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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55E1A it is the complementary color #3AA1E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55E1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55E1A shade: #CA5E15, #DB7028, #EC823B, #FD944E and #FFA661

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55E1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55E1A shade: #C55E1A, #B44C07, #A33A00, #922800 and #811600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55E1A shade: #C65E19, #C62F19 and #C61919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55E1A shade: #C65E19, #C68D19, #C6BB19, #A2C619 and #74C619

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55E1A shade matches the following richer shades: #C65E19 and #D85A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55E1A shade: #C65E19, #B4622B, #A2653E, #906950 and #7D6D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55E1A shade: #C61933, #C62D19, #C65C19, #C68A19 and #C6B819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55E1A shade: #7D3B10, #A24D15, #C65E19, #E27126 and #E7894B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55E1A shade: #C55E1A, #61C619 and #191CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55E1A shade: #C55E1A, #19C65C and #5C19C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55E1A shade: #C55E1A, #61C619, #1984C6 and #7E19C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55E1A shade: #C55E1A, #2DC619, #1984C6 and #B219C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

Complementary color

CMYK 75 / 30 / 0 / 10

HEX #3AA1E5

RGB 58 161 229

HSL 203.86, 0.77%, 0.56%

LAB 63.38, -6.98, -42.7

 

CMYK 0 / 53 / 90 / 21

HEX #CA5E15

RGB 202 94 21

HSL 24.2, 0.81%, 0.44%

LAB 52.53, 39.27, 56.51

 

CMYK 0 / 49 / 82 / 14

HEX #DB7028

RGB 219 112 40

HSL 24.13, 0.71%, 0.51%

LAB 58.79, 37.34, 55.85

 

CMYK 0 / 45 / 75 / 7

HEX #EC823B

RGB 236 130 59

HSL 24.07, 0.82%, 0.58%

LAB 65.05, 35.55, 54.48

 

CMYK 0 / 42 / 69 / 1

HEX #FD944E

RGB 253 148 78

HSL 24, 0.98%, 0.65%

LAB 71.29, 33.92, 52.87

 

CMYK 0 / 35 / 62 / 0

HEX #FFA661

RGB 255 166 97

HSL 26.2, 1%, 0.69%

LAB 75.7, 26.49, 48.66

 

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

CMYK 0 / 58 / 96 / 29

HEX #B44C07

RGB 180 76 7

HSL 23.93, 0.93%, 0.37%

LAB 45.48, 39.39, 53.72

 

CMYK 0 / 64 / 100 / 36

HEX #A33A00

RGB 163 58 0

HSL 21.35, 1%, 0.32%

LAB 39.26, 41.38, 50.64

 

CMYK 0 / 73 / 100 / 43

HEX #922800

RGB 146 40 0

HSL 16.44, 1%, 0.29%

LAB 33.2, 42.98, 45.68

 

CMYK 0 / 83 / 100 / 49

HEX #811600

RGB 129 22 0

HSL 10.23, 1%, 0.25%

LAB 27.41, 43.62, 39.83

 

CMYK 0 / 53 / 87 / 22

HEX #C65E19

RGB 198 94 25

HSL 23.93, 0.78%, 0.44%

LAB 51.93, 37.77, 54.46

 

CMYK 0 / 76 / 87 / 22

HEX #C62F19

RGB 198 47 25

HSL 7.63, 0.78%, 0.44%

LAB 44.39, 57.83, 48.41

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 53 / 87 / 22

HEX #C65E19

RGB 198 94 25

HSL 23.93, 0.78%, 0.44%

LAB 51.93, 37.77, 54.46

 

CMYK 0 / 29 / 87 / 22

HEX #C68D19

RGB 198 141 25

HSL 40.23, 0.78%, 0.44%

LAB 62.61, 12.53, 63.03

 

CMYK 0 / 6 / 87 / 22

HEX #C6BB19

RGB 198 187 25

HSL 56.18, 0.78%, 0.44%

LAB 74.58, -11.93, 72.63

 

CMYK 18 / 0 / 87 / 22

HEX #A2C619

RGB 162 198 25

HSL 72.49, 0.78%, 0.44%

LAB 74.91, -32.57, 71.77

 

CMYK 41 / 0 / 87 / 22

HEX #74C619

RGB 116 198 25

HSL 88.44, 0.78%, 0.44%

LAB 72.34, -49.8, 68.57

 

CMYK 0 / 53 / 87 / 22

HEX #C65E19

RGB 198 94 25

HSL 23.93, 0.78%, 0.44%

LAB 51.93, 37.77, 54.46

 

CMYK 0 / 58 / 97 / 15

HEX #D85A07

RGB 216 90 7

HSL 23.83, 0.94%, 0.44%

LAB 53.95, 46.38, 61.95

 

CMYK 0 / 53 / 87 / 22

HEX #C65E19

RGB 198 94 25

HSL 23.93, 0.78%, 0.44%

LAB 51.93, 37.77, 54.46

 

