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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57953 it is the complementary color #3A86AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57953 shade: #CA794E, #DB8B61, #EC9D74, #FDAF87 and #FFC19A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57953 shade: #C57953, #B46740, #A3552D, #92431A and #813107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57953 shade: #C57952, #C55A52 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57953 shade: #C57952, #C59852, #C5B752, #B5C552 and #96C552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57953 shade matches the following richer shades: #C57952, #D87240, #EA6C2D and #FD661B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57953 shade: #C57952, #B37F65, #A08578, #8D8B8A and #7B919D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57953 shade: #C55269, #C55A52, #C57952, #C59752 and #C5B652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57953 shade: #945231, #B3633B, #C57952, #CF9171 and #DAA990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57953 shade: #C57953, #88C552 and #525AC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57953 shade: #C57953, #52C579 and #7952C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57953 shade: #C57953, #88C552, #529FC5 and #9052C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57953 shade: #C57953, #66C552, #529FC5 and #B252C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

Complementary color

CMYK 66 / 22 / 0 / 33

HEX #3A86AC

RGB 58 134 172

HSL 200, 0.5%, 0.45%

LAB 52.87, -11.24, -27

 

CMYK 0 / 40 / 61 / 21

HEX #CA794E

RGB 202 121 78

HSL 20.81, 0.54%, 0.55%

LAB 58.77, 27.6, 36.74

 

CMYK 0 / 37 / 56 / 14

HEX #DB8B61

RGB 219 139 97

HSL 20.66, 0.63%, 0.62%

LAB 65.27, 26.27, 35.01

 

CMYK 0 / 33 / 51 / 7

HEX #EC9D74

RGB 236 157 116

HSL 20.5, 0.76%, 0.69%

LAB 71.7, 25.09, 33.42

 

CMYK 0 / 31 / 47 / 1

HEX #FDAF87

RGB 253 175 135

HSL 20.34, 0.97%, 0.76%

LAB 78.05, 24.05, 31.96

 

CMYK 0 / 24 / 40 / 0

HEX #FFC19A

RGB 255 193 154

HSL 23.17, 1%, 0.8%

LAB 82.77, 17.34, 28.26

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 0 / 43 / 64 / 29

HEX #B46740

RGB 180 103 64

HSL 20.17, 0.48%, 0.48%

LAB 51.58, 27.34, 35.01

 

CMYK 0 / 48 / 72 / 36

HEX #A3552D

RGB 163 85 45

HSL 20.34, 0.57%, 0.41%

LAB 44.9, 28.94, 36.98

 

CMYK 0 / 54 / 82 / 43

HEX #92431A

RGB 146 67 26

HSL 20.5, 0.7%, 0.34%

LAB 38.2, 30.74, 38.93

 

CMYK 0 / 62 / 95 / 49

HEX #813107

RGB 129 49 7

HSL 20.66, 0.9%, 0.27%

LAB 31.53, 32.66, 40.18

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 54 / 58 / 23

HEX #C55A52

RGB 197 90 82

HSL 4.17, 0.5%, 0.55%

LAB 51.6, 42.12, 25.38

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 23 / 58 / 23

HEX #C59852

RGB 197 152 82

HSL 36.52, 0.5%, 0.55%

LAB 65.7, 8.87, 42.78

 

CMYK 0 / 7 / 58 / 23

HEX #C5B752

RGB 197 183 82

HSL 52.7, 0.5%, 0.55%

LAB 73.77, -7.67, 52.08

 

CMYK 8 / 0 / 58 / 23

HEX #B5C552

RGB 181 197 82

HSL 68.35, 0.5%, 0.55%

LAB 76.29, -21.43, 54.55

 

CMYK 24 / 0 / 58 / 23

HEX #96C552

RGB 150 197 82

HSL 84.52, 0.5%, 0.55%

LAB 74.21, -33.65, 51.63

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 47 / 70 / 15

HEX #D87240

RGB 216 114 64

HSL 19.74, 0.66%, 0.55%

LAB 58.98, 36.09, 44.8

 

CMYK 0 / 54 / 81 / 8

HEX #EA6C2D

RGB 234 108 45

HSL 20, 0.82%, 0.55%

LAB 60.25, 45.28, 55.92

 

CMYK 0 / 60 / 89 / 1

HEX #FD661B

RGB 253 102 27

HSL 19.91, 0.98%, 0.55%

LAB 62.05, 54.58, 65.32

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 29 / 44 / 30

HEX #B37F65

RGB 179 127 101

HSL 20, 0.34%, 0.55%

LAB 57.75, 16.87, 22.13

 

