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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56A8E it is the complementary color #3A9571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56A8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56A8E shade: #CA6A89, #DB7C9C, #EC8EAF, #FDA0C2 and #FFB2D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56A8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56A8E shade: #C56A8E, #B4587B, #A34668, #923455 and #812242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56A8E shade: #C4688C, #C46874 and #C46868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56A8E shade: #C4688C, #C468A5, #C468BE, #B168C4 and #9868C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56A8E shade matches the following richer shades: #C4688C, #D55789, #E64685 and #F73582

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56A8E shade: #C4688C, #B37990, #A28A93, #919B97 and #80AC9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56A8E shade: #C468BE, #C468A5, #C4688D, #C46874 and #C47468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56A8E shade: #9D3D63, #B84A76, #C4688C, #D086A3 and #DBA3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56A8E shade: #C56A8E, #C4B268 and #68B2C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56A8E shade: #C56A8E, #8DC468 and #688DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56A8E shade: #C56A8E, #C4B268, #68C49F and #687AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56A8E shade: #C56A8E, #BBC468, #68C49F and #7168C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

Complementary color

CMYK 61 / 0 / 24 / 42

HEX #3A9571

RGB 58 149 113

HSL 156.26, 0.44%, 0.41%

LAB 55.67, -35.92, 11.11

 

CMYK 0 / 48 / 32 / 21

HEX #CA6A89

RGB 202 106 137

HSL 340.63, 0.48%, 0.6%

LAB 56.75, 41.44, 0.35

 

CMYK 0 / 43 / 29 / 14

HEX #DB7C9C

RGB 219 124 156

HSL 339.79, 0.57%, 0.67%

LAB 63.24, 40.56, -0.86

 

CMYK 0 / 40 / 26 / 7

HEX #EC8EAF

RGB 236 142 175

HSL 338.94, 0.71%, 0.74%

LAB 69.66, 39.7, -1.93

 

CMYK 0 / 37 / 23 / 1

HEX #FDA0C2

RGB 253 160 194

HSL 338.06, 0.96%, 0.81%

LAB 76.02, 38.89, -2.88

 

CMYK 0 / 30 / 16 / 0

HEX #FFB2D5

RGB 255 178 213

HSL 332.73, 1%, 0.85%

LAB 80.69, 32.99, -6.31

 

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

CMYK 0 / 51 / 32 / 29

HEX #B4587B

RGB 180 88 123

HSL 337.17, 0.38%, 0.53%

LAB 49.63, 41.21, -2.16

 

CMYK 0 / 57 / 36 / 36

HEX #A34668

RGB 163 70 104

HSL 338.06, 0.4%, 0.46%

LAB 43.01, 42, -0.61

 

CMYK 0 / 64 / 42 / 43

HEX #923455

RGB 146 52 85

HSL 338.94, 0.47%, 0.39%

LAB 36.41, 42.62, 1.35

 

CMYK 0 / 74 / 49 / 49

HEX #812242

RGB 129 34 66

HSL 339.79, 0.58%, 0.32%

LAB 29.92, 42.79, 3.96

 

CMYK 0 / 47 / 29 / 23

HEX #C4688C

RGB 196 104 140

HSL 336.52, 0.44%, 0.59%

LAB 55.61, 40.77, -3.17

 

CMYK 0 / 47 / 41 / 23

HEX #C46874

RGB 196 104 116

HSL 352.17, 0.44%, 0.59%

LAB 54.97, 37.79, 9.98

 

CMYK 0 / 47 / 47 / 23

HEX #C46868

RGB 196 104 104

HSL 0, 0.44%, 0.59%

LAB 54.7, 36.52, 16.63

 

CMYK 0 / 47 / 29 / 23

HEX #C4688C

RGB 196 104 140

HSL 336.52, 0.44%, 0.59%

LAB 55.61, 40.77, -3.17

 

CMYK 0 / 47 / 16 / 23

HEX #C468A5

RGB 196 104 165

HSL 320.22, 0.44%, 0.59%

LAB 56.44, 44.45, -16.51

 

CMYK 0 / 47 / 3 / 23

HEX #C468BE

RGB 196 104 190

HSL 303.91, 0.44%, 0.59%

LAB 57.42, 48.65, -29.4

 

CMYK 10 / 47 / 0 / 23

HEX #B168C4

RGB 177 104 196

HSL 287.61, 0.44%, 0.59%

LAB 55.31, 44.2, -36.3

 

CMYK 22 / 47 / 0 / 23

HEX #9868C4

RGB 152 104 196

HSL 271.3, 0.44%, 0.59%

LAB 52.47, 37.04, -40.97

 

CMYK 0 / 47 / 29 / 23

HEX #C4688C

RGB 196 104 140

HSL 336.52, 0.44%, 0.59%

LAB 55.61, 40.77, -3.17

 

CMYK 0 / 59 / 36 / 16

HEX #D55789

RGB 213 87 137

HSL 336.19, 0.6%, 0.59%

LAB 54.83, 54.31, -2.27

 

CMYK 0 / 70 / 42 / 10

HEX #E64685

RGB 230 70 133

HSL 336.38, 0.76%, 0.59%

LAB 54.97, 65.84, 0.62

 

CMYK 0 / 79 / 47 / 3

HEX #F73582

RGB 247 53 130

HSL 336.19, 0.92%, 0.59%

LAB 56.02, 75.36, 4.31

 

