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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57693 it is the complementary color #3A896C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57693 shade: #CA768E, #DB88A1, #EC9AB4, #FDACC7 and #FFBEDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57693 shade: #C57693, #B46480, #A3526D, #92405A and #812E47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57693 shade: #C57693, #C5767E and #C57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57693 shade: #C57693, #C576A8, #C576BE, #B776C5 and #A276C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57693 shade matches the following richer shades: #C57693, #D5668F, #E5578B and #F44787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57693 shade: #C57693, #B68697, #A6959B, #96A5A0 and #87B5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57693 shade: #C576BF, #C576AA, #C57694, #C5767F and #C58276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57693 shade: #A44468, #B9597C, #C57693, #D293AA and #DEB0C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57693 shade: #C57693, #C5B776 and #76B4C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57693 shade: #C57693, #94C576 and #7694C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57693 shade: #C57693, #C5B776, #76C5A7 and #7684C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57693 shade: #C57693, #BCC576, #76C5A7 and #7F76C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

Complementary color

CMYK 58 / 0 / 21 / 46

HEX #3A896C

RGB 58 137 108

HSL 157.97, 0.41%, 0.38%

LAB 51.69, -31.57, 8.35

 

CMYK 0 / 42 / 30 / 21

HEX #CA768E

RGB 202 118 142

HSL 342.86, 0.44%, 0.63%

LAB 59.4, 35.8, 1.31

 

CMYK 0 / 38 / 26 / 14

HEX #DB88A1

RGB 219 136 161

HSL 341.93, 0.54%, 0.7%

LAB 65.94, 34.93, 0.24

 

CMYK 0 / 35 / 24 / 7

HEX #EC9AB4

RGB 236 154 180

HSL 340.98, 0.68%, 0.76%

LAB 72.39, 34.12, -0.72

 

CMYK 0 / 32 / 21 / 1

HEX #FDACC7

RGB 253 172 199

HSL 340, 0.95%, 0.83%

LAB 78.76, 33.35, -1.59

 

CMYK 0 / 25 / 15 / 0

HEX #FFBEDA

RGB 255 190 218

HSL 334.15, 1%, 0.87%

LAB 83.52, 27.47, -4.81

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 44 / 29 / 29

HEX #B46480

RGB 180 100 128

HSL 339, 0.35%, 0.55%

LAB 52.26, 35.58, -1.28

 

CMYK 0 / 50 / 33 / 36

HEX #A3526D

RGB 163 82 109

HSL 340, 0.33%, 0.48%

LAB 45.53, 36.48, 0.01

 

CMYK 0 / 56 / 38 / 43

HEX #92405A

RGB 146 64 90

HSL 340.98, 0.39%, 0.41%

LAB 38.75, 37.36, 1.58

 

CMYK 0 / 64 / 45 / 49

HEX #812E47

RGB 129 46 71

HSL 341.93, 0.47%, 0.34%

LAB 31.98, 38.09, 3.61

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 40 / 36 / 23

HEX #C5767E

RGB 197 118 126

HSL 353.92, 0.41%, 0.62%

LAB 58.35, 31.89, 8.97

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 40 / 15 / 23

HEX #C576A8

RGB 197 118 168

HSL 322.03, 0.41%, 0.62%

LAB 59.58, 37.92, -13.48

 

CMYK 0 / 40 / 4 / 23

HEX #C576BE

RGB 197 118 190

HSL 305.32, 0.41%, 0.62%

LAB 60.38, 41.69, -24.82

 

CMYK 7 / 40 / 0 / 23

HEX #B776C5

RGB 183 118 197

HSL 289.37, 0.41%, 0.62%

LAB 59.03, 38.66, -31.02

 

CMYK 18 / 40 / 0 / 23

HEX #A276C5

RGB 162 118 197

HSL 273.42, 0.41%, 0.62%

LAB 56.75, 32.27, -34.74

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 52 / 33 / 16

HEX #D5668F

RGB 213 102 143

HSL 337.84, 0.57%, 0.62%

LAB 57.69, 47.96, -1.6

 

CMYK 0 / 62 / 39 / 10

HEX #E5578B

RGB 229 87 139

HSL 338.03, 0.73%, 0.62%

LAB 57.4, 59.49, 0.62

 

CMYK 0 / 71 / 45 / 4

HEX #F44787

RGB 244 71 135

HSL 337.8, 0.89%, 0.62%

LAB 57.55, 69.58, 3.49

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 26 / 17 / 29

HEX #B68697

RGB 182 134 151

HSL 338.75, 0.25%, 0.62%

LAB 60.98, 21.02, -1.83

 

