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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5705A it is the complementary color #3A8FA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5705A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5705A shade: #CA7055, #DB8268, #EC947B, #FDA68E and #FFB8A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5705A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5705A shade: #C5705A, #B45E47, #A34C34, #923A21 and #81280E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5705A shade: #C46F58 and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5705A shade: #C46F58, #C48C58, #C4A958, #C3C458 and #A6C458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5705A shade matches the following richer shades: #C46F58, #D66446, #E85934 and #FB4F22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5705A shade: #C46F58, #B2796B, #A0847D, #8E8F8F and #7C99A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5705A shade: #C4587C, #C45860, #C46E58, #C48B58 and #C4A758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5705A shade: #964834, #B4573F, #C46F58, #CF8977 and #DAA496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5705A shade: #C5705A, #99C458 and #586EC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5705A shade: #C5705A, #58C46E and #6E58C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5705A shade: #C5705A, #99C458, #58AFC4 and #8458C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5705A shade: #C5705A, #79C458, #58AFC4 and #A458C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

Complementary color

CMYK 65 / 13 / 0 / 35

HEX #3A8FA5

RGB 58 143 165

HSL 192.34, 0.48%, 0.44%

LAB 55.34, -18.47, -19.18

 

CMYK 0 / 45 / 58 / 21

HEX #CA7055

RGB 202 112 85

HSL 13.85, 0.52%, 0.56%

LAB 56.88, 32.94, 30.56

 

CMYK 0 / 41 / 53 / 14

HEX #DB8268

RGB 219 130 104

HSL 13.57, 0.61%, 0.63%

LAB 63.36, 31.66, 28.75

 

CMYK 0 / 37 / 48 / 7

HEX #EC947B

RGB 236 148 123

HSL 13.27, 0.75%, 0.7%

LAB 69.78, 30.5, 27.13

 

CMYK 0 / 34 / 44 / 1

HEX #FDA68E

RGB 253 166 142

HSL 12.97, 0.97%, 0.77%

LAB 76.14, 29.45, 25.67

 

CMYK 0 / 28 / 37 / 0

HEX #FFB8A1

RGB 255 184 161

HSL 14.68, 1%, 0.82%

LAB 80.8, 22.84, 21.87

 

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

CMYK 0 / 48 / 61 / 29

HEX #B45E47

RGB 180 94 71

HSL 12.66, 0.43%, 0.49%

LAB 49.69, 32.7, 28.79

 

CMYK 0 / 53 / 68 / 36

HEX #A34C34

RGB 163 76 52

HSL 12.97, 0.52%, 0.42%

LAB 43.07, 34.16, 31.03

 

CMYK 0 / 60 / 77 / 43

HEX #923A21

RGB 146 58 33

HSL 13.27, 0.63%, 0.35%

LAB 36.46, 35.68, 33.56

 

CMYK 0 / 69 / 89 / 49

HEX #81280E

RGB 129 40 14

HSL 13.57, 0.8%, 0.28%

LAB 29.95, 37.12, 36.07

 

CMYK 0 / 43 / 55 / 23

HEX #C46F58

RGB 196 111 88

HSL 12.78, 0.48%, 0.56%

LAB 55.9, 31.33, 27.45

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 43 / 55 / 23

HEX #C46F58

RGB 196 111 88

HSL 12.78, 0.48%, 0.56%

LAB 55.9, 31.33, 27.45

 

CMYK 0 / 29 / 55 / 23

HEX #C48C58

RGB 196 140 88

HSL 28.89, 0.48%, 0.56%

LAB 62.67, 15.49, 36

 

CMYK 0 / 14 / 55 / 23

HEX #C4A958

RGB 196 169 88

HSL 45, 0.48%, 0.56%

LAB 70.05, -0.26, 44.9

 

CMYK 1 / 0 / 55 / 23

HEX #C3C458

RGB 195 196 88

HSL 60.56, 0.48%, 0.56%

LAB 77.15, -14.71, 53.11

 

CMYK 15 / 0 / 55 / 23

HEX #A6C458

RGB 166 196 88

HSL 76.67, 0.48%, 0.56%

LAB 75.01, -26.45, 50.09

 

CMYK 0 / 43 / 55 / 23

HEX #C46F58

RGB 196 111 88

HSL 12.78, 0.48%, 0.56%

LAB 55.9, 31.33, 27.45

 

CMYK 0 / 53 / 67 / 16

HEX #D66446

RGB 214 100 70

HSL 12.5, 0.64%, 0.56%

LAB 55.94, 42.73, 38.1

 

CMYK 0 / 62 / 78 / 9

HEX #E85934

RGB 232 89 52

HSL 12.33, 0.8%, 0.56%

LAB 56.63, 53.55, 49.07

 

CMYK 0 / 69 / 86 / 2

HEX #FB4F22

RGB 251 79 34

HSL 12.44, 0.96%, 0.56%

LAB 58.24, 63.44, 59.82

 

