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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56E2E it is the complementary color #3A91D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56E2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56E2E shade: #CA6E29, #DB803C, #EC924F, #FDA462 and #FFB675

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56E2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56E2E shade: #C56E2E, #B45C1B, #A34A08, #923800 and #812600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56E2E shade: #C66E2E, #C6452E and #C62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56E2E shade: #C66E2E, #C6972E, #C6C02E, #A2C62E and #7AC62E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56E2E shade matches the following richer shades: #C66E2E, #DA6B1A and #ED6806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56E2E shade: #C66E2E, #B27142, #9E7456, #8A7769 and #777A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56E2E shade: #C62E40, #C6452E, #C66D2E, #C6962E and #C6BE2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56E2E shade: #83491E, #A45C26, #C66E2E, #D48449 and #DC9B6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56E2E shade: #C56E2E, #68C62E and #312EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56E2E shade: #C56E2E, #2EC66D and #6D2EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56E2E shade: #C56E2E, #68C62E, #2E87C6 and #8C2EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56E2E shade: #C56E2E, #3BC62E, #2E87C6 and #B92EC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

Complementary color

CMYK 72 / 31 / 0 / 18

HEX #3A91D1

RGB 58 145 209

HSL 205.43, 0.62%, 0.52%

LAB 57.8, -4.84, -40.34

 

CMYK 0 / 46 / 80 / 21

HEX #CA6E29

RGB 202 110 41

HSL 25.71, 0.66%, 0.48%

LAB 55.96, 31.53, 51.94

 

CMYK 0 / 42 / 73 / 14

HEX #DB803C

RGB 219 128 60

HSL 25.66, 0.69%, 0.55%

LAB 62.36, 29.77, 50.52

 

CMYK 0 / 38 / 67 / 7

HEX #EC924F

RGB 236 146 79

HSL 25.61, 0.81%, 0.62%

LAB 68.72, 28.2, 48.92

 

CMYK 0 / 35 / 61 / 1

HEX #FDA462

RGB 253 164 98

HSL 25.55, 0.97%, 0.69%

LAB 75.02, 26.79, 47.31

 

CMYK 0 / 29 / 54 / 0

HEX #FFB675

RGB 255 182 117

HSL 28.26, 1%, 0.73%

LAB 79.61, 19.58, 43.35

 

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

CMYK 0 / 49 / 85 / 29

HEX #B45C1B

RGB 180 92 27

HSL 25.49, 0.74%, 0.41%

LAB 48.81, 31.55, 50.02

 

CMYK 0 / 55 / 95 / 36

HEX #A34A08

RGB 163 74 8

HSL 25.55, 0.91%, 0.34%

LAB 42.31, 33.64, 50.02

 

CMYK 0 / 62 / 100 / 43

HEX #923800

RGB 146 56 0

HSL 23.01, 1%, 0.29%

LAB 35.87, 35.81, 47.18

 

CMYK 0 / 71 / 100 / 49

HEX #812600

RGB 129 38 0

HSL 17.67, 1%, 0.25%

LAB 29.55, 37.71, 41.58

 

CMYK 0 / 44 / 77 / 22

HEX #C66E2E

RGB 198 110 46

HSL 25.26, 0.62%, 0.48%

LAB 55.44, 30.07, 49.03

 

CMYK 0 / 65 / 77 / 22

HEX #C6452E

RGB 198 69 46

HSL 9.08, 0.62%, 0.48%

LAB 47.57, 50.19, 40.99

 

CMYK 0 / 77 / 77 / 22

HEX #C62E2E

RGB 198 46 46

HSL 0, 0.62%, 0.48%

LAB 44.46, 58.73, 37.68

 

CMYK 0 / 44 / 77 / 22

HEX #C66E2E

RGB 198 110 46

HSL 25.26, 0.62%, 0.48%

LAB 55.44, 30.07, 49.03

 

CMYK 0 / 24 / 77 / 22

HEX #C6972E

RGB 198 151 46

HSL 41.45, 0.62%, 0.48%

LAB 65.23, 7.74, 58.52

 

CMYK 0 / 3 / 77 / 22

HEX #C6C02E

RGB 198 192 46

HSL 57.63, 0.62%, 0.48%

LAB 76.01, -13.85, 68.49

 

CMYK 18 / 0 / 77 / 22

HEX #A2C62E

RGB 162 198 46

HSL 74.21, 0.62%, 0.48%

LAB 74.99, -31.83, 66.57

 

CMYK 38 / 0 / 77 / 22

HEX #7AC62E

RGB 122 198 46

HSL 90, 0.62%, 0.48%

LAB 72.71, -46.87, 63.61

 

CMYK 0 / 44 / 77 / 22

HEX #C66E2E

RGB 198 110 46

HSL 25.26, 0.62%, 0.48%

LAB 55.44, 30.07, 49.03

 

CMYK 0 / 51 / 88 / 15

HEX #DA6B1A

RGB 218 107 26

HSL 25.31, 0.79%, 0.48%

LAB 57.55, 39.13, 59.85

 

CMYK 0 / 56 / 97 / 7

HEX #ED6806

RGB 237 104 6

HSL 25.45, 0.95%, 0.48%

LAB 59.81, 47.62, 67.38

 

