 

CMYK 0 / 71 / 11 / 48

HEX #852676

RGB 133 38 118

HSL 309.47, 0.56%, 0.34%

LAB 33.31, 49.21, -24.55

 

CMYK 0 / 71 / 12 / 35

HEX #A53092

RGB 165 48 146

HSL 309.74, 0.55%, 0.42%

LAB 41.51, 57.98, -28.62

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 57 / 9 / 19

HEX #CE59BB

RGB 206 89 187

HSL 309.74, 0.54%, 0.58%

LAB 55.94, 58.23, -29.87

 

CMYK 0 / 44 / 7 / 15

HEX #D879C8

RGB 216 121 200

HSL 310.11, 0.55%, 0.66%

LAB 63.71, 47.8, -25.17

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 46 / 71 / 23

HEX #C56A39

RGB 197 106 57

HSL 21, 0.55%, 0.5%

LAB 54.53, 32.3, 42.7

 

CMYK 71 / 0 / 18 / 23

HEX #39C5A2

RGB 57 197 162

HSL 165, 0.55%, 0.5%

LAB 71.83, -45.21, 6.92

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 11 / 0 / 71 / 23

HEX #B0C539

RGB 176 197 57

HSL 69, 0.55%, 0.5%

LAB 75.74, -25.11, 63.95

 

CMYK 71 / 11 / 0 / 23

HEX #39B0C5

RGB 57 176 197

HSL 189, 0.55%, 0.5%

LAB 66.48, -25.67, -20.22

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 46 / 71 / 23

HEX #C56A39

RGB 197 106 57

HSL 21, 0.55%, 0.5%

LAB 54.53, 32.3, 42.7

 

CMYK 71 / 0 / 60 / 23

HEX #39C54E

RGB 57 197 78

HSL 129, 0.55%, 0.5%

LAB 70.42, -60.8, 48.12

 

CMYK 71 / 25 / 0 / 23

HEX #3994C5

RGB 57 148 197

HSL 201, 0.55%, 0.5%

LAB 58.11, -10.82, -33.1

 

CMYK 0 / 71 / 12 / 23

HEX #C539AE

RGB 197 57 174

HSL 309.86, 0.55%, 0.5%

LAB 49.32, 66.76, -32.74

 

CMYK 0 / 25 / 71 / 23

HEX #C59439

RGB 197 148 57

HSL 39, 0.55%, 0.5%

LAB 64.44, 9.44, 53.22

 

CMYK 71 / 0 / 60 / 23

HEX #39C54E

RGB 57 197 78

HSL 129, 0.55%, 0.5%

LAB 70.42, -60.8, 48.12

 

CMYK 71 / 46 / 0 / 23

HEX #396AC5

RGB 57 106 197

HSL 219, 0.55%, 0.5%

LAB 45.92, 14.37, -52.4

 

Description

Color code: HEX #C539AE | qconv.com Color code: HEX #C539AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 57 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 57 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 12 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 12% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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