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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56C85 it is the complementary color #3A937A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56C85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56C85 shade: #CA6C80, #DB7E93, #EC90A6, #FDA2B9 and #FFB4CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56C85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56C85 shade: #C56C85, #B45A72, #A3485F, #92364C and #812439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56C85 shade: #C46D85, #C46D6E and #C46D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56C85 shade: #C46D85, #C46D9D, #C46DB5, #BC6DC4 and #A56DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56C85 shade matches the following richer shades: #C46D85, #D55C7E, #E54C77 and #F63B70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56C85 shade: #C46D85, #B47D8D, #A38E94, #939E9B and #82AFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56C85 shade: #C46DB4, #C46D9D, #C46D85, #C46D6E and #C4836D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56C85 shade: #9F3F5A, #B94F6D, #C46D85, #D08A9E and #DCA8B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56C85 shade: #C56C85, #C4BD6D and #6DA9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56C85 shade: #C56C85, #85C46D and #6D85C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56C85 shade: #C56C85, #C4BD6D, #6DC4AC and #6D74C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56C85 shade: #C56C85, #B1C46D, #6DC4AC and #806DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

Complementary color

CMYK 61 / 0 / 17 / 42

HEX #3A937A

RGB 58 147 122

HSL 163.15, 0.43%, 0.4%

LAB 55.25, -32.82, 5.38

 

CMYK 0 / 47 / 37 / 21

HEX #CA6C80

RGB 202 108 128

HSL 347.23, 0.47%, 0.61%

LAB 56.92, 39.29, 5.85

 

CMYK 0 / 42 / 33 / 14

HEX #DB7E93

RGB 219 126 147

HSL 346.45, 0.56%, 0.68%

LAB 63.42, 38.35, 4.53

 

CMYK 0 / 39 / 30 / 7

HEX #EC90A6

RGB 236 144 166

HSL 345.65, 0.71%, 0.75%

LAB 69.85, 37.46, 3.37

 

CMYK 0 / 36 / 27 / 1

HEX #FDA2B9

RGB 253 162 185

HSL 344.84, 0.96%, 0.81%

LAB 76.21, 36.62, 2.33

 

CMYK 0 / 29 / 20 / 0

HEX #FFB4CC

RGB 255 180 204

HSL 340.8, 1%, 0.85%

LAB 80.88, 30.59, -1.16

 

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

CMYK 0 / 50 / 37 / 29

HEX #B45A72

RGB 180 90 114

HSL 344, 0.38%, 0.53%

LAB 49.77, 39.04, 3.45

 

CMYK 0 / 56 / 42 / 36

HEX #A3485F

RGB 163 72 95

HSL 344.84, 0.39%, 0.46%

LAB 43.13, 39.94, 5.13

 

CMYK 0 / 63 / 48 / 43

HEX #92364C

RGB 146 54 76

HSL 345.65, 0.46%, 0.39%

LAB 36.5, 40.73, 7.23

 

CMYK 0 / 72 / 56 / 49

HEX #812439

RGB 129 36 57

HSL 346.45, 0.56%, 0.32%

LAB 29.97, 41.17, 10

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6E

RGB 196 109 110

HSL 359.31, 0.42%, 0.6%

LAB 55.89, 34.5, 14.77

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6D

RGB 196 109 109

HSL 0, 0.42%, 0.6%

LAB 55.86, 34.39, 15.32

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 44 / 20 / 23

HEX #C46D9D

RGB 196 109 157

HSL 326.9, 0.42%, 0.6%

LAB 57.18, 40.61, -10.75

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB5

RGB 196 109 181

HSL 310.34, 0.42%, 0.6%

LAB 58.05, 44.51, -23.28

 

CMYK 4 / 44 / 0 / 23

HEX #BC6DC4

RGB 188 109 196

HSL 294.48, 0.42%, 0.6%

LAB 57.67, 44.8, -32.52

 

CMYK 16 / 44 / 0 / 23

HEX #A56DC4

RGB 165 109 196

HSL 278.62, 0.42%, 0.6%

LAB 54.99, 37.99, -36.9

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 57 / 41 / 16

HEX #D55C7E

RGB 213 92 126

HSL 343.14, 0.59%, 0.6%

LAB 55.39, 50.79, 5.03

 

CMYK 0 / 67 / 48 / 10

HEX #E54C77

RGB 229 76 119

HSL 343.14, 0.75%, 0.6%

LAB 55.24, 62.03, 9.3

 