CMYK 0 / 10 / 7 / 35

HEX #A6959B

RGB 166 149 155

HSL 338.82, 0.09%, 0.62%

LAB 63.32, 7.36, -0.87

 

CMYK 9 / 0 / 3 / 35

HEX #96A5A0

RGB 150 165 160

HSL 160, 0.08%, 0.62%

LAB 66.47, -6.27, 0.78

 

CMYK 25 / 0 / 9 / 29

HEX #87B5A4

RGB 135 181 164

HSL 157.83, 0.24%, 0.62%

LAB 70.09, -18.89, 3.7

 

CMYK 0 / 40 / 3 / 23

HEX #C576BF

RGB 197 118 191

HSL 304.56, 0.41%, 0.62%

LAB 60.42, 41.87, -25.33

 

CMYK 0 / 40 / 14 / 23

HEX #C576AA

RGB 197 118 170

HSL 320.51, 0.41%, 0.62%

LAB 59.64, 38.24, -14.52

 

CMYK 0 / 40 / 25 / 23

HEX #C57694

RGB 197 118 148

HSL 337.22, 0.41%, 0.62%

LAB 58.94, 34.84, -2.9

 

CMYK 0 / 40 / 36 / 23

HEX #C5767F

RGB 197 118 127

HSL 353.16, 0.41%, 0.62%

LAB 58.38, 32.02, 8.42

 

CMYK 0 / 34 / 40 / 23

HEX #C58276

RGB 197 130 118

HSL 9.11, 0.41%, 0.62%

LAB 60.91, 24.4, 17.12

 

CMYK 0 / 59 / 37 / 36

HEX #A44468

RGB 164 68 104

HSL 337.5, 0.41%, 0.45%

LAB 42.8, 43.32, -0.9

 

CMYK 0 / 52 / 33 / 27

HEX #B9597C

RGB 185 89 124

HSL 338.13, 0.41%, 0.54%

LAB 50.59, 42.55, -1.27

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 30 / 19 / 18

HEX #D293AA

RGB 210 147 170

HSL 338.1, 0.41%, 0.7%

LAB 67.63, 27.1, -2.47

 

CMYK 0 / 21 / 13 / 13

HEX #DEB0C1

RGB 222 176 193

HSL 337.83, 0.41%, 0.78%

LAB 76.33, 19.36, -2.25

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 7 / 40 / 23

HEX #C5B776

RGB 197 183 118

HSL 49.37, 0.41%, 0.62%

LAB 74.22, -4.36, 34.83

 

CMYK 40 / 9 / 0 / 23

HEX #76B4C5

RGB 118 180 197

HSL 192.91, 0.41%, 0.62%

LAB 69.84, -15.52, -14.92

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 25 / 0 / 40 / 23

HEX #94C576

RGB 148 197 118

HSL 97.22, 0.41%, 0.62%

LAB 74.53, -30.31, 34.53

 

CMYK 40 / 25 / 0 / 23

HEX #7694C5

RGB 118 148 197

HSL 217.22, 0.41%, 0.62%

LAB 60.84, 2.05, -28.66

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 0 / 7 / 40 / 23

HEX #C5B776

RGB 197 183 118

HSL 49.37, 0.41%, 0.62%

LAB 74.22, -4.36, 34.83

 

CMYK 40 / 0 / 15 / 23

HEX #76C5A7

RGB 118 197 167

HSL 157.22, 0.41%, 0.62%

LAB 73.92, -31.21, 7.46

 

CMYK 40 / 33 / 0 / 23

HEX #7684C5

RGB 118 132 197

HSL 229.37, 0.41%, 0.62%

LAB 56.47, 11.37, -35.45

 

CMYK 0 / 40 / 25 / 23

HEX #C57693

RGB 197 118 147

HSL 337.97, 0.41%, 0.62%

LAB 58.91, 34.7, -2.37

 

CMYK 5 / 0 / 40 / 23

HEX #BCC576

RGB 188 197 118

HSL 66.84, 0.41%, 0.62%

LAB 77.24, -15.18, 38.54

 

CMYK 40 / 0 / 15 / 23

HEX #76C5A7

RGB 118 197 167

HSL 157.22, 0.41%, 0.62%

LAB 73.92, -31.21, 7.46

 

CMYK 36 / 40 / 0 / 23

HEX #7F76C5

RGB 127 118 197

HSL 246.84, 0.41%, 0.62%

LAB 53.49, 22.14, -40.08

 

Description

Color code: HEX #C57693 | qconv.com Color code: HEX #C57693 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 118 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 118 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 25 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 25% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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