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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55254 it is the complementary color #3AADAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55254 shade: #CA524F, #DB6462, #EC7675, #FD8888 and #FF9A9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55254 shade: #C55254, #B44041, #A32E2E, #921C1B and #810A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55254 shade: #C55254 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55254 shade: #C55254, #C55273, #C55292, #C552B1 and #BA52C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55254 shade matches the following richer shades: #C55254, #D84042, #EA2D31 and #FD1B1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55254 shade: #C55254, #B36566, #A07878, #8D8A8A and #7B9D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55254 shade: #C55293, #C55275, #C55256, #C56D52 and #C58C52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55254 shade: #943133, #B33B3D, #C55254, #CF7173 and #DA9092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55254 shade: #C55254, #B2C552 and #5284C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55254 shade: #C55254, #56C552 and #5256C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55254 shade: #C55254, #B2C552, #52C5C1 and #6652C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55254 shade: #C55254, #90C552, #52C5C1 and #8852C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

Complementary color

CMYK 66 / 0 / 1 / 32

HEX #3AADAB

RGB 58 173 171

HSL 178.96, 0.5%, 0.45%

LAB 64.75, -31.84, -8.39

 

CMYK 0 / 59 / 61 / 21

HEX #CA524F

RGB 202 82 79

HSL 1.46, 0.54%, 0.55%

LAB 50.87, 47.55, 26.35

 

CMYK 0 / 54 / 55 / 14

HEX #DB6462

RGB 219 100 98

HSL 0.99, 0.63%, 0.62%

LAB 57.13, 46.46, 23.96

 

CMYK 0 / 50 / 50 / 7

HEX #EC7675

RGB 236 118 117

HSL 0.5, 0.76%, 0.69%

LAB 63.4, 45.35, 21.93

 

CMYK 0 / 46 / 46 / 1

HEX #FD8888

RGB 253 136 136

HSL 0, 0.97%, 0.76%

LAB 69.66, 44.27, 20.16

 

CMYK 0 / 40 / 39 / 0

HEX #FF9A9B

RGB 255 154 155

HSL 359.41, 1%, 0.8%

LAB 74.02, 37.8, 15.72

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 64 / 64 / 29

HEX #B44041

RGB 180 64 65

HSL 359.48, 0.48%, 0.48%

LAB 43.87, 47.09, 25

 

CMYK 0 / 72 / 72 / 36

HEX #A32E2E

RGB 163 46 46

HSL 0, 0.56%, 0.41%

LAB 37.73, 47.75, 28.27

 

CMYK 0 / 81 / 82 / 43

HEX #921C1B

RGB 146 28 27

HSL 0.5, 0.69%, 0.34%

LAB 31.85, 47.78, 32.18

 

CMYK 0 / 92 / 94 / 49

HEX #810A08

RGB 129 10 8

HSL 0.99, 0.88%, 0.27%

LAB 26.45, 46.63, 35.73

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 58 / 42 / 23

HEX #C55273

RGB 197 82 115

HSL 342.78, 0.5%, 0.55%

LAB 50.85, 48.98, 4.73

 

CMYK 0 / 58 / 26 / 23

HEX #C55292

RGB 197 82 146

HSL 326.61, 0.5%, 0.55%

LAB 51.81, 52.72, -12.35

 

CMYK 0 / 58 / 10 / 23

HEX #C552B1

RGB 197 82 177

HSL 310.43, 0.5%, 0.55%

LAB 53.04, 57.29, -28.69

 

CMYK 6 / 58 / 0 / 23

HEX #BA52C5

RGB 186 82 197

HSL 294.26, 0.5%, 0.55%

LAB 52.4, 57.8, -41.37

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 70 / 69 / 15

HEX #D84042

RGB 216 64 66

HSL 359.21, 0.66%, 0.55%

LAB 50.29, 58.96, 33.73

 

CMYK 0 / 81 / 79 / 8

HEX #EA2D31

RGB 234 45 49

HSL 358.73, 0.82%, 0.55%

LAB 51.37, 69.43, 45.41

 

CMYK 0 / 89 / 88 / 1

HEX #FD1B1F

RGB 253 27 31

HSL 358.94, 0.98%, 0.55%

LAB 53.78, 77.48, 57.77

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 44 / 43 / 30

HEX #B36566

RGB 179 101 102

HSL 359.23, 0.34%, 0.55%

LAB 51.67, 31.41, 13.26

 