CMYK 0 / 17 / 25 / 37

HEX #A08578

RGB 160 133 120

HSL 19.5, 0.17%, 0.55%

LAB 57.66, 8.22, 10.85

 

CMYK 0 / 1 / 2 / 45

HEX #8D8B8A

RGB 141 139 138

HSL 20, 0.01%, 0.55%

LAB 58, 0.55, 0.79

 

CMYK 22 / 8 / 0 / 38

HEX #7B919D

RGB 123 145 157

HSL 201.18, 0.15%, 0.55%

LAB 58.88, -5.06, -8.95

 

CMYK 0 / 58 / 47 / 23

HEX #C55269

RGB 197 82 105

HSL 348, 0.5%, 0.55%

LAB 50.6, 47.96, 10.37

 

CMYK 0 / 54 / 58 / 23

HEX #C55A52

RGB 197 90 82

HSL 4.17, 0.5%, 0.55%

LAB 51.6, 42.12, 25.38

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 23 / 58 / 23

HEX #C59752

RGB 197 151 82

HSL 36, 0.5%, 0.55%

LAB 65.45, 9.41, 42.48

 

CMYK 0 / 8 / 58 / 23

HEX #C5B652

RGB 197 182 82

HSL 52.17, 0.5%, 0.55%

LAB 73.5, -7.15, 51.78

 

CMYK 0 / 45 / 67 / 42

HEX #945231

RGB 148 82 49

HSL 20, 0.5%, 0.39%

LAB 42.08, 24.48, 31.01

 

CMYK 0 / 45 / 67 / 30

HEX #B3633B

RGB 179 99 59

HSL 20, 0.5%, 0.47%

LAB 50.48, 28.78, 36.4

 

CMYK 0 / 39 / 58 / 23

HEX #C57952

RGB 197 121 82

HSL 20.35, 0.5%, 0.55%

LAB 58.18, 25.84, 33.7

 

CMYK 0 / 30 / 45 / 19

HEX #CF9171

RGB 207 145 113

HSL 20.43, 0.49%, 0.63%

LAB 65.52, 19.65, 26.35

 

CMYK 0 / 22 / 34 / 15

HEX #DAA990

RGB 218 169 144

HSL 20.27, 0.5%, 0.71%

LAB 73.09, 14.56, 19.81

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 31 / 0 / 58 / 23

HEX #88C552

RGB 136 197 82

HSL 91.83, 0.5%, 0.55%

LAB 73.4, -38.81, 50.5

 

CMYK 58 / 54 / 0 / 23

HEX #525AC5

RGB 82 90 197

HSL 235.83, 0.5%, 0.55%

LAB 42.97, 28.71, -57.08

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 58 / 0 / 39 / 23

HEX #52C579

RGB 82 197 121

HSL 140.35, 0.5%, 0.55%

LAB 71.63, -49.44, 28.63

 

CMYK 39 / 58 / 0 / 23

HEX #7952C5

RGB 121 82 197

HSL 260.35, 0.5%, 0.55%

LAB 44.42, 41.75, -54.57

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 31 / 0 / 58 / 23

HEX #88C552

RGB 136 197 82

HSL 91.83, 0.5%, 0.55%

LAB 73.4, -38.81, 50.5

 

CMYK 58 / 19 / 0 / 23

HEX #529FC5

RGB 82 159 197

HSL 199.83, 0.5%, 0.55%

LAB 62.19, -12.62, -26.73

 

CMYK 27 / 58 / 0 / 23

HEX #9052C5

RGB 144 82 197

HSL 272.35, 0.5%, 0.55%

LAB 46.97, 47.21, -50.34

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 48 / 0 / 58 / 23

HEX #66C552

RGB 102 197 82

HSL 109.57, 0.5%, 0.55%

LAB 71.8, -49.9, 48.25

 

CMYK 58 / 19 / 0 / 23

HEX #529FC5

RGB 82 159 197

HSL 199.83, 0.5%, 0.55%

LAB 62.19, -12.62, -26.73

 

CMYK 10 / 58 / 0 / 23

HEX #B252C5

RGB 178 82 197

HSL 290.09, 0.5%, 0.55%

LAB 51.3, 55.75, -43.18

 

Description

Color code: HEX #C57953 | qconv.com Color code: HEX #C57953 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 121 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 121 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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