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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C544D5 it is the complementary color #3ABB2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C544D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C544D5 shade: #CA44D0, #DB56E3, #EC68F6, #FD7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C544D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C544D5 shade: #C544D5, #B432C2, #A320AF, #920E9C and #810089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C544D5 shade: #C443D4, #D443BD, #D44396, #D4436F and #D44348

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C544D5 shade: #C443D4, #9D43D4, #7643D4, #4F43D4 and #4343D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C544D5 shade matches the following richer shades: #C443D4, #D331E7 and #E11EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C544D5 shade: #C443D4, #B656C1, #A769AF, #997B9C and #8A8E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C544D5 shade: #7643D4, #9D43D4, #C343D4, #D443BE and #D44398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C544D5 shade: #9324A1, #B22CC2, #C443D4, #CF65DC and #D987E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C544D5 shade: #C544D5, #D45043 and #43D489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C544D5 shade: #C544D5, #D4C343 and #43D4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C544D5 shade: #C544D5, #D45043, #54D443 and #43C8D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C544D5 shade: #C544D5, #D47B43, #54D443 and #439DD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

Complementary color

CMYK 69 / 0 / 78 / 27

HEX #3ABB2A

RGB 58 187 42

HSL 113.38, 0.63%, 0.45%

LAB 66.98, -60.61, 58.59

 

CMYK 3 / 67 / 0 / 18

HEX #CA44D0

RGB 202 68 208

HSL 297.43, 0.6%, 0.54%

LAB 53.22, 69.38, -46.24

 

CMYK 4 / 62 / 0 / 11

HEX #DB56E3

RGB 219 86 227

HSL 296.6, 0.72%, 0.61%

LAB 59.22, 69.51, -47.33

 

CMYK 4 / 58 / 0 / 4

HEX #EC68F6

RGB 236 104 246

HSL 295.77, 0.89%, 0.69%

LAB 65.27, 69.31, -48.18

 

CMYK 1 / 52 / 0 / 0

HEX #FD7AFF

RGB 253 122 255

HSL 299.1, 1%, 0.74%

LAB 70.89, 67.17, -44.13

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

CMYK 7 / 74 / 0 / 24

HEX #B432C2

RGB 180 50 194

HSL 294.17, 0.59%, 0.48%

LAB 46.82, 68.54, -48.57

 

CMYK 7 / 82 / 0 / 31

HEX #A320AF

RGB 163 32 175

HSL 294.97, 0.69%, 0.41%

LAB 41.08, 67.15, -46.74

 

CMYK 6 / 91 / 0 / 39

HEX #920E9C

RGB 146 14 156

HSL 295.77, 0.84%, 0.33%

LAB 35.65, 64.58, -44.21

 

CMYK 6 / 100 / 0 / 46

HEX #810089

RGB 129 0 137

HSL 296.5, 1%, 0.27%

LAB 30.58, 60.56, -40.85

 

CMYK 8 / 68 / 0 / 17

HEX #C443D4

RGB 196 67 212

HSL 293.38, 0.63%, 0.55%

LAB 52.4, 69.11, -49.87

 

CMYK 0 / 68 / 11 / 17

HEX #D443BD

RGB 212 67 189

HSL 309.52, 0.63%, 0.55%

LAB 53.69, 69.05, -34.46

 

CMYK 0 / 68 / 29 / 17

HEX #D44396

RGB 212 67 150

HSL 325.66, 0.63%, 0.55%

LAB 52.08, 63.79, -14.1

 

CMYK 0 / 68 / 48 / 17

HEX #D4436F

RGB 212 67 111

HSL 341.79, 0.63%, 0.55%

LAB 50.87, 59.69, 7.5

 

CMYK 0 / 68 / 66 / 17

HEX #D44348

RGB 212 67 72

HSL 357.93, 0.63%, 0.55%

LAB 50.07, 56.88, 29.81

 

CMYK 8 / 68 / 0 / 17

HEX #C443D4

RGB 196 67 212

HSL 293.38, 0.63%, 0.55%

LAB 52.4, 69.11, -49.87

 

CMYK 26 / 68 / 0 / 17

HEX #9D43D4

RGB 157 67 212

HSL 277.24, 0.63%, 0.55%

LAB 46.89, 60.8, -59.01

 

CMYK 44 / 68 / 0 / 17

HEX #7643D4

RGB 118 67 212

HSL 261.1, 0.63%, 0.55%

LAB 42.18, 53.21, -66.86

 

CMYK 63 / 68 / 0 / 17

HEX #4F43D4

RGB 79 67 212

HSL 244.97, 0.63%, 0.55%

LAB 38.6, 46.99, -72.86

 

CMYK 68 / 68 / 0 / 17

HEX #4343D4

RGB 67 67 212

HSL 240, 0.63%, 0.55%

LAB 37.77, 45.48, -74.26

 

CMYK 8 / 68 / 0 / 17

HEX #C443D4

RGB 196 67 212

HSL 293.38, 0.63%, 0.55%

LAB 52.4, 69.11, -49.87

 

CMYK 9 / 79 / 0 / 9

HEX #D331E7

RGB 211 49 231

HSL 293.41, 0.79%, 0.55%

LAB 53.83, 81.01, -58.23

 

CMYK 10 / 88 / 0 / 2

HEX #E11EF9

RGB 225 30 249

HSL 293.42, 0.95%, 0.55%

LAB 55.86, 90.11, -64.94

 

