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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55A89 it is the complementary color #3AA576. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55A89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55A89 shade: #CA5A84, #DB6C97, #EC7EAA, #FD90BD and #FFA2D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55A89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55A89 shade: #C55A89, #B44876, #A33663, #922450 and #81123D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55A89 shade: #C45888, #C4586B and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55A89 shade: #C45888, #C458A5, #C458C2, #A958C4 and #8C58C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55A89 shade matches the following richer shades: #C45888, #D64686, #E83483 and #FB2281

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55A89 shade: #C45888, #B26B8A, #A07D8C, #8E8F8E and #7CA191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55A89 shade: #C458C2, #C458A6, #C45889, #C4586C and #C46158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55A89 shade: #96345F, #B43F73, #C45888, #CF779E and #DA96B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55A89 shade: #C55A89, #C4A958 and #58B4C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55A89 shade: #C55A89, #89C458 and #5889C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55A89 shade: #C55A89, #C4A958, #58C494 and #5873C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55A89 shade: #C55A89, #BFC458, #58C494 and #5E58C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

Complementary color

CMYK 65 / 0 / 28 / 35

HEX #3AA576

RGB 58 165 118

HSL 153.64, 0.48%, 0.44%

LAB 60.89, -41.79, 15.58

 

CMYK 0 / 55 / 35 / 21

HEX #CA5A84

RGB 202 90 132

HSL 337.5, 0.51%, 0.57%

LAB 53.53, 48.78, -1.42

 

CMYK 0 / 51 / 31 / 14

HEX #DB6C97

RGB 219 108 151

HSL 336.76, 0.61%, 0.64%

LAB 59.91, 48.02, -2.88

 

CMYK 0 / 47 / 28 / 7

HEX #EC7EAA

RGB 236 126 170

HSL 336, 0.74%, 0.71%

LAB 66.26, 47.2, -4.13

 

CMYK 0 / 43 / 25 / 1

HEX #FD90BD

RGB 253 144 189

HSL 335.23, 0.96%, 0.78%

LAB 72.56, 46.38, -5.21

 

CMYK 0 / 36 / 18 / 0

HEX #FFA2D0

RGB 255 162 208

HSL 330.32, 1%, 0.82%

LAB 77.07, 40.56, -8.95

 

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

CMYK 0 / 60 / 34 / 29

HEX #B44876

RGB 180 72 118

HSL 334.44, 0.43%, 0.49%

LAB 46.51, 48.39, -3.74

 

CMYK 0 / 67 / 39 / 36

HEX #A33663

RGB 163 54 99

HSL 335.23, 0.5%, 0.43%

LAB 40.12, 48.77, -1.73

 

CMYK 0 / 75 / 45 / 43

HEX #922450

RGB 146 36 80

HSL 336, 0.6%, 0.36%

LAB 33.88, 48.62, 0.9

 

CMYK 0 / 86 / 53 / 49

HEX #81123D

RGB 129 18 61

HSL 336.76, 0.76%, 0.29%

LAB 27.94, 47.5, 4.48

 

CMYK 0 / 55 / 31 / 23

HEX #C45888

RGB 196 88 136

HSL 333.33, 0.48%, 0.56%

LAB 52.39, 48.27, -5.57

 

CMYK 0 / 55 / 45 / 23

HEX #C4586B

RGB 196 88 107

HSL 349.44, 0.48%, 0.56%

LAB 51.58, 44.94, 10.54

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 31 / 23

HEX #C45888

RGB 196 88 136

HSL 333.33, 0.48%, 0.56%

LAB 52.39, 48.27, -5.57

 

CMYK 0 / 55 / 16 / 23

HEX #C458A5

RGB 196 88 165

HSL 317.22, 0.48%, 0.56%

LAB 53.42, 52.37, -21.11

 

CMYK 0 / 55 / 1 / 23

HEX #C458C2

RGB 196 88 194

HSL 301.11, 0.48%, 0.56%

LAB 54.67, 57.13, -35.98

 

CMYK 14 / 55 / 0 / 23

HEX #A958C4

RGB 169 88 196

HSL 285, 0.48%, 0.56%

LAB 51.15, 50.29, -42.92

 

CMYK 29 / 55 / 0 / 23

HEX #8C58C4

RGB 140 88 196

HSL 268.89, 0.48%, 0.56%

LAB 47.68, 42.74, -48.66

 

CMYK 0 / 55 / 31 / 23

HEX #C45888

RGB 196 88 136

HSL 333.33, 0.48%, 0.56%

LAB 52.39, 48.27, -5.57

 

CMYK 0 / 67 / 37 / 16

HEX #D64686

RGB 214 70 134

HSL 333.33, 0.64%, 0.56%

LAB 52.28, 61.39, -4.22

 

CMYK 0 / 78 / 44 / 9

HEX #E83483

RGB 232 52 131

HSL 333.67, 0.8%, 0.56%

LAB 53.22, 71.91, -0.69

 