CMYK 0 / 76 / 54 / 4

HEX #F63B70

RGB 246 59 112

HSL 342.99, 0.91%, 0.6%

LAB 55.98, 72.08, 14.95

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 31 / 22 / 29

HEX #B47D8D

RGB 180 125 141

HSL 342.55, 0.27%, 0.6%

LAB 58.31, 23.72, -0.02

 

CMYK 0 / 13 / 9 / 36

HEX #A38E94

RGB 163 142 148

HSL 342.86, 0.1%, 0.6%

LAB 61.02, 8.91, -0.29

 

CMYK 7 / 0 / 2 / 38

HEX #939E9B

RGB 147 158 155

HSL 163.64, 0.05%, 0.6%

LAB 64.18, -4.51, 0.21

 

CMYK 26 / 0 / 7 / 31

HEX #82AFA2

RGB 130 175 162

HSL 162.67, 0.22%, 0.6%

LAB 68.03, -17.82, 1.78

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 44 / 20 / 23

HEX #C46D9D

RGB 196 109 157

HSL 326.9, 0.42%, 0.6%

LAB 57.18, 40.61, -10.75

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6E

RGB 196 109 110

HSL 359.31, 0.42%, 0.6%

LAB 55.89, 34.5, 14.77

 

CMYK 0 / 33 / 44 / 23

HEX #C4836D

RGB 196 131 109

HSL 15.17, 0.42%, 0.6%

LAB 60.85, 22.45, 22.11

 

CMYK 0 / 60 / 43 / 38

HEX #9F3F5A

RGB 159 63 90

HSL 343.13, 0.43%, 0.44%

LAB 40.68, 42.41, 4.63

 

CMYK 0 / 57 / 41 / 27

HEX #B94F6D

RGB 185 79 109

HSL 343.02, 0.43%, 0.52%

LAB 48.27, 45.71, 4.39

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 34 / 24 / 18

HEX #D08A9E

RGB 208 138 158

HSL 342.86, 0.43%, 0.68%

LAB 65.01, 29.46, 0.42

 

CMYK 0 / 24 / 17 / 14

HEX #DCA8B6

RGB 220 168 182

HSL 343.85, 0.43%, 0.76%

LAB 73.93, 21.2, 0.23

 

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

CMYK 0 / 4 / 44 / 23

HEX #C4BD6D

RGB 196 189 109

HSL 55.17, 0.42%, 0.6%

LAB 75.6, -8.84, 41.16

 

CMYK 44 / 14 / 0 / 23

HEX #6DA9C4

RGB 109 169 196

HSL 198.62, 0.42%, 0.6%

LAB 66.22, -12.25, -19.89

 

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

CMYK 32 / 0 / 44 / 23

HEX #85C46D

RGB 133 196 109

HSL 103.45, 0.42%, 0.6%

LAB 73.27, -36.31, 37.32

 

CMYK 44 / 32 / 0 / 23

HEX #6D85C4

RGB 109 133 196

HSL 223.45, 0.42%, 0.6%

LAB 56.1, 8.12, -35.51

 

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

CMYK 0 / 4 / 44 / 23

HEX #C4BD6D

RGB 196 189 109

HSL 55.17, 0.42%, 0.6%

LAB 75.6, -8.84, 41.16

 

CMYK 44 / 0 / 12 / 23

HEX #6DC4AC

RGB 109 196 172

HSL 163.45, 0.42%, 0.6%

LAB 73.36, -32, 3.9

 

CMYK 44 / 41 / 0 / 23

HEX #6D74C4

RGB 109 116 196

HSL 235.17, 0.42%, 0.6%

LAB 51.53, 18.31, -42.7

 

CMYK 0 / 45 / 32 / 23

HEX #C56C85

RGB 197 108 133

HSL 343.15, 0.43%, 0.6%

LAB 56.38, 38.11, 2.06

 

CMYK 10 / 0 / 44 / 23

HEX #B1C46D

RGB 177 196 109

HSL 73.1, 0.42%, 0.6%

LAB 76.03, -20.01, 41.37

 

CMYK 44 / 0 / 12 / 23

HEX #6DC4AC

RGB 109 196 172

HSL 163.45, 0.42%, 0.6%

LAB 73.36, -32, 3.9

 

CMYK 35 / 44 / 0 / 23

HEX #806DC4

RGB 128 109 196

HSL 253.1, 0.42%, 0.6%

LAB 51.28, 27.49, -43

 

Description

Color code: HEX #C56C85 | qconv.com Color code: HEX #C56C85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 108 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 108 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 32 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 32% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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