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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55F5D it is the complementary color #3AA0A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55F5D shade: #CA5F58, #DB716B, #EC837E, #FD9591 and #FFA7A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55F5D shade: #C55F5D, #B44D4A, #A33B37, #922924 and #811711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55F5D shade: #C45F5D and #C45D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55F5D shade: #C45F5D, #C47B5D, #C4975D, #C4B35D and #BAC45D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55F5D shade matches the following richer shades: #C45F5D, #D64E4C, #E83D3A and #FA2C28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55F5D shade: #C45F5D, #B3706F, #A18181, #8F9293 and #7DA4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55F5D shade: #C45D93, #C45D77, #C45F5D, #C47B5D and #C4965D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55F5D shade: #993937, #B74442, #C45F5D, #CF7D7C and #DA9B9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55F5D shade: #C55F5D, #AEC45D and #5D85C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55F5D shade: #C55F5D, #5DC45F and #5F5DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55F5D shade: #C55F5D, #AEC45D, #5DC3C4 and #745DC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55F5D shade: #C55F5D, #8FC45D, #5DC3C4 and #935DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

Complementary color

CMYK 64 / 1 / 0 / 36

HEX #3AA0A2

RGB 58 160 162

HSL 181.15, 0.47%, 0.43%

LAB 60.47, -28.13, -9.72

 

CMYK 0 / 53 / 56 / 21

HEX #CA5F58

RGB 202 95 88

HSL 3.68, 0.52%, 0.57%

LAB 53.43, 41.94, 24.41

 

CMYK 0 / 48 / 51 / 14

HEX #DB716B

RGB 219 113 107

HSL 3.21, 0.61%, 0.64%

LAB 59.83, 40.76, 22.39

 

CMYK 0 / 44 / 47 / 7

HEX #EC837E

RGB 236 131 126

HSL 2.73, 0.74%, 0.71%

LAB 66.19, 39.63, 20.64

 

CMYK 0 / 41 / 43 / 1

HEX #FD9591

RGB 253 149 145

HSL 2.22, 0.96%, 0.78%

LAB 72.51, 38.57, 19.09

 

CMYK 0 / 35 / 36 / 0

HEX #FFA7A4

RGB 255 167 164

HSL 1.98, 1%, 0.82%

LAB 77.03, 32.09, 15.01

 

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

CMYK 0 / 57 / 59 / 29

HEX #B44D4A

RGB 180 77 74

HSL 1.7, 0.42%, 0.5%

LAB 46.32, 41.66, 22.73

 

CMYK 0 / 64 / 66 / 36

HEX #A33B37

RGB 163 59 55

HSL 2.22, 0.5%, 0.43%

LAB 39.9, 42.73, 25.44

 

CMYK 0 / 72 / 75 / 43

HEX #922924

RGB 146 41 36

HSL 2.73, 0.6%, 0.36%

LAB 33.61, 43.53, 28.73

 

CMYK 0 / 82 / 87 / 49

HEX #811711

RGB 129 23 17

HSL 3.21, 0.77%, 0.29%

LAB 27.63, 43.67, 32.54

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 53 / 53 / 23

HEX #C45D5D

RGB 196 93 93

HSL 0, 0.47%, 0.57%

LAB 52.24, 41.15, 19.74

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 37 / 53 / 23

HEX #C47B5D

RGB 196 123 93

HSL 17.48, 0.47%, 0.57%

LAB 58.69, 25.26, 28.24

 

CMYK 0 / 23 / 53 / 23

HEX #C4975D

RGB 196 151 93

HSL 33.79, 0.47%, 0.57%

LAB 65.48, 9.9, 36.83

 

CMYK 0 / 9 / 53 / 23

HEX #C4B35D

RGB 196 179 93

HSL 50.1, 0.47%, 0.57%

LAB 72.74, -5.13, 45.63

 

CMYK 5 / 0 / 53 / 23

HEX #BAC45D

RGB 186 196 93

HSL 65.83, 0.47%, 0.57%

LAB 76.5, -17.98, 49.86

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 64 / 64 / 16

HEX #D64E4C

RGB 214 78 76

HSL 0.87, 0.63%, 0.57%

LAB 52.14, 53.27, 30.11

 

CMYK 0 / 74 / 75 / 9

HEX #E83D3A

RGB 232 61 58

HSL 1.03, 0.79%, 0.57%

LAB 52.73, 64.55, 41.82

 

CMYK 0 / 82 / 84 / 2

HEX #FA2C28

RGB 250 44 40

HSL 1.14, 0.95%, 0.57%

LAB 54.32, 73.78, 53.87

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 37 / 38 / 30

HEX #B3706F

RGB 179 112 111

HSL 0.88, 0.31%, 0.57%

LAB 54.36, 26.41, 11.73

 