CMYK 0 / 47 / 29 / 23

HEX #C4688C

RGB 196 104 140

HSL 336.52, 0.44%, 0.59%

LAB 55.61, 40.77, -3.17

 

CMYK 0 / 32 / 20 / 30

HEX #B37990

RGB 179 121 144

HSL 336.21, 0.28%, 0.59%

LAB 57.34, 26.05, -3.2

 

CMYK 0 / 15 / 9 / 36

HEX #A28A93

RGB 162 138 147

HSL 337.5, 0.11%, 0.59%

LAB 59.86, 10.62, -1.43

 

CMYK 6 / 0 / 3 / 39

HEX #919B97

RGB 145 155 151

HSL 156, 0.05%, 0.59%

LAB 63.09, -4.37, 0.85

 

CMYK 26 / 0 / 10 / 33

HEX #80AC9A

RGB 128 172 154

HSL 155.45, 0.21%, 0.59%

LAB 66.85, -18.61, 4.48

 

CMYK 0 / 47 / 3 / 23

HEX #C468BE

RGB 196 104 190

HSL 303.91, 0.44%, 0.59%

LAB 57.42, 48.65, -29.4

 

CMYK 0 / 47 / 16 / 23

HEX #C468A5

RGB 196 104 165

HSL 320.22, 0.44%, 0.59%

LAB 56.44, 44.45, -16.51

 

CMYK 0 / 47 / 28 / 23

HEX #C4688D

RGB 196 104 141

HSL 335.87, 0.44%, 0.59%

LAB 55.64, 40.91, -3.71

 

CMYK 0 / 47 / 41 / 23

HEX #C46874

RGB 196 104 116

HSL 352.17, 0.44%, 0.59%

LAB 54.97, 37.79, 9.98

 

CMYK 0 / 41 / 47 / 23

HEX #C47468

RGB 196 116 104

HSL 7.83, 0.44%, 0.59%

LAB 57.29, 30.12, 20.16

 

CMYK 0 / 61 / 37 / 38

HEX #9D3D63

RGB 157 61 99

HSL 336.25, 0.44%, 0.43%

LAB 40.26, 43.71, -1.66

 

CMYK 0 / 60 / 36 / 28

HEX #B84A76

RGB 184 74 118

HSL 336, 0.44%, 0.51%

LAB 47.49, 48.76, -2.22

 

CMYK 0 / 47 / 29 / 23

HEX #C4688C

RGB 196 104 140

HSL 336.52, 0.44%, 0.59%

LAB 55.61, 40.77, -3.17

 

CMYK 0 / 36 / 22 / 18

HEX #D086A3

RGB 208 134 163

HSL 336.49, 0.44%, 0.67%

LAB 64.25, 32.36, -3.53

 

CMYK 0 / 26 / 16 / 14

HEX #DBA3B9

RGB 219 163 185

HSL 336.43, 0.44%, 0.75%

LAB 72.73, 24.02, -3.19

 

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

CMYK 0 / 9 / 47 / 23

HEX #C4B268

RGB 196 178 104

HSL 48.26, 0.44%, 0.59%

LAB 72.61, -3.59, 39.99

 

CMYK 47 / 9 / 0 / 23

HEX #68B2C4

RGB 104 178 196

HSL 191.74, 0.44%, 0.59%

LAB 68.58, -18.23, -16.33

 

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

CMYK 28 / 0 / 47 / 23

HEX #8DC468

RGB 141 196 104

HSL 95.87, 0.44%, 0.59%

LAB 73.64, -34.16, 40.38

 

CMYK 47 / 28 / 0 / 23

HEX #688DC4

RGB 104 141 196

HSL 215.87, 0.44%, 0.59%

LAB 58.02, 2.16, -32.54

 

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

CMYK 0 / 9 / 47 / 23

HEX #C4B268

RGB 196 178 104

HSL 48.26, 0.44%, 0.59%

LAB 72.61, -3.59, 39.99

 

CMYK 47 / 0 / 19 / 23

HEX #68C49F

RGB 104 196 159

HSL 155.87, 0.44%, 0.59%

LAB 72.84, -36.17, 10.18

 

CMYK 47 / 38 / 0 / 23

HEX #687AC4

RGB 104 122 196

HSL 228.26, 0.44%, 0.59%

LAB 52.78, 13.43, -40.74

 

CMYK 0 / 46 / 28 / 23

HEX #C56A8E

RGB 197 106 142

HSL 336.26, 0.44%, 0.59%

LAB 56.22, 40.35, -3.43

 

CMYK 5 / 0 / 47 / 23

HEX #BBC468

RGB 187 196 104

HSL 65.87, 0.44%, 0.59%

LAB 76.71, -16.56, 44.84

 

CMYK 47 / 0 / 19 / 23

HEX #68C49F

RGB 104 196 159

HSL 155.87, 0.44%, 0.59%

LAB 72.84, -36.17, 10.18

 

CMYK 42 / 47 / 0 / 23

HEX #7168C4

RGB 113 104 196

HSL 245.87, 0.44%, 0.59%

LAB 48.76, 26.58, -47.09

 

Description

Color code: HEX #C56A8E | qconv.com Color code: HEX #C56A8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 106 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 106 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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