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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C562E4 it is the complementary color #3A9D1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C562E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C562E4 shade: #CA62DF, #DB74F2, #EC86FF, #FD98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C562E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C562E4 shade: #C562E4, #B450D1, #A33EBE, #922CAB and #811A98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C562E4 shade: #C562E4, #E462E0, #E462BD, #E4629A and #E46276

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C562E4 shade: #C562E4, #A262E4, #7E62E4 and #6262E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C562E4 shade matches the following richer shades: #C562E4 and #CD53F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C562E4 shade: #C562E4, #BD70D5, #B57FC6, #AD8EB7 and #A69DA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C562E4 shade: #7E62E4, #A162E4, #C362E4, #E462E2 and #E462BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C562E4 shade: #A723D0, #B83EDE, #C562E4, #D285EA and #DFA8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C562E4 shade: #C562E4, #E46268 and #62E48F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C562E4 shade: #C562E4, #E4C362 and #62E4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C562E4 shade: #C562E4, #E46268, #82E462 and #62E4DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C562E4 shade: #C562E4, #E48262, #82E462 and #62C3E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

Complementary color

CMYK 63 / 0 / 83 / 38

HEX #3A9D1B

RGB 58 157 27

HSL 105.69, 0.71%, 0.36%

LAB 57.17, -51.31, 53.85

 

CMYK 9 / 56 / 0 / 13

HEX #CA62DF

RGB 202 98 223

HSL 289.92, 0.66%, 0.63%

LAB 58.62, 59.33, -46.18

 

CMYK 10 / 52 / 0 / 5

HEX #DB74F2

RGB 219 116 242

HSL 289.05, 0.83%, 0.7%

LAB 64.93, 58.74, -46.65

 

CMYK 7 / 47 / 0 / 0

HEX #EC86FF

RGB 236 134 255

HSL 290.58, 1%, 0.76%

LAB 70.94, 56.93, -44.19

 

CMYK 1 / 40 / 0 / 0

HEX #FD98FF

RGB 253 152 255

HSL 298.83, 1%, 0.8%

LAB 76.41, 52.75, -35.52

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 14 / 62 / 0 / 18

HEX #B450D1

RGB 180 80 209

HSL 286.51, 0.58%, 0.57%

LAB 51.89, 59.51, -49.12

 

CMYK 14 / 67 / 0 / 25

HEX #A33EBE

RGB 163 62 190

HSL 287.34, 0.51%, 0.49%

LAB 45.56, 59.71, -48.38

 

CMYK 15 / 74 / 0 / 33

HEX #922CAB

RGB 146 44 171

HSL 288.19, 0.59%, 0.42%

LAB 39.33, 59.42, -47.32

 

CMYK 15 / 83 / 0 / 40

HEX #811A98

RGB 129 26 152

HSL 289.05, 0.71%, 0.35%

LAB 33.29, 58.28, -45.72

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 0 / 57 / 2 / 11

HEX #E462E0

RGB 228 98 224

HSL 301.85, 0.71%, 0.64%

LAB 62.18, 66.16, -40.9

 

CMYK 0 / 57 / 17 / 11

HEX #E462BD

RGB 228 98 189

HSL 318, 0.71%, 0.64%

LAB 60.7, 60.69, -23.41

 

CMYK 0 / 57 / 32 / 11

HEX #E4629A

RGB 228 98 154

HSL 334.15, 0.71%, 0.64%

LAB 59.49, 56.03, -5.09

 

CMYK 0 / 57 / 48 / 11

HEX #E46276

RGB 228 98 118

HSL 350.77, 0.71%, 0.64%

LAB 58.54, 52.23, 14.51

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 29 / 57 / 0 / 11

HEX #A262E4

RGB 162 98 228

HSL 269.54, 0.71%, 0.64%

LAB 54.05, 50.46, -56.56

 

CMYK 45 / 57 / 0 / 11

HEX #7E62E4

RGB 126 98 228

HSL 252.92, 0.71%, 0.64%

LAB 50.42, 42.29, -62.58

 

CMYK 57 / 57 / 0 / 11

HEX #6262E4

RGB 98 98 228

HSL 240, 0.71%, 0.64%

LAB 48.18, 36.79, -66.32

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 16 / 66 / 0 / 5

HEX #CD53F3

RGB 205 83 243

HSL 285.75, 0.87%, 0.64%

LAB 57.69, 70.47, -58.82

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 11 / 47 / 0 / 16

HEX #BD70D5

RGB 189 112 213

HSL 285.74, 0.55%, 0.64%

LAB 59.17, 46.87, -39.79

 