CMYK 0 / 20 / 20 / 37

HEX #A18181

RGB 161 129 129

HSL 0, 0.15%, 0.57%

LAB 56.94, 12.28, 4.66

 

CMYK 3 / 1 / 0 / 42

HEX #8F9293

RGB 143 146 147

HSL 195, 0.02%, 0.57%

LAB 60.34, -0.89, -0.92

 

CMYK 24 / 0 / 0 / 36

HEX #7DA4A4

RGB 125 164 164

HSL 180, 0.18%, 0.57%

LAB 64.64, -13.17, -4.34

 

CMYK 0 / 53 / 25 / 23

HEX #C45D93

RGB 196 93 147

HSL 328.54, 0.47%, 0.57%

LAB 53.68, 47.31, -10.16

 

CMYK 0 / 53 / 39 / 23

HEX #C45D77

RGB 196 93 119

HSL 344.85, 0.47%, 0.57%

LAB 52.84, 43.76, 5.17

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 37 / 53 / 23

HEX #C47B5D

RGB 196 123 93

HSL 17.48, 0.47%, 0.57%

LAB 58.69, 25.26, 28.24

 

CMYK 0 / 23 / 53 / 23

HEX #C4965D

RGB 196 150 93

HSL 33.2, 0.47%, 0.57%

LAB 65.23, 10.45, 36.52

 

CMYK 0 / 63 / 64 / 40

HEX #993937

RGB 153 57 55

HSL 1.22, 0.47%, 0.41%

LAB 37.8, 40.05, 22.43

 

CMYK 0 / 63 / 64 / 28

HEX #B74442

RGB 183 68 66

HSL 1.03, 0.47%, 0.49%

LAB 45.07, 46.41, 26.02

 

CMYK 0 / 52 / 53 / 23

HEX #C45F5D

RGB 196 95 93

HSL 1.17, 0.47%, 0.57%

LAB 52.63, 40.14, 20.27

 

CMYK 0 / 40 / 40 / 19

HEX #CF7D7C

RGB 207 125 124

HSL 0.72, 0.46%, 0.65%

LAB 61.12, 31.68, 14.19

 

CMYK 0 / 29 / 29 / 15

HEX #DA9B9A

RGB 218 155 154

HSL 0.94, 0.46%, 0.73%

LAB 69.95, 23.41, 9.93

 

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

CMYK 11 / 0 / 53 / 23

HEX #AEC45D

RGB 174 196 93

HSL 72.82, 0.47%, 0.57%

LAB 75.62, -22.82, 48.6

 

CMYK 53 / 32 / 0 / 23

HEX #5D85C4

RGB 93 133 196

HSL 216.7, 0.47%, 0.57%

LAB 55.16, 4.23, -37.04

 

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

CMYK 53 / 0 / 52 / 23

HEX #5DC45F

RGB 93 196 95

HSL 121.17, 0.47%, 0.57%

LAB 71.31, -50.42, 41.44

 

CMYK 52 / 53 / 0 / 23

HEX #5F5DC4

RGB 95 93 196

HSL 241.17, 0.47%, 0.57%

LAB 44.59, 29.13, -53.85

 

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

CMYK 11 / 0 / 53 / 23

HEX #AEC45D

RGB 174 196 93

HSL 72.82, 0.47%, 0.57%

LAB 75.62, -22.82, 48.6

 

CMYK 53 / 1 / 0 / 23

HEX #5DC3C4

RGB 93 195 196

HSL 180.58, 0.47%, 0.57%

LAB 73.12, -29.21, -9.57

 

CMYK 41 / 53 / 0 / 23

HEX #745DC4

RGB 116 93 196

HSL 253.4, 0.47%, 0.57%

LAB 46.35, 33.92, -50.92

 

CMYK 0 / 52 / 53 / 23

HEX #C55F5D

RGB 197 95 93

HSL 1.15, 0.47%, 0.57%

LAB 52.78, 40.51, 20.49

 

CMYK 27 / 0 / 53 / 23

HEX #8FC45D

RGB 143 196 93

HSL 90.87, 0.47%, 0.57%

LAB 73.62, -34.7, 45.74

 

CMYK 53 / 1 / 0 / 23

HEX #5DC3C4

RGB 93 195 196

HSL 180.58, 0.47%, 0.57%

LAB 73.12, -29.21, -9.57

 

CMYK 25 / 53 / 0 / 23

HEX #935DC4

RGB 147 93 196

HSL 271.46, 0.47%, 0.57%

LAB 49.52, 41.8, -45.68

 

Description

Color code: HEX #C55F5D | qconv.com Color code: HEX #C55F5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 95 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 95 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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