CMYK 8 / 68 / 0 / 17

HEX #C443D4

RGB 196 67 212

HSL 293.38, 0.63%, 0.55%

LAB 52.4, 69.11, -49.87

 

CMYK 6 / 55 / 0 / 24

HEX #B656C1

RGB 182 86 193

HSL 293.83, 0.46%, 0.55%

LAB 52.34, 54.14, -39.2

 

CMYK 5 / 40 / 0 / 31

HEX #A769AF

RGB 167 105 175

HSL 293.14, 0.3%, 0.55%

LAB 53.4, 36.41, -27.28

 

CMYK 2 / 21 / 0 / 39

HEX #997B9C

RGB 153 123 156

HSL 294.55, 0.14%, 0.55%

LAB 55.42, 17.65, -13.31

 

CMYK 3 / 0 / 3 / 44

HEX #8A8E8A

RGB 138 142 138

HSL 120, 0.02%, 0.55%

LAB 58.59, -2.25, 1.61

 

CMYK 44 / 68 / 0 / 17

HEX #7643D4

RGB 118 67 212

HSL 261.1, 0.63%, 0.55%

LAB 42.18, 53.21, -66.86

 

CMYK 26 / 68 / 0 / 17

HEX #9D43D4

RGB 157 67 212

HSL 277.24, 0.63%, 0.55%

LAB 46.89, 60.8, -59.01

 

CMYK 8 / 68 / 0 / 17

HEX #C343D4

RGB 195 67 212

HSL 292.97, 0.63%, 0.55%

LAB 52.25, 68.89, -50.12

 

CMYK 0 / 68 / 10 / 17

HEX #D443BE

RGB 212 67 190

HSL 309.1, 0.63%, 0.55%

LAB 53.74, 69.2, -34.96

 

CMYK 0 / 68 / 28 / 17

HEX #D44398

RGB 212 67 152

HSL 324.83, 0.63%, 0.55%

LAB 52.15, 64.04, -15.17

 

CMYK 9 / 78 / 0 / 37

HEX #9324A1

RGB 147 36 161

HSL 293.28, 0.63%, 0.39%

LAB 37.91, 60.47, -43.6

 

CMYK 8 / 77 / 0 / 24

HEX #B22CC2

RGB 178 44 194

HSL 293.6, 0.63%, 0.47%

LAB 45.85, 69.99, -50.12

 

CMYK 8 / 68 / 0 / 17

HEX #C443D4

RGB 196 67 212

HSL 293.38, 0.63%, 0.55%

LAB 52.4, 69.11, -49.87

 

CMYK 6 / 54 / 0 / 14

HEX #CF65DC

RGB 207 101 220

HSL 293.45, 0.63%, 0.63%

LAB 59.65, 58.65, -42.82

 

CMYK 4 / 41 / 0 / 11

HEX #D987E3

RGB 217 135 227

HSL 293.48, 0.62%, 0.71%

LAB 67.74, 45.72, -33.98

 

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

CMYK 0 / 62 / 68 / 17

HEX #D45043

RGB 212 80 67

HSL 5.38, 0.63%, 0.55%

LAB 51.99, 51.22, 35.02

 

CMYK 68 / 0 / 35 / 17

HEX #43D489

RGB 67 212 137

HSL 148.97, 0.63%, 0.55%

LAB 76.12, -55.24, 26.23

 

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

CMYK 0 / 8 / 68 / 17

HEX #D4C343

RGB 212 195 67

HSL 52.97, 0.63%, 0.55%

LAB 78.13, -8.45, 63.53

 

CMYK 68 / 0 / 8 / 17

HEX #43D4C3

RGB 67 212 195

HSL 172.97, 0.63%, 0.55%

LAB 77.41, -41.86, -2.76

 

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

CMYK 0 / 62 / 68 / 17

HEX #D45043

RGB 212 80 67

HSL 5.38, 0.63%, 0.55%

LAB 51.99, 51.22, 35.02

 

CMYK 60 / 0 / 68 / 17

HEX #54D443

RGB 84 212 67

HSL 112.97, 0.63%, 0.55%

LAB 75.69, -61.66, 58.71

 

CMYK 68 / 6 / 0 / 17

HEX #43C8D4

RGB 67 200 212

HSL 184.97, 0.63%, 0.55%

LAB 74.35, -31.57, -16.48

 

CMYK 8 / 68 / 0 / 16

HEX #C544D5

RGB 197 68 213

HSL 293.38, 0.63%, 0.55%

LAB 52.74, 69.13, -49.9

 

CMYK 0 / 42 / 68 / 17

HEX #D47B43

RGB 212 123 67

HSL 23.17, 0.63%, 0.55%

LAB 60.4, 29.92, 44.71

 

CMYK 60 / 0 / 68 / 17

HEX #54D443

RGB 84 212 67

HSL 112.97, 0.63%, 0.55%

LAB 75.69, -61.66, 58.71

 

CMYK 68 / 26 / 0 / 17

HEX #439DD4

RGB 67 157 212

HSL 202.76, 0.63%, 0.55%

LAB 61.71, -9.31, -35.89

 

Description

Color code: HEX #C544D5 | qconv.com Color code: HEX #C544D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 68 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 68 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 68 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 68% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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