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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56552 it is the complementary color #3A9AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56552 shade: #CA654D, #DB7760, #EC8973, #FD9B86 and #FFAD99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56552 shade: #C56552, #B4533F, #A3412C, #922F19 and #811D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56552 shade: #C56552 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56552 shade: #C56552, #C58452, #C5A352, #C5C252 and #A9C552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56552 shade matches the following richer shades: #C56552, #D85940, #EA4C2D and #FD401B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56552 shade: #C56552, #B37265, #A07E78, #8D8B8A and #7B979D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56552 shade: #C5527E, #C55260, #C56452, #C58252 and #C5A152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56552 shade: #944131, #B34F3B, #C56552, #CF8171 and #DA9C90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56552 shade: #C56552, #9DC552 and #526FC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56552 shade: #C56552, #52C564 and #6452C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56552 shade: #C56552, #9DC552, #52B4C5 and #7B52C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56552 shade: #C56552, #7BC552, #52B4C5 and #9D52C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

Complementary color

CMYK 66 / 11 / 0 / 32

HEX #3A9AAD

RGB 58 154 173

HSL 189.91, 0.5%, 0.45%

LAB 59, -21.76, -18.16

 

CMYK 0 / 50 / 62 / 21

HEX #CA654D

RGB 202 101 77

HSL 11.52, 0.54%, 0.55%

LAB 54.45, 38.09, 32

 

CMYK 0 / 46 / 56 / 14

HEX #DB7760

RGB 219 119 96

HSL 11.22, 0.63%, 0.62%

LAB 60.87, 36.76, 29.97

 

CMYK 0 / 42 / 51 / 7

HEX #EC8973

RGB 236 137 115

HSL 10.91, 0.76%, 0.69%

LAB 67.25, 35.52, 28.17

 

CMYK 0 / 39 / 47 / 1

HEX #FD9B86

RGB 253 155 134

HSL 10.59, 0.97%, 0.76%

LAB 73.58, 34.39, 26.56

 

CMYK 0 / 32 / 40 / 0

HEX #FFAD99

RGB 255 173 153

HSL 11.76, 1%, 0.8%

LAB 78.14, 27.71, 22.5

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 54 / 65 / 29

HEX #B4533F

RGB 180 83 63

HSL 10.26, 0.48%, 0.48%

LAB 47.3, 37.89, 30.43

 

CMYK 0 / 60 / 73 / 36

HEX #A3412C

RGB 163 65 44

HSL 10.59, 0.57%, 0.41%

LAB 40.81, 39.28, 33

 

CMYK 0 / 68 / 83 / 43

HEX #922F19

RGB 146 47 25

HSL 10.91, 0.71%, 0.34%

LAB 34.43, 40.57, 35.83

 

CMYK 0 / 78 / 95 / 49

HEX #811D06

RGB 129 29 6

HSL 11.22, 0.91%, 0.26%

LAB 28.27, 41.42, 38.11

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 33 / 58 / 23

HEX #C58452

RGB 197 132 82

HSL 26.09, 0.5%, 0.55%

LAB 60.77, 19.82, 36.87

 

CMYK 0 / 17 / 58 / 23

HEX #C5A352

RGB 197 163 82

HSL 42.26, 0.5%, 0.55%

LAB 68.51, 2.91, 46.08

 

CMYK 0 / 2 / 58 / 23

HEX #C5C252

RGB 197 194 82

HSL 58.43, 0.5%, 0.55%

LAB 76.72, -13.32, 55.37

 

CMYK 14 / 0 / 58 / 23

HEX #A9C552

RGB 169 197 82

HSL 74.61, 0.5%, 0.55%

LAB 75.44, -26.26, 53.35

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 59 / 70 / 15

HEX #D85940

RGB 216 89 64

HSL 9.87, 0.66%, 0.55%

LAB 54.15, 48.41, 39.37

 

CMYK 0 / 68 / 81 / 8

HEX #EA4C2D

RGB 234 76 45

HSL 9.84, 0.82%, 0.55%

LAB 54.92, 59.37, 50.92

 

CMYK 0 / 75 / 89 / 1

HEX #FD401B

RGB 253 64 27

HSL 9.82, 0.98%, 0.55%

LAB 56.71, 69.05, 61.48

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 36 / 44 / 30

HEX #B37265

RGB 179 114 101

HSL 10, 0.34%, 0.55%

LAB 54.61, 24.14, 17.89

 

