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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57590 it is the complementary color #3A8A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57590 shade: #CA758B, #DB879E, #EC99B1, #FDABC4 and #FFBDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57590 shade: #C57590, #B4637D, #A3516A, #923F57 and #812D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57590 shade: #C57691, #C5767B and #C57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57590 shade: #C57691, #C576A6, #C576BC, #BA76C5 and #A476C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57590 shade matches the following richer shades: #C57691, #D5668C, #E55786 and #F44781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57590 shade: #C57691, #B68696, #A6959B, #96A5A0 and #87B5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57590 shade: #C576BC, #C576A7, #C57692, #C5767C and #C58476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57590 shade: #A44465, #B95979, #C57691, #D293A8 and #DEB0BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57590 shade: #C57590, #C5B976 and #76B1C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57590 shade: #C57590, #92C576 and #7692C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57590 shade: #C57590, #C5B976, #76C5AA and #7682C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57590 shade: #C57590, #B9C576, #76C5AA and #8276C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

Complementary color

CMYK 58 / 0 / 20 / 46

HEX #3A8A6F

RGB 58 138 111

HSL 159.75, 0.41%, 0.38%

LAB 52.09, -31.31, 7.18

 

CMYK 0 / 42 / 31 / 21

HEX #CA758B

RGB 202 117 139

HSL 344.47, 0.45%, 0.63%

LAB 59.11, 35.93, 2.61

 

CMYK 0 / 38 / 28 / 14

HEX #DB879E

RGB 219 135 158

HSL 343.57, 0.54%, 0.69%

LAB 65.64, 35.05, 1.5

 

CMYK 0 / 35 / 25 / 7

HEX #EC99B1

RGB 236 153 177

HSL 342.65, 0.69%, 0.76%

LAB 72.09, 34.22, 0.51

 

CMYK 0 / 32 / 23 / 1

HEX #FDABC4

RGB 253 171 196

HSL 341.71, 0.95%, 0.83%

LAB 78.46, 33.45, -0.39

 

CMYK 0 / 26 / 16 / 0

HEX #FFBDD7

RGB 255 189 215

HSL 336.36, 1%, 0.87%

LAB 83.21, 27.53, -3.66

 

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

CMYK 0 / 45 / 31 / 29

HEX #B4637D

RGB 180 99 125

HSL 340.74, 0.35%, 0.55%

LAB 51.96, 35.7, 0.06

 

CMYK 0 / 50 / 35 / 36

HEX #A3516A

RGB 163 81 106

HSL 341.71, 0.34%, 0.48%

LAB 45.24, 36.62, 1.41

 

CMYK 0 / 57 / 40 / 43

HEX #923F57

RGB 146 63 87

HSL 342.65, 0.4%, 0.41%

LAB 38.47, 37.51, 3.06

 

CMYK 0 / 65 / 47 / 49

HEX #812D44

RGB 129 45 68

HSL 343.57, 0.48%, 0.34%

LAB 31.72, 38.24, 5.2

 

CMYK 0 / 40 / 26 / 23

HEX #C57691

RGB 197 118 145

HSL 339.49, 0.41%, 0.62%

LAB 58.86, 34.41, -1.3

 

CMYK 0 / 40 / 38 / 23

HEX #C5767B

RGB 197 118 123

HSL 356.2, 0.41%, 0.62%

LAB 58.28, 31.53, 10.6

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 40 / 26 / 23

HEX #C57691

RGB 197 118 145

HSL 339.49, 0.41%, 0.62%

LAB 58.86, 34.41, -1.3

 

CMYK 0 / 40 / 16 / 23

HEX #C576A6

RGB 197 118 166

HSL 323.54, 0.41%, 0.62%

LAB 59.51, 37.59, -12.43

 

CMYK 0 / 40 / 5 / 23

HEX #C576BC

RGB 197 118 188

HSL 306.84, 0.41%, 0.62%

LAB 60.3, 41.33, -23.81

 

CMYK 6 / 40 / 0 / 23

HEX #BA76C5

RGB 186 118 197

HSL 291.65, 0.41%, 0.62%

LAB 59.37, 39.58, -30.47

 

CMYK 17 / 40 / 0 / 23

HEX #A476C5

RGB 164 118 197

HSL 274.94, 0.41%, 0.62%

LAB 56.96, 32.87, -34.4

 

CMYK 0 / 40 / 26 / 23

HEX #C57691

RGB 197 118 145

HSL 339.49, 0.41%, 0.62%

LAB 58.86, 34.41, -1.3

 

CMYK 0 / 52 / 34 / 16

HEX #D5668C

RGB 213 102 140

HSL 339.46, 0.57%, 0.62%

LAB 57.6, 47.6, 0.02

 

CMYK 0 / 62 / 41 / 10

HEX #E55786

RGB 229 87 134

HSL 340.14, 0.73%, 0.62%

LAB 57.27, 58.97, 3.35

 

CMYK 0 / 71 / 47 / 4

HEX #F44781

RGB 244 71 129

HSL 339.88, 0.89%, 0.62%

LAB 57.39, 69.05, 6.8

 

