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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5694E it is the complementary color #3A96B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5694E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5694E shade: #CA6949, #DB7B5C, #EC8D6F, #FD9F82 and #FFB195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5694E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5694E shade: #C5694E, #B4573B, #A34528, #923315 and #812102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5694E shade: #C5694D and #C54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5694E shade: #C5694D, #C5894D, #C5A94D, #C1C54D and #A0C54D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5694E shade matches the following richer shades: #C5694D, #D85E3A, #EB5427 and #FE4914

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5694E shade: #C5694D, #B27360, #9F7D73, #8C8886 and #799299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5694E shade: #C54D73, #C54D53, #C5674D, #C5874D and #C5A74D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5694E shade: #91452F, #B05439, #C5694D, #CF836D and #D99D8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5694E shade: #C5694E, #93C54D and #4D63C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5694E shade: #C5694E, #4DC567 and #674DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5694E shade: #C5694E, #93C54D, #4DABC5 and #7F4DC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5694E shade: #C5694E, #6FC54D, #4DABC5 and #A34DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

Complementary color

CMYK 67 / 15 / 0 / 31

HEX #3A96B1

RGB 58 150 177

HSL 193.61, 0.51%, 0.46%

LAB 57.93, -18.38, -22.07

 

CMYK 0 / 48 / 64 / 21

HEX #CA6949

RGB 202 105 73

HSL 14.88, 0.55%, 0.54%

LAB 55.22, 35.76, 35.16

 

CMYK 0 / 44 / 58 / 14

HEX #DB7B5C

RGB 219 123 92

HSL 14.65, 0.64%, 0.61%

LAB 61.65, 34.37, 33.18

 

CMYK 0 / 40 / 53 / 7

HEX #EC8D6F

RGB 236 141 111

HSL 14.4, 0.77%, 0.68%

LAB 68.04, 33.09, 31.4

 

CMYK 0 / 37 / 49 / 1

HEX #FD9F82

RGB 253 159 130

HSL 14.15, 0.97%, 0.75%

LAB 74.38, 31.94, 29.79

 

CMYK 0 / 31 / 42 / 0

HEX #FFB195

RGB 255 177 149

HSL 15.85, 1%, 0.79%

LAB 78.97, 25.18, 25.78

 

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

CMYK 0 / 52 / 67 / 29

HEX #B4573B

RGB 180 87 59

HSL 13.88, 0.51%, 0.47%

LAB 48.05, 35.58, 33.6

 

CMYK 0 / 58 / 75 / 36

HEX #A34528

RGB 163 69 40

HSL 14.15, 0.61%, 0.4%

LAB 41.53, 37.12, 36

 

CMYK 0 / 65 / 86 / 43

HEX #923315

RGB 146 51 21

HSL 14.4, 0.75%, 0.33%

LAB 35.07, 38.63, 38.44

 

CMYK 0 / 74 / 98 / 49

HEX #812102

RGB 129 33 2

HSL 14.65, 0.97%, 0.26%

LAB 28.8, 39.83, 40.17

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 0 / 61 / 61 / 23

HEX #C54D4D

RGB 197 77 77

HSL 0, 0.51%, 0.54%

LAB 49.15, 47.96, 25.15

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 0 / 30 / 61 / 23

HEX #C5894D

RGB 197 137 77

HSL 30, 0.51%, 0.54%

LAB 61.91, 16.7, 40.86

 

CMYK 0 / 14 / 61 / 23

HEX #C5A94D

RGB 197 169 77

HSL 46, 0.51%, 0.54%

LAB 70.02, -0.67, 50.19

 

CMYK 2 / 0 / 61 / 23

HEX #C1C54D

RGB 193 197 77

HSL 62, 0.51%, 0.54%

LAB 77.16, -16.85, 57.94

 

CMYK 19 / 0 / 61 / 23

HEX #A0C54D

RGB 160 197 77

HSL 78.5, 0.51%, 0.54%

LAB 74.79, -30.23, 54.66

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 0 / 56 / 73 / 15

HEX #D85E3A

RGB 216 94 58

HSL 13.67, 0.67%, 0.54%

LAB 54.98, 45.78, 43.49

 

CMYK 0 / 64 / 83 / 8

HEX #EB5427

RGB 235 84 39

HSL 13.78, 0.83%, 0.54%

LAB 56.24, 56.32, 54.95

 

CMYK 0 / 71 / 92 / 0

HEX #FE4914

RGB 254 73 20

HSL 13.59, 0.99%, 0.54%

LAB 57.93, 66.31, 64.66

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 0 / 35 / 46 / 30

HEX #B27360

RGB 178 115 96

HSL 13.9, 0.35%, 0.54%

LAB 54.63, 22.63, 20.78

 