CMYK 0 / 46 / 76 / 29

HEX #B4622B

RGB 180 98 43

HSL 24.09, 0.61%, 0.44%

LAB 50.23, 28.9, 44.37

 

CMYK 0 / 38 / 62 / 36

HEX #A2653E

RGB 162 101 62

HSL 23.4, 0.45%, 0.44%

LAB 48.68, 20.68, 32.06

 

CMYK 0 / 27 / 44 / 44

HEX #906950

RGB 144 105 80

HSL 23.44, 0.29%, 0.44%

LAB 47.77, 12.28, 20.17

 

CMYK 0 / 13 / 22 / 51

HEX #7D6D62

RGB 125 109 98

HSL 24.44, 0.12%, 0.44%

LAB 47.21, 4.38, 8.45

 

CMYK 0 / 87 / 74 / 22

HEX #C61933

RGB 198 25 51

HSL 350.98, 0.78%, 0.44%

LAB 42.67, 64.15, 32.78

 

CMYK 0 / 77 / 87 / 22

HEX #C62D19

RGB 198 45 25

HSL 6.94, 0.78%, 0.44%

LAB 44.17, 58.45, 48.23

 

CMYK 0 / 54 / 87 / 22

HEX #C65C19

RGB 198 92 25

HSL 23.24, 0.78%, 0.44%

LAB 51.53, 38.78, 54.14

 

CMYK 0 / 30 / 87 / 22

HEX #C68A19

RGB 198 138 25

HSL 39.19, 0.78%, 0.44%

LAB 61.87, 14.17, 62.44

 

CMYK 0 / 7 / 87 / 22

HEX #C6B819

RGB 198 184 25

HSL 55.14, 0.78%, 0.44%

LAB 73.78, -10.39, 71.98

 

CMYK 0 / 53 / 87 / 51

HEX #7D3B10

RGB 125 59 16

HSL 23.67, 0.77%, 0.28%

LAB 32.97, 25.85, 37.48

 

CMYK 0 / 52 / 87 / 36

HEX #A24D15

RGB 162 77 21

HSL 23.83, 0.77%, 0.36%

LAB 42.83, 31.9, 46.18

 

CMYK 0 / 53 / 87 / 22

HEX #C65E19

RGB 198 94 25

HSL 23.93, 0.78%, 0.44%

LAB 51.93, 37.77, 54.46

 

CMYK 0 / 50 / 83 / 11

HEX #E27126

RGB 226 113 38

HSL 23.94, 0.76%, 0.52%

LAB 60, 39.54, 58.1

 

CMYK 0 / 41 / 68 / 9

HEX #E7894B

RGB 231 137 75

HSL 23.85, 0.76%, 0.6%

LAB 66.05, 30.68, 47.72

 

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

CMYK 51 / 0 / 87 / 22

HEX #61C619

RGB 97 198 25

HSL 95.03, 0.78%, 0.44%

LAB 71.55, -55.76, 67.59

 

CMYK 87 / 86 / 0 / 22

HEX #191CC6

RGB 25 28 198

HSL 238.96, 0.78%, 0.44%

LAB 27.06, 58.13, -83.91

 

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

CMYK 87 / 0 / 54 / 22

HEX #19C65C

RGB 25 198 92

HSL 143.24, 0.78%, 0.44%

LAB 70.43, -63.13, 41.49

 

CMYK 54 / 87 / 0 / 22

HEX #5C19C6

RGB 92 25 198

HSL 263.24, 0.78%, 0.44%

LAB 31.92, 63.39, -75.7

 

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

CMYK 51 / 0 / 87 / 22

HEX #61C619

RGB 97 198 25

HSL 95.03, 0.78%, 0.44%

LAB 71.55, -55.76, 67.59

 

CMYK 87 / 33 / 0 / 22

HEX #1984C6

RGB 25 132 198

HSL 202.89, 0.78%, 0.44%

LAB 52.71, -4.63, -42.19

 

CMYK 36 / 87 / 0 / 22

HEX #7E19C6

RGB 126 25 198

HSL 275.03, 0.78%, 0.44%

LAB 36.38, 67.31, -68.19

 

CMYK 0 / 52 / 87 / 23

HEX #C55E1A

RGB 197 94 26

HSL 23.86, 0.77%, 0.44%

LAB 51.78, 37.4, 53.92

 

CMYK 77 / 0 / 87 / 22

HEX #2DC619

RGB 45 198 25

HSL 113.06, 0.78%, 0.44%

LAB 70.19, -67.07, 65.87

 

CMYK 87 / 33 / 0 / 22

HEX #1984C6

RGB 25 132 198

HSL 202.89, 0.78%, 0.44%

LAB 52.71, -4.63, -42.19

 

CMYK 10 / 87 / 0 / 22

HEX #B219C6

RGB 178 25 198

HSL 293.06, 0.78%, 0.44%

LAB 44.57, 75.14, -54.51

 

Description

Color code: HEX #C55E1A | qconv.com Color code: HEX #C55E1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 94 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 94 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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