CMYK 0 / 86 / 49 / 2

HEX #FB2281

RGB 251 34 129

HSL 333.73, 0.96%, 0.56%

LAB 55.32, 80.32, 3.99

 

CMYK 0 / 55 / 31 / 23

HEX #C45888

RGB 196 88 136

HSL 333.33, 0.48%, 0.56%

LAB 52.39, 48.27, -5.57

 

CMYK 0 / 40 / 22 / 30

HEX #B26B8A

RGB 178 107 138

HSL 333.8, 0.32%, 0.56%

LAB 53.83, 32.51, -4.89

 

CMYK 0 / 22 / 13 / 37

HEX #A07D8C

RGB 160 125 140

HSL 334.29, 0.16%, 0.56%

LAB 56.12, 16.04, -2.91

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 10 / 37

HEX #7CA191

RGB 124 161 145

HSL 154.05, 0.16%, 0.56%

LAB 63.19, -16.08, 4.19

 

CMYK 0 / 55 / 1 / 23

HEX #C458C2

RGB 196 88 194

HSL 301.11, 0.48%, 0.56%

LAB 54.67, 57.13, -35.98

 

CMYK 0 / 55 / 15 / 23

HEX #C458A6

RGB 196 88 166

HSL 316.67, 0.48%, 0.56%

LAB 53.46, 52.52, -21.64

 

CMYK 0 / 55 / 30 / 23

HEX #C45889

RGB 196 88 137

HSL 332.78, 0.48%, 0.56%

LAB 52.42, 48.4, -6.12

 

CMYK 0 / 55 / 45 / 23

HEX #C4586C

RGB 196 88 108

HSL 348.89, 0.48%, 0.56%

LAB 51.61, 45.04, 9.98

 

CMYK 0 / 51 / 55 / 23

HEX #C46158

RGB 196 97 88

HSL 5, 0.48%, 0.56%

LAB 52.94, 38.69, 23.6

 

CMYK 0 / 65 / 37 / 41

HEX #96345F

RGB 150 52 95

HSL 333.67, 0.49%, 0.4%

LAB 37.42, 45.08, -3.45

 

CMYK 0 / 65 / 36 / 29

HEX #B43F73

RGB 180 63 115

HSL 333.33, 0.48%, 0.48%

LAB 44.94, 52.03, -4.23

 

CMYK 0 / 55 / 31 / 23

HEX #C45888

RGB 196 88 136

HSL 333.33, 0.48%, 0.56%

LAB 52.39, 48.27, -5.57

 

CMYK 0 / 43 / 24 / 19

HEX #CF779E

RGB 207 119 158

HSL 333.41, 0.48%, 0.64%

LAB 60.72, 39.27, -5.9

 

CMYK 0 / 31 / 18 / 15

HEX #DA96B3

RGB 218 150 179

HSL 334.41, 0.48%, 0.72%

LAB 69.45, 29.73, -4.71

 

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

CMYK 0 / 14 / 55 / 23

HEX #C4A958

RGB 196 169 88

HSL 45, 0.48%, 0.56%

LAB 70.05, -0.26, 44.9

 

CMYK 55 / 8 / 0 / 23

HEX #58B4C4

RGB 88 180 196

HSL 188.89, 0.48%, 0.56%

LAB 68.54, -22.78, -16.47

 

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

CMYK 30 / 0 / 55 / 23

HEX #89C458

RGB 137 196 88

HSL 92.78, 0.48%, 0.56%

LAB 73.22, -37.4, 47.55

 

CMYK 55 / 30 / 0 / 23

HEX #5889C4

RGB 88 137 196

HSL 212.78, 0.48%, 0.56%

LAB 56.04, 0.77, -35.69

 

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

CMYK 0 / 14 / 55 / 23

HEX #C4A958

RGB 196 169 88

HSL 45, 0.48%, 0.56%

LAB 70.05, -0.26, 44.9

 

CMYK 55 / 0 / 24 / 23

HEX #58C494

RGB 88 196 148

HSL 153.33, 0.48%, 0.56%

LAB 72.02, -42.38, 14.87

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

CMYK 0 / 54 / 30 / 23

HEX #C55A89

RGB 197 90 137

HSL 333.64, 0.48%, 0.56%

LAB 52.94, 47.76, -5.34

 

CMYK 3 / 0 / 55 / 23

HEX #BFC458

RGB 191 196 88

HSL 62.78, 0.48%, 0.56%

LAB 76.84, -16.36, 52.66

 

CMYK 55 / 0 / 24 / 23

HEX #58C494

RGB 88 196 148

HSL 153.33, 0.48%, 0.56%

LAB 72.02, -42.38, 14.87

 

CMYK 52 / 55 / 0 / 23

HEX #5E58C4

RGB 94 88 196

HSL 243.33, 0.48%, 0.56%

LAB 43.28, 31.99, -55.96

 

Description

Color code: HEX #C55A89 | qconv.com Color code: HEX #C55A89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 90 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 90 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 30 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 30% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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