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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58859 it is the complementary color #3A77A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58859. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58859 shade: #CA8854, #DB9A67, #ECAC7A, #FDBE8D and #FFD0A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58859. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58859 shade: #C58859, #B47646, #A36433, #925220 and #81400D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58859 shade: #C48758, #C46A58 and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58859 shade: #C48758, #C4A458, #C4C158, #AAC458 and #8DC458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58859 shade matches the following richer shades: #C48758, #D68546, #E88334 and #FB8022

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58859 shade: #C48758, #B28A6B, #A08C7D, #8E8E8F and #7C91A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58859 shade: #C45863, #C46A58, #C48758, #C4A458 and #C4C158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58859 shade: #965F34, #B4723F, #C48758, #CF9D77 and #DAB396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58859 shade: #C58859, #80C458 and #5C58C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58859 shade: #C58859, #58C487 and #8758C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58859 shade: #C58859, #80C458, #5895C4 and #9D58C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58859 shade: #C58859, #60C458, #5895C4 and #BD58C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

Complementary color

CMYK 65 / 28 / 0 / 35

HEX #3A77A6

RGB 58 119 166

HSL 206.11, 0.48%, 0.44%

LAB 48.07, -4.6, -31

 

CMYK 0 / 33 / 58 / 21

HEX #CA8854

RGB 202 136 84

HSL 26.44, 0.53%, 0.56%

LAB 62.34, 19.88, 37.87

 

CMYK 0 / 30 / 53 / 14

HEX #DB9A67

RGB 219 154 103

HSL 26.38, 0.62%, 0.63%

LAB 68.86, 18.71, 36.32

 

CMYK 0 / 27 / 48 / 7

HEX #ECAC7A

RGB 236 172 122

HSL 26.32, 0.75%, 0.7%

LAB 75.29, 17.68, 34.87

 

CMYK 0 / 25 / 44 / 1

HEX #FDBE8D

RGB 253 190 141

HSL 26.25, 0.97%, 0.77%

LAB 81.64, 16.77, 33.52

 

CMYK 0 / 18 / 37 / 0

HEX #FFD0A0

RGB 255 208 160

HSL 30.32, 1%, 0.81%

LAB 86.46, 10.2, 30.08

 

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

CMYK 0 / 34 / 61 / 29

HEX #B47646

RGB 180 118 70

HSL 26.18, 0.44%, 0.49%

LAB 55.18, 19.46, 36.05

 

CMYK 0 / 39 / 69 / 36

HEX #A36433

RGB 163 100 51

HSL 26.25, 0.52%, 0.42%

LAB 48.44, 20.93, 37.74

 

CMYK 0 / 44 / 78 / 43

HEX #925220

RGB 146 82 32

HSL 26.32, 0.64%, 0.35%

LAB 41.61, 22.67, 39.37

 

CMYK 0 / 50 / 90 / 49

HEX #81400D

RGB 129 64 13

HSL 26.38, 0.82%, 0.28%

LAB 34.73, 24.71, 40.41

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 46 / 55 / 23

HEX #C46A58

RGB 196 106 88

HSL 10, 0.48%, 0.56%

LAB 54.81, 33.99, 26.04

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 16 / 55 / 23

HEX #C4A458

RGB 196 164 88

HSL 42.22, 0.48%, 0.56%

LAB 68.74, 2.42, 43.36

 

CMYK 0 / 2 / 55 / 23

HEX #C4C158

RGB 196 193 88

HSL 58.33, 0.48%, 0.56%

LAB 76.42, -12.78, 52.3

 

CMYK 13 / 0 / 55 / 23

HEX #AAC458

RGB 170 196 88

HSL 74.44, 0.48%, 0.56%

LAB 75.28, -24.87, 50.47

 

CMYK 28 / 0 / 55 / 23

HEX #8DC458

RGB 141 196 88

HSL 90.56, 0.48%, 0.56%

LAB 73.45, -35.96, 47.87

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 38 / 67 / 16

HEX #D68546

RGB 214 133 70

HSL 26.25, 0.64%, 0.56%

LAB 62.94, 25.57, 46.12

 