CMYK 0 / 40 / 26 / 23

HEX #C57691

RGB 197 118 145

HSL 339.49, 0.41%, 0.62%

LAB 58.86, 34.41, -1.3

 

CMYK 0 / 26 / 18 / 29

HEX #B68696

RGB 182 134 150

HSL 340, 0.25%, 0.62%

LAB 60.96, 20.86, -1.3

 

CMYK 0 / 10 / 7 / 35

HEX #A6959B

RGB 166 149 155

HSL 338.82, 0.09%, 0.62%

LAB 63.32, 7.36, -0.87

 

CMYK 9 / 0 / 3 / 35

HEX #96A5A0

RGB 150 165 160

HSL 160, 0.08%, 0.62%

LAB 66.47, -6.27, 0.78

 

CMYK 25 / 0 / 9 / 29

HEX #87B5A5

RGB 135 181 165

HSL 159.13, 0.24%, 0.62%

LAB 70.12, -18.68, 3.19

 

CMYK 0 / 40 / 5 / 23

HEX #C576BC

RGB 197 118 188

HSL 306.84, 0.41%, 0.62%

LAB 60.3, 41.33, -23.81

 

CMYK 0 / 40 / 15 / 23

HEX #C576A7

RGB 197 118 167

HSL 322.78, 0.41%, 0.62%

LAB 59.54, 37.75, -12.96

 

CMYK 0 / 40 / 26 / 23

HEX #C57692

RGB 197 118 146

HSL 338.73, 0.41%, 0.62%

LAB 58.88, 34.55, -1.83

 

CMYK 0 / 40 / 37 / 23

HEX #C5767C

RGB 197 118 124

HSL 355.44, 0.41%, 0.62%

LAB 58.3, 31.65, 10.05

 

CMYK 0 / 33 / 40 / 23

HEX #C58476

RGB 197 132 118

HSL 10.63, 0.41%, 0.62%

LAB 61.38, 23.3, 17.77

 

CMYK 0 / 59 / 38 / 36

HEX #A44465

RGB 164 68 101

HSL 339.38, 0.41%, 0.45%

LAB 42.71, 42.96, 0.83

 

CMYK 0 / 52 / 35 / 27

HEX #B95979

RGB 185 89 121

HSL 340, 0.41%, 0.54%

LAB 50.5, 42.18, 0.4

 

CMYK 0 / 40 / 26 / 23

HEX #C57691

RGB 197 118 145

HSL 339.49, 0.41%, 0.62%

LAB 58.86, 34.41, -1.3

 

CMYK 0 / 30 / 20 / 18

HEX #D293A8

RGB 210 147 168

HSL 340, 0.41%, 0.7%

LAB 67.57, 26.79, -1.43

 

CMYK 0 / 21 / 14 / 13

HEX #DEB0BF

RGB 222 176 191

HSL 340.43, 0.41%, 0.78%

LAB 76.28, 19.04, -1.24

 

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

CMYK 0 / 6 / 40 / 23

HEX #C5B976

RGB 197 185 118

HSL 50.89, 0.41%, 0.62%

LAB 74.75, -5.4, 35.51

 

CMYK 40 / 10 / 0 / 23

HEX #76B1C5

RGB 118 177 197

HSL 195.19, 0.41%, 0.62%

LAB 68.99, -13.94, -16.21

 

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

CMYK 26 / 0 / 40 / 23

HEX #92C576

RGB 146 197 118

HSL 98.73, 0.41%, 0.62%

LAB 74.41, -31.03, 34.36

 

CMYK 40 / 26 / 0 / 23

HEX #7692C5

RGB 118 146 197

HSL 218.73, 0.41%, 0.62%

LAB 60.28, 3.2, -29.52

 

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

CMYK 0 / 6 / 40 / 23

HEX #C5B976

RGB 197 185 118

HSL 50.89, 0.41%, 0.62%

LAB 74.75, -5.4, 35.51

 

CMYK 40 / 0 / 14 / 23

HEX #76C5AA

RGB 118 197 170

HSL 159.49, 0.41%, 0.62%

LAB 73.99, -30.55, 5.94

 

CMYK 40 / 34 / 0 / 23

HEX #7682C5

RGB 118 130 197

HSL 230.89, 0.41%, 0.62%

LAB 55.94, 12.55, -36.29

 

CMYK 0 / 41 / 27 / 23

HEX #C57590

RGB 197 117 144

HSL 339.75, 0.41%, 0.62%

LAB 58.61, 34.81, -1.08

 

CMYK 6 / 0 / 40 / 23

HEX #B9C576

RGB 185 197 118

HSL 69.11, 0.41%, 0.62%

LAB 77.01, -16.36, 38.21

 

CMYK 40 / 0 / 14 / 23

HEX #76C5AA

RGB 118 197 170

HSL 159.49, 0.41%, 0.62%

LAB 73.99, -30.55, 5.94

 

CMYK 34 / 40 / 0 / 23

HEX #8276C5

RGB 130 118 197

HSL 249.11, 0.41%, 0.62%

LAB 53.74, 22.96, -39.67

 

Description

Color code: HEX #C57590 | qconv.com Color code: HEX #C57590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 117 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 117 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 27 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 27% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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