CMYK 0 / 44 / 77 / 22

HEX #C66E2E

RGB 198 110 46

HSL 25.26, 0.62%, 0.48%

LAB 55.44, 30.07, 49.03

 

CMYK 0 / 37 / 63 / 30

HEX #B27142

RGB 178 113 66

HSL 25.18, 0.46%, 0.48%

LAB 53.67, 21.1, 36.34

 

CMYK 0 / 27 / 46 / 38

HEX #9E7456

RGB 158 116 86

HSL 25, 0.3%, 0.48%

LAB 52.32, 12.62, 23.02

 

CMYK 0 / 14 / 24 / 46

HEX #8A7769

RGB 138 119 105

HSL 25.45, 0.14%, 0.48%

LAB 51.4, 5.02, 10.41

 

CMYK 5 / 2 / 0 / 51

HEX #777A7D

RGB 119 122 125

HSL 210, 0.02%, 0.48%

LAB 51.06, -0.5, -2.04

 

CMYK 0 / 77 / 68 / 22

HEX #C62E40

RGB 198 46 64

HSL 352.89, 0.62%, 0.48%

LAB 44.7, 59.53, 27.35

 

CMYK 0 / 65 / 77 / 22

HEX #C6452E

RGB 198 69 46

HSL 9.08, 0.62%, 0.48%

LAB 47.57, 50.19, 40.99

 

CMYK 0 / 45 / 77 / 22

HEX #C66D2E

RGB 198 109 46

HSL 24.87, 0.62%, 0.48%

LAB 55.22, 30.61, 48.81

 

CMYK 0 / 24 / 77 / 22

HEX #C6962E

RGB 198 150 46

HSL 41.05, 0.62%, 0.48%

LAB 64.98, 8.28, 58.28

 

CMYK 0 / 4 / 77 / 22

HEX #C6BE2E

RGB 198 190 46

HSL 56.84, 0.62%, 0.48%

LAB 75.47, -12.84, 68

 

CMYK 0 / 44 / 77 / 49

HEX #83491E

RGB 131 73 30

HSL 25.54, 0.63%, 0.32%

LAB 37.27, 21.06, 35.26

 

CMYK 0 / 44 / 77 / 36

HEX #A45C26

RGB 164 92 38

HSL 25.71, 0.62%, 0.4%

LAB 46.56, 25.17, 42.31

 

CMYK 0 / 44 / 77 / 22

HEX #C66E2E

RGB 198 110 46

HSL 25.26, 0.62%, 0.48%

LAB 55.44, 30.07, 49.03

 

CMYK 0 / 38 / 66 / 17

HEX #D48449

RGB 212 132 73

HSL 25.47, 0.62%, 0.56%

LAB 62.49, 25.46, 44.04

 

CMYK 0 / 30 / 51 / 14

HEX #DC9B6B

RGB 220 155 107

HSL 25.49, 0.62%, 0.64%

LAB 69.27, 18.93, 34.74

 

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

CMYK 47 / 0 / 77 / 22

HEX #68C62E

RGB 104 198 46

HSL 97.11, 0.62%, 0.48%

LAB 71.91, -52.72, 62.57

 

CMYK 75 / 77 / 0 / 22

HEX #312EC6

RGB 49 46 198

HSL 241.18, 0.62%, 0.48%

LAB 31.08, 50.92, -77.2

 

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

CMYK 77 / 0 / 45 / 22

HEX #2EC66D

RGB 46 198 109

HSL 144.87, 0.62%, 0.48%

LAB 70.92, -58.28, 33.73

 

CMYK 45 / 77 / 0 / 22

HEX #6D2EC6

RGB 109 46 198

HSL 264.87, 0.62%, 0.48%

LAB 36.52, 57.93, -68.04

 

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

CMYK 47 / 0 / 77 / 22

HEX #68C62E

RGB 104 198 46

HSL 97.11, 0.62%, 0.48%

LAB 71.91, -52.72, 62.57

 

CMYK 77 / 32 / 0 / 22

HEX #2E87C6

RGB 46 135 198

HSL 204.87, 0.62%, 0.48%

LAB 54.01, -4.46, -40.12

 

CMYK 29 / 77 / 0 / 22

HEX #8C2EC6

RGB 140 46 198

HSL 277.11, 0.62%, 0.48%

LAB 40.58, 63.03, -61.25

 

CMYK 0 / 44 / 77 / 23

HEX #C56E2E

RGB 197 110 46

HSL 25.43, 0.62%, 0.48%

LAB 55.3, 29.66, 48.85

 

CMYK 70 / 0 / 77 / 22

HEX #3BC62E

RGB 59 198 46

HSL 114.87, 0.62%, 0.48%

LAB 70.54, -63.74, 60.77

 

CMYK 77 / 32 / 0 / 22

HEX #2E87C6

RGB 46 135 198

HSL 204.87, 0.62%, 0.48%

LAB 54.01, -4.46, -40.12

 

CMYK 7 / 77 / 0 / 22

HEX #B92EC6

RGB 185 46 198

HSL 294.87, 0.62%, 0.48%

LAB 47.42, 71.45, -49.87

 

Description

Color code: HEX #C56E2E | qconv.com Color code: HEX #C56E2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 110 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 110 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 77 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 77% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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