CMYK 0 / 21 / 25 / 37

HEX #A07E78

RGB 160 126 120

HSL 9, 0.17%, 0.55%

LAB 55.84, 12.19, 8.27

 

CMYK 0 / 1 / 2 / 45

HEX #8D8B8A

RGB 141 139 138

HSL 20, 0.01%, 0.55%

LAB 58, 0.55, 0.79

 

CMYK 22 / 4 / 0 / 38

HEX #7B979D

RGB 123 151 157

HSL 190.59, 0.15%, 0.55%

LAB 60.59, -8.39, -6.4

 

CMYK 0 / 58 / 36 / 23

HEX #C5527E

RGB 197 82 126

HSL 337.04, 0.5%, 0.55%

LAB 51.16, 50.2, -1.41

 

CMYK 0 / 58 / 51 / 23

HEX #C55260

RGB 197 82 96

HSL 352.7, 0.5%, 0.55%

LAB 50.39, 47.13, 15.48

 

CMYK 0 / 49 / 58 / 23

HEX #C56452

RGB 197 100 82

HSL 9.39, 0.5%, 0.55%

LAB 53.59, 37.05, 27.94

 

CMYK 0 / 34 / 58 / 23

HEX #C58252

RGB 197 130 82

HSL 25.04, 0.5%, 0.55%

LAB 60.29, 20.92, 36.29

 

CMYK 0 / 18 / 58 / 23

HEX #C5A152

RGB 197 161 82

HSL 41.22, 0.5%, 0.55%

LAB 68, 3.99, 45.48

 

CMYK 0 / 56 / 67 / 42

HEX #944131

RGB 148 65 49

HSL 9.7, 0.5%, 0.39%

LAB 38.37, 33.76, 26.6

 

CMYK 0 / 56 / 67 / 30

HEX #B34F3B

RGB 179 79 59

HSL 10, 0.5%, 0.47%

LAB 46.3, 39.28, 31.48

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 0 / 38 / 45 / 19

HEX #CF8171

RGB 207 129 113

HSL 10.21, 0.49%, 0.63%

LAB 61.79, 28.34, 21.36

 

CMYK 0 / 28 / 34 / 15

HEX #DA9C90

RGB 218 156 144

HSL 9.73, 0.5%, 0.71%

LAB 69.96, 21.57, 15.48

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 20 / 0 / 58 / 23

HEX #9DC552

RGB 157 197 82

HSL 80.87, 0.5%, 0.55%

LAB 74.64, -30.97, 52.24

 

CMYK 58 / 44 / 0 / 23

HEX #526FC5

RGB 82 111 197

HSL 224.87, 0.5%, 0.55%

LAB 48.5, 15.56, -48.19

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 58 / 0 / 49 / 23

HEX #52C564

RGB 82 197 100

HSL 129.39, 0.5%, 0.55%

LAB 71.31, -52.84, 38.91

 

CMYK 49 / 58 / 0 / 23

HEX #6452C5

RGB 100 82 197

HSL 249.39, 0.5%, 0.55%

LAB 42.42, 37.16, -57.9

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 20 / 0 / 58 / 23

HEX #9DC552

RGB 157 197 82

HSL 80.87, 0.5%, 0.55%

LAB 74.64, -30.97, 52.24

 

CMYK 58 / 9 / 0 / 23

HEX #52B4C5

RGB 82 180 197

HSL 188.87, 0.5%, 0.55%

LAB 68.36, -23.66, -17.3

 

CMYK 38 / 58 / 0 / 23

HEX #7B52C5

RGB 123 82 197

HSL 261.39, 0.5%, 0.55%

LAB 44.63, 42.21, -54.23

 

CMYK 0 / 49 / 58 / 23

HEX #C56552

RGB 197 101 82

HSL 9.91, 0.5%, 0.55%

LAB 53.8, 36.53, 28.2

 

CMYK 38 / 0 / 58 / 23

HEX #7BC552

RGB 123 197 82

HSL 98.61, 0.5%, 0.55%

LAB 72.73, -43.32, 49.55

 

CMYK 58 / 9 / 0 / 23

HEX #52B4C5

RGB 82 180 197

HSL 188.87, 0.5%, 0.55%

LAB 68.36, -23.66, -17.3

 

CMYK 20 / 58 / 0 / 23

HEX #9D52C5

RGB 157 82 197

HSL 279.13, 0.5%, 0.55%

LAB 48.55, 50.44, -47.72

 

Description

Color code: HEX #C56552 | qconv.com Color code: HEX #C56552 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 101 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 101 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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