CMYK 0 / 21 / 28 / 38

HEX #9F7D73

RGB 159 125 115

HSL 13.64, 0.19%, 0.54%

LAB 55.36, 11.62, 10.47

 

CMYK 0 / 3 / 4 / 45

HEX #8C8886

RGB 140 136 134

HSL 20, 0.03%, 0.54%

LAB 56.98, 1.11, 1.59

 

CMYK 21 / 5 / 0 / 40

HEX #799299

RGB 121 146 153

HSL 193.13, 0.14%, 0.54%

LAB 58.9, -7.21, -6.64

 

CMYK 0 / 61 / 42 / 23

HEX #C54D73

RGB 197 77 115

HSL 341, 0.51%, 0.54%

LAB 50, 51.26, 3.5

 

CMYK 0 / 61 / 58 / 23

HEX #C54D53

RGB 197 77 83

HSL 357, 0.51%, 0.54%

LAB 49.26, 48.38, 21.72

 

CMYK 0 / 48 / 61 / 23

HEX #C5674D

RGB 197 103 77

HSL 13, 0.51%, 0.54%

LAB 54.14, 35.11, 31.46

 

CMYK 0 / 31 / 61 / 23

HEX #C5874D

RGB 197 135 77

HSL 29, 0.51%, 0.54%

LAB 61.42, 17.8, 40.29

 

CMYK 0 / 15 / 61 / 23

HEX #C5A74D

RGB 197 167 77

HSL 45, 0.51%, 0.54%

LAB 69.5, 0.4, 49.6

 

CMYK 0 / 52 / 68 / 43

HEX #91452F

RGB 145 69 47

HSL 13.47, 0.51%, 0.38%

LAB 38.69, 30.3, 28.05

 

CMYK 0 / 52 / 68 / 31

HEX #B05439

RGB 176 84 57

HSL 13.61, 0.51%, 0.46%

LAB 46.8, 35.44, 33.09

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 0 / 37 / 47 / 19

HEX #CF836D

RGB 207 131 109

HSL 13.47, 0.51%, 0.62%

LAB 62.17, 26.85, 24.11

 

CMYK 0 / 28 / 35 / 15

HEX #D99D8C

RGB 217 157 140

HSL 13.25, 0.5%, 0.7%

LAB 70.01, 20.15, 17.73

 

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

CMYK 25 / 0 / 61 / 23

HEX #93C54D

RGB 147 197 77

HSL 85, 0.51%, 0.54%

LAB 73.98, -35.22, 53.54

 

CMYK 61 / 50 / 0 / 23

HEX #4D63C5

RGB 77 99 197

HSL 229, 0.51%, 0.54%

LAB 44.99, 22.11, -53.84

 

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

CMYK 61 / 0 / 48 / 23

HEX #4DC567

RGB 77 197 103

HSL 133, 0.51%, 0.54%

LAB 71.21, -53.52, 37.26

 

CMYK 48 / 61 / 0 / 23

HEX #674DC5

RGB 103 77 197

HSL 253, 0.51%, 0.54%

LAB 41.57, 40.72, -59.27

 

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

CMYK 25 / 0 / 61 / 23

HEX #93C54D

RGB 147 197 77

HSL 85, 0.51%, 0.54%

LAB 73.98, -35.22, 53.54

 

CMYK 61 / 13 / 0 / 23

HEX #4DABC5

RGB 77 171 197

HSL 193, 0.51%, 0.54%

LAB 65.54, -19.97, -21.6

 

CMYK 36 / 61 / 0 / 23

HEX #7F4DC5

RGB 127 77 197

HSL 265, 0.51%, 0.54%

LAB 44.02, 45.88, -55.19

 

CMYK 0 / 47 / 60 / 23

HEX #C5694E

RGB 197 105 78

HSL 13.61, 0.51%, 0.54%

LAB 54.58, 34.13, 31.44

 

CMYK 44 / 0 / 61 / 23

HEX #6FC54D

RGB 111 197 77

HSL 103, 0.51%, 0.54%

LAB 72.13, -47.71, 50.96

 

CMYK 61 / 13 / 0 / 23

HEX #4DABC5

RGB 77 171 197

HSL 193, 0.51%, 0.54%

LAB 65.54, -19.97, -21.6

 

CMYK 17 / 61 / 0 / 23

HEX #A34DC5

RGB 163 77 197

HSL 283, 0.51%, 0.54%

LAB 48.42, 54.38, -47.89

 

Description

Color code: HEX #C5694E | qconv.com Color code: HEX #C5694E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 105 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 105 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 60 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 60% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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