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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C563EC it is the complementary color #3A9C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C563EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C563EC shade: #CA63E7, #DB75FA, #EC87FF, #FD99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C563EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C563EC shade: #C563EC, #B451D9, #A33FC6, #922DB3 and #811BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C563EC shade: #C564EB, #E964EB, #EB64C9, #EB64A5 and #EB6480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C563EC shade: #C564EB, #A064EB, #7C64EB and #6464EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C563EC shade matches the following richer shades: #C564EB and #CB56F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C563EC shade: #C564EB, #BF72DD, #B980CF, #B38EC1 and #AD9CB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C563EC shade: #7B64EB, #9F64EB, #C364EB, #E764EB and #EB64CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C563EC shade: #A91BE2, #B73FE7, #C564EB, #D389F0 and #E0AEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C563EC shade: #C563EC, #EB6472 and #64EB8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C563EC shade: #C563EC, #EBC364 and #64EBC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C563EC shade: #C563EC, #EB6472, #8DEB64 and #64EBDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C563EC shade: #C563EC, #EB7F64, #8DEB64 and #64D0EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

Complementary color

CMYK 63 / 0 / 88 / 39

HEX #3A9C13

RGB 58 156 19

HSL 102.92, 0.78%, 0.34%

LAB 56.81, -51.33, 55.55

 

CMYK 13 / 57 / 0 / 9

HEX #CA63E7

RGB 202 99 231

HSL 286.82, 0.73%, 0.65%

LAB 59.2, 60.4, -49.73

 

CMYK 12 / 53 / 0 / 2

HEX #DB75FA

RGB 219 117 250

HSL 286.02, 0.93%, 0.72%

LAB 65.5, 59.8, -50.15

 

CMYK 7 / 47 / 0 / 0

HEX #EC87FF

RGB 236 135 255

HSL 290.5, 1%, 0.76%

LAB 71.13, 56.44, -43.89

 

CMYK 1 / 40 / 0 / 0

HEX #FD99FF

RGB 253 153 255

HSL 298.82, 1%, 0.8%

LAB 76.61, 52.25, -35.21

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 17 / 63 / 0 / 15

HEX #B451D9

RGB 180 81 217

HSL 283.68, 0.64%, 0.58%

LAB 52.51, 60.65, -52.68

 

CMYK 18 / 68 / 0 / 22

HEX #A33FC6

RGB 163 63 198

HSL 284.44, 0.54%, 0.51%

LAB 46.2, 60.87, -52.01

 

CMYK 18 / 75 / 0 / 30

HEX #922DB3

RGB 146 45 179

HSL 285.22, 0.6%, 0.44%

LAB 39.99, 60.61, -51.02

 

CMYK 19 / 83 / 0 / 37

HEX #811BA0

RGB 129 27 160

HSL 286.02, 0.71%, 0.37%

LAB 33.96, 59.52, -49.51

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 1 / 57 / 0 / 8

HEX #E964EB

RGB 233 100 235

HSL 299.11, 0.77%, 0.66%

LAB 63.7, 68.41, -44.59

 

CMYK 0 / 57 / 14 / 8

HEX #EB64C9

RGB 235 100 201

HSL 315.11, 0.77%, 0.66%

LAB 62.5, 63.53, -27.37

 

CMYK 0 / 57 / 30 / 8

HEX #EB64A5

RGB 235 100 165

HSL 331.11, 0.77%, 0.66%

LAB 61.21, 58.63, -8.77

 

CMYK 0 / 57 / 46 / 8

HEX #EB6480

RGB 235 100 128

HSL 347.56, 0.77%, 0.66%

LAB 60.19, 54.58, 11.16

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 32 / 57 / 0 / 8

HEX #A064EB

RGB 160 100 235

HSL 266.67, 0.77%, 0.66%

LAB 54.64, 50.61, -59.54

 

CMYK 47 / 57 / 0 / 8

HEX #7C64EB

RGB 124 100 235

HSL 250.67, 0.77%, 0.66%

LAB 51.15, 42.72, -65.35

 

CMYK 57 / 57 / 0 / 8

HEX #6464EB

RGB 100 100 235

HSL 240, 0.77%, 0.66%

LAB 49.28, 38.16, -68.47

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 18 / 65 / 0 / 2

HEX #CB56F9

RGB 203 86 249

HSL 283.07, 0.93%, 0.66%

LAB 58.22, 69.95, -61.32

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 14 / 48 / 0 / 13

HEX #BF72DD

RGB 191 114 221

HSL 283.18, 0.61%, 0.66%

LAB 60.19, 48.03, -42.67

 