CMYK 9 / 36 / 0 / 22

HEX #B57FC6

RGB 181 127 198

HSL 285.63, 0.38%, 0.64%

LAB 60.85, 33.29, -28.78

 

CMYK 5 / 22 / 0 / 28

HEX #AD8EB7

RGB 173 142 183

HSL 285.37, 0.22%, 0.64%

LAB 63.05, 19.18, -17.01

 

CMYK 1 / 7 / 0 / 34

HEX #A69DA8

RGB 166 157 168

HSL 289.09, 0.06%, 0.64%

LAB 65.79, 5.35, -4.55

 

CMYK 45 / 57 / 0 / 11

HEX #7E62E4

RGB 126 98 228

HSL 252.92, 0.71%, 0.64%

LAB 50.42, 42.29, -62.58

 

CMYK 29 / 57 / 0 / 11

HEX #A162E4

RGB 161 98 228

HSL 269.08, 0.71%, 0.64%

LAB 53.94, 50.22, -56.74

 

CMYK 14 / 57 / 0 / 11

HEX #C362E4

RGB 195 98 228

HSL 284.77, 0.71%, 0.64%

LAB 57.98, 58.54, -50.06

 

CMYK 0 / 57 / 1 / 11

HEX #E462E2

RGB 228 98 226

HSL 300.92, 0.71%, 0.64%

LAB 62.27, 66.5, -41.87

 

CMYK 0 / 57 / 16 / 11

HEX #E462BF

RGB 228 98 191

HSL 317.08, 0.71%, 0.64%

LAB 60.77, 60.98, -24.44

 

CMYK 20 / 83 / 0 / 18

HEX #A723D0

RGB 167 35 208

HSL 285.78, 0.71%, 0.48%

LAB 44.19, 72.94, -61

 

CMYK 17 / 72 / 0 / 13

HEX #B83EDE

RGB 184 62 222

HSL 285.75, 0.71%, 0.56%

LAB 50.58, 70.28, -58.58

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 10 / 43 / 0 / 8

HEX #D285EA

RGB 210 133 234

HSL 285.74, 0.71%, 0.72%

LAB 66.84, 46.08, -39.32

 

CMYK 7 / 30 / 0 / 6

HEX #DFA8F0

RGB 223 168 240

HSL 285.83, 0.71%, 0.8%

LAB 76.06, 32.49, -28.22

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 0 / 57 / 54 / 11

HEX #E46268

RGB 228 98 104

HSL 357.23, 0.71%, 0.64%

LAB 58.25, 51.05, 22.24

 

CMYK 57 / 0 / 37 / 11

HEX #62E48F

RGB 98 228 143

HSL 140.77, 0.71%, 0.64%

LAB 81.87, -54.38, 30.98

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 0 / 14 / 57 / 11

HEX #E4C362

RGB 228 195 98

HSL 44.77, 0.71%, 0.64%

LAB 79.84, 0.26, 52.3

 

CMYK 57 / 0 / 14 / 11

HEX #62E4C3

RGB 98 228 195

HSL 164.77, 0.71%, 0.64%

LAB 82.93, -43.67, 5.37

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 0 / 57 / 54 / 11

HEX #E46268

RGB 228 98 104

HSL 357.23, 0.71%, 0.64%

LAB 58.25, 51.05, 22.24

 

CMYK 43 / 0 / 57 / 11

HEX #82E462

RGB 130 228 98

HSL 105.23, 0.71%, 0.64%

LAB 82.44, -52.28, 53.65

 

CMYK 57 / 0 / 3 / 11

HEX #62E4DD

RGB 98 228 221

HSL 176.77, 0.71%, 0.64%

LAB 83.6, -37.24, -7.39

 

CMYK 14 / 57 / 0 / 11

HEX #C562E4

RGB 197 98 228

HSL 285.69, 0.71%, 0.64%

LAB 58.23, 59.04, -49.64

 

CMYK 0 / 43 / 57 / 11

HEX #E48262

RGB 228 130 98

HSL 14.77, 0.71%, 0.64%

LAB 64.44, 34.68, 33.66

 

CMYK 43 / 0 / 57 / 11

HEX #82E462

RGB 130 228 98

HSL 105.23, 0.71%, 0.64%

LAB 82.44, -52.28, 53.65

 

CMYK 57 / 14 / 0 / 11

HEX #62C3E4

RGB 98 195 228

HSL 195.23, 0.71%, 0.64%

LAB 74.34, -19.25, -25.08

 

Description

Color code: HEX #C562E4 | qconv.com Color code: HEX #C562E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 98 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 98 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 57 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 57% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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