CMYK 0 / 43 / 55 / 23

HEX #C46F58

RGB 196 111 88

HSL 12.78, 0.48%, 0.56%

LAB 55.9, 31.33, 27.45

 

CMYK 0 / 32 / 40 / 30

HEX #B2796B

RGB 178 121 107

HSL 11.83, 0.32%, 0.56%

LAB 56.29, 20.51, 16.7

 

CMYK 0 / 18 / 22 / 37

HEX #A0847D

RGB 160 132 125

HSL 12, 0.16%, 0.56%

LAB 57.52, 9.55, 7.78

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 23 / 5 / 0 / 37

HEX #7C99A1

RGB 124 153 161

HSL 192.97, 0.16%, 0.56%

LAB 61.34, -8.23, -7.54

 

CMYK 0 / 55 / 37 / 23

HEX #C4587C

RGB 196 88 124

HSL 340, 0.48%, 0.56%

LAB 52.03, 46.8, 1.03

 

CMYK 0 / 55 / 51 / 23

HEX #C45860

RGB 196 88 96

HSL 355.56, 0.48%, 0.56%

LAB 51.34, 43.9, 16.75

 

CMYK 0 / 44 / 55 / 23

HEX #C46E58

RGB 196 110 88

HSL 12.22, 0.48%, 0.56%

LAB 55.68, 31.87, 27.16

 

CMYK 0 / 29 / 55 / 23

HEX #C48B58

RGB 196 139 88

HSL 28.33, 0.48%, 0.56%

LAB 62.43, 16.04, 35.69

 

CMYK 0 / 15 / 55 / 23

HEX #C4A758

RGB 196 167 88

HSL 43.89, 0.48%, 0.56%

LAB 69.52, 0.81, 44.28

 

CMYK 0 / 52 / 65 / 41

HEX #964834

RGB 150 72 52

HSL 12.24, 0.49%, 0.4%

LAB 40.19, 31.05, 27.1

 

CMYK 0 / 52 / 65 / 29

HEX #B4573F

RGB 180 87 63

HSL 12.31, 0.48%, 0.48%

LAB 48.11, 35.83, 31.41

 

CMYK 0 / 43 / 55 / 23

HEX #C46F58

RGB 196 111 88

HSL 12.78, 0.48%, 0.56%

LAB 55.9, 31.33, 27.45

 

CMYK 0 / 34 / 43 / 19

HEX #CF8977

RGB 207 137 119

HSL 12.27, 0.48%, 0.64%

LAB 63.74, 24.64, 20.63

 

CMYK 0 / 25 / 31 / 15

HEX #DAA496

RGB 218 164 150

HSL 12.35, 0.48%, 0.72%

LAB 72, 18.02, 15.02

 

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

CMYK 22 / 0 / 55 / 23

HEX #99C458

RGB 153 196 88

HSL 83.89, 0.48%, 0.56%

LAB 74.16, -31.49, 48.89

 

CMYK 55 / 44 / 0 / 23

HEX #586EC4

RGB 88 110 196

HSL 227.78, 0.48%, 0.56%

LAB 48.53, 17.09, -47.56

 

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

CMYK 55 / 0 / 44 / 23

HEX #58C46E

RGB 88 196 110

HSL 132.22, 0.48%, 0.56%

LAB 71.34, -49.49, 33.96

 

CMYK 44 / 55 / 0 / 23

HEX #6E58C4

RGB 110 88 196

HSL 252.22, 0.48%, 0.56%

LAB 44.63, 35.47, -53.71

 

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

CMYK 22 / 0 / 55 / 23

HEX #99C458

RGB 153 196 88

HSL 83.89, 0.48%, 0.56%

LAB 74.16, -31.49, 48.89

 

CMYK 55 / 11 / 0 / 23

HEX #58AFC4

RGB 88 175 196

HSL 191.67, 0.48%, 0.56%

LAB 67.07, -20.21, -18.69

 

CMYK 33 / 55 / 0 / 23

HEX #8458C4

RGB 132 88 196

HSL 264.44, 0.48%, 0.56%

LAB 46.8, 40.73, -50.1

 

CMYK 0 / 43 / 54 / 23

HEX #C5705A

RGB 197 112 90

HSL 12.34, 0.48%, 0.56%

LAB 56.28, 31.36, 26.84

 

CMYK 38 / 0 / 55 / 23

HEX #79C458

RGB 121 196 88

HSL 101.67, 0.48%, 0.56%

LAB 72.39, -42.92, 46.37

 

CMYK 55 / 11 / 0 / 23

HEX #58AFC4

RGB 88 175 196

HSL 191.67, 0.48%, 0.56%

LAB 67.07, -20.21, -18.69

 

CMYK 16 / 55 / 0 / 23

HEX #A458C4

RGB 164 88 196

HSL 282.22, 0.48%, 0.56%

LAB 50.52, 48.96, -43.96

 

Description

Color code: HEX #C5705A | qconv.com Color code: HEX #C5705A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 112 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 112 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 54% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

86% - Marketing and Conten...
Link: http://coschedule.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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