CMYK 11 / 38 / 0 / 19

HEX #B980CF

RGB 185 128 207

HSL 283.29, 0.45%, 0.66%

LAB 61.88, 35.84, -32.23

 

CMYK 7 / 26 / 0 / 24

HEX #B38EC1

RGB 179 142 193

HSL 283.53, 0.29%, 0.66%

LAB 63.98, 23.23, -21.17

 

CMYK 3 / 13 / 0 / 30

HEX #AD9CB3

RGB 173 156 179

HSL 284.35, 0.13%, 0.66%

LAB 66.46, 10.52, -9.64

 

CMYK 48 / 57 / 0 / 8

HEX #7B64EB

RGB 123 100 235

HSL 250.22, 0.77%, 0.66%

LAB 51.06, 42.52, -65.49

 

CMYK 32 / 57 / 0 / 8

HEX #9F64EB

RGB 159 100 235

HSL 266.22, 0.77%, 0.66%

LAB 54.54, 50.38, -59.72

 

CMYK 17 / 57 / 0 / 8

HEX #C364EB

RGB 195 100 235

HSL 282.22, 0.77%, 0.66%

LAB 58.71, 58.99, -52.81

 

CMYK 2 / 57 / 0 / 8

HEX #E764EB

RGB 231 100 235

HSL 298.22, 0.77%, 0.66%

LAB 63.43, 67.91, -45.04

 

CMYK 0 / 57 / 13 / 8

HEX #EB64CC

RGB 235 100 204

HSL 313.78, 0.77%, 0.66%

LAB 62.62, 63.98, -28.88

 

CMYK 25 / 88 / 0 / 11

HEX #A91BE2

RGB 169 27 226

HSL 282.81, 0.79%, 0.5%

LAB 45.23, 78.3, -69.62

 

CMYK 21 / 73 / 0 / 9

HEX #B73FE7

RGB 183 63 231

HSL 282.86, 0.78%, 0.58%

LAB 51.14, 71.45, -62.78

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 12 / 43 / 0 / 6

HEX #D389F0

RGB 211 137 240

HSL 283.11, 0.77%, 0.74%

LAB 68.04, 45.47, -40.73

 

CMYK 9 / 29 / 0 / 4

HEX #E0AEF5

RGB 224 174 245

HSL 282.25, 0.78%, 0.82%

LAB 77.7, 30.57, -28.39

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 0 / 57 / 51 / 8

HEX #EB6472

RGB 235 100 114

HSL 353.78, 0.77%, 0.66%

LAB 59.88, 53.33, 18.84

 

CMYK 57 / 0 / 40 / 8

HEX #64EB8D

RGB 100 235 141

HSL 138.22, 0.77%, 0.66%

LAB 83.99, -57.02, 34.79

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 0 / 17 / 57 / 8

HEX #EBC364

RGB 235 195 100

HSL 42.22, 0.77%, 0.66%

LAB 80.52, 3.31, 52.31

 

CMYK 57 / 0 / 17 / 8

HEX #64EBC3

RGB 100 235 195

HSL 162.22, 0.77%, 0.66%

LAB 85.03, -46.31, 8.4

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 0 / 57 / 51 / 8

HEX #EB6472

RGB 235 100 114

HSL 353.78, 0.77%, 0.66%

LAB 59.88, 53.33, 18.84

 

CMYK 40 / 0 / 57 / 8

HEX #8DEB64

RGB 141 235 100

HSL 101.78, 0.77%, 0.66%

LAB 85, -51.51, 55.84

 

CMYK 57 / 0 / 6 / 8

HEX #64EBDE

RGB 100 235 222

HSL 174.22, 0.77%, 0.66%

LAB 85.71, -39.8, -4.8

 

CMYK 17 / 58 / 0 / 7

HEX #C563EC

RGB 197 99 236

HSL 282.92, 0.78%, 0.66%

LAB 58.84, 60.16, -53.15

 

CMYK 0 / 46 / 57 / 8

HEX #EB7F64

RGB 235 127 100

HSL 12, 0.77%, 0.66%

LAB 64.77, 39.07, 33.18

 

CMYK 40 / 0 / 57 / 8

HEX #8DEB64

RGB 141 235 100

HSL 101.78, 0.77%, 0.66%

LAB 85, -51.51, 55.84

 

CMYK 57 / 11 / 0 / 8

HEX #64D0EB

RGB 100 208 235

HSL 192, 0.77%, 0.66%

LAB 78.36, -23.45, -22.71

 

Description

Color code: HEX #C563EC | qconv.com Color code: HEX #C563EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 99 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 99 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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