CMYK 0 / 25 / 25 / 37

HEX #A07878

RGB 160 120 120

HSL 0, 0.17%, 0.55%

LAB 54.3, 15.62, 6.09

 

CMYK 0 / 2 / 2 / 45

HEX #8D8A8A

RGB 141 138 138

HSL 0, 0.01%, 0.55%

LAB 57.73, 1.11, 0.39

 

CMYK 22 / 0 / 1 / 38

HEX #7B9D9C

RGB 123 157 156

HSL 178.24, 0.15%, 0.55%

LAB 62.27, -11.88, -3.34

 

CMYK 0 / 58 / 25 / 23

HEX #C55293

RGB 197 82 147

HSL 326.09, 0.5%, 0.55%

LAB 51.85, 52.86, -12.89

 

CMYK 0 / 58 / 41 / 23

HEX #C55275

RGB 197 82 117

HSL 341.74, 0.5%, 0.55%

LAB 50.91, 49.19, 3.61

 

CMYK 0 / 58 / 56 / 23

HEX #C55256

RGB 197 82 86

HSL 357.91, 0.5%, 0.55%

LAB 50.19, 46.3, 21.17

 

CMYK 0 / 45 / 58 / 23

HEX #C56D52

RGB 197 109 82

HSL 14.09, 0.5%, 0.55%

LAB 55.5, 32.31, 30.35

 

CMYK 0 / 29 / 58 / 23

HEX #C58C52

RGB 197 140 82

HSL 30.26, 0.5%, 0.55%

LAB 62.71, 15.43, 39.22

 

CMYK 0 / 67 / 66 / 42

HEX #943133

RGB 148 49 51

HSL 358.79, 0.5%, 0.39%

LAB 35.46, 41.66, 21.78

 

CMYK 0 / 67 / 66 / 30

HEX #B33B3D

RGB 179 59 61

HSL 359, 0.5%, 0.47%

LAB 42.84, 48.65, 26.07

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 0 / 45 / 44 / 19

HEX #CF7173

RGB 207 113 115

HSL 358.72, 0.49%, 0.63%

LAB 58.33, 37.06, 15.49

 

CMYK 0 / 34 / 33 / 15

HEX #DA9092

RGB 218 144 146

HSL 358.38, 0.5%, 0.71%

LAB 67.22, 28.29, 10.52

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 10 / 0 / 58 / 23

HEX #B2C552

RGB 178 197 82

HSL 69.91, 0.5%, 0.55%

LAB 76.07, -22.64, 54.24

 

CMYK 58 / 33 / 0 / 23

HEX #5284C5

RGB 82 132 197

HSL 213.91, 0.5%, 0.55%

LAB 54.37, 2.77, -38.89

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 56 / 0 / 58 / 23

HEX #56C552

RGB 86 197 82

HSL 117.91, 0.5%, 0.55%

LAB 71.23, -54.23, 47.43

 

CMYK 58 / 56 / 0 / 23

HEX #5256C5

RGB 82 86 197

HSL 237.91, 0.5%, 0.55%

LAB 41.97, 31.21, -58.7

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 10 / 0 / 58 / 23

HEX #B2C552

RGB 178 197 82

HSL 69.91, 0.5%, 0.55%

LAB 76.07, -22.64, 54.24

 

CMYK 58 / 0 / 2 / 23

HEX #52C5C1

RGB 82 197 193

HSL 177.91, 0.5%, 0.55%

LAB 73.27, -33.11, -7.75

 

CMYK 48 / 58 / 0 / 23

HEX #6652C5

RGB 102 82 197

HSL 250.43, 0.5%, 0.55%

LAB 42.6, 37.58, -57.6

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 27 / 0 / 58 / 23

HEX #90C552

RGB 144 197 82

HSL 87.65, 0.5%, 0.55%

LAB 73.85, -35.9, 51.13

 

CMYK 58 / 0 / 2 / 23

HEX #52C5C1

RGB 82 197 193

HSL 177.91, 0.5%, 0.55%

LAB 73.27, -33.11, -7.75

 

CMYK 31 / 58 / 0 / 23

HEX #8852C5

RGB 136 82 197

HSL 268.17, 0.5%, 0.55%

LAB 46.04, 45.27, -51.88

 

Description

Color code: HEX #C55254 | qconv.com Color code: HEX #C55254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 82 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 82 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 57 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 57% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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