CMYK 0 / 44 / 78 / 9

HEX #E88334

RGB 232 131 52

HSL 26.33, 0.8%, 0.56%

LAB 64.67, 33.15, 57.01

 

CMYK 0 / 49 / 86 / 2

HEX #FB8022

RGB 251 128 34

HSL 25.99, 0.96%, 0.56%

LAB 66.57, 41.7, 66.44

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 22 / 40 / 30

HEX #B28A6B

RGB 178 138 107

HSL 26.2, 0.32%, 0.56%

LAB 60.52, 11, 22.44

 

CMYK 0 / 13 / 22 / 37

HEX #A08C7D

RGB 160 140 125

HSL 25.71, 0.16%, 0.56%

LAB 59.63, 5.03, 10.77

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 23 / 10 / 0 / 37

HEX #7C91A1

RGB 124 145 161

HSL 205.95, 0.16%, 0.56%

LAB 59.08, -3.79, -10.93

 

CMYK 0 / 55 / 49 / 23

HEX #C45863

RGB 196 88 99

HSL 353.89, 0.48%, 0.56%

LAB 51.4, 44.17, 15.05

 

CMYK 0 / 46 / 55 / 23

HEX #C46A58

RGB 196 106 88

HSL 10, 0.48%, 0.56%

LAB 54.81, 33.99, 26.04

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 16 / 55 / 23

HEX #C4A458

RGB 196 164 88

HSL 42.22, 0.48%, 0.56%

LAB 68.74, 2.42, 43.36

 

CMYK 0 / 2 / 55 / 23

HEX #C4C158

RGB 196 193 88

HSL 58.33, 0.48%, 0.56%

LAB 76.42, -12.78, 52.3

 

CMYK 0 / 37 / 65 / 41

HEX #965F34

RGB 150 95 52

HSL 26.33, 0.49%, 0.4%

LAB 45.52, 18.13, 33.43

 

CMYK 0 / 37 / 65 / 29

HEX #B4723F

RGB 180 114 63

HSL 26.15, 0.48%, 0.48%

LAB 54.13, 21.19, 38.53

 

CMYK 0 / 31 / 55 / 23

HEX #C48758

RGB 196 135 88

HSL 26.11, 0.48%, 0.56%

LAB 61.45, 18.24, 34.48

 

CMYK 0 / 24 / 43 / 19

HEX #CF9D77

RGB 207 157 119

HSL 25.91, 0.48%, 0.64%

LAB 68.54, 13.75, 27.07

 

CMYK 0 / 18 / 31 / 15

HEX #DAB396

RGB 218 179 150

HSL 25.59, 0.48%, 0.72%

LAB 75.67, 9.95, 20.12

 

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

CMYK 35 / 0 / 55 / 23

HEX #80C458

RGB 128 196 88

HSL 97.78, 0.48%, 0.56%

LAB 72.74, -40.56, 46.87

 

CMYK 53 / 55 / 0 / 23

HEX #5C58C4

RGB 92 88 196

HSL 242.22, 0.48%, 0.56%

LAB 43.12, 31.58, -56.22

 

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

CMYK 55 / 0 / 31 / 23

HEX #58C487

RGB 88 196 135

HSL 146.11, 0.48%, 0.56%

LAB 71.76, -45.04, 21.46

 

CMYK 31 / 55 / 0 / 23

HEX #8758C4

RGB 135 88 196

HSL 266.11, 0.48%, 0.56%

LAB 47.13, 41.48, -49.57

 

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

CMYK 35 / 0 / 55 / 23

HEX #80C458

RGB 128 196 88

HSL 97.78, 0.48%, 0.56%

LAB 72.74, -40.56, 46.87

 

CMYK 55 / 24 / 0 / 23

HEX #5895C4

RGB 88 149 196

HSL 206.11, 0.48%, 0.56%

LAB 59.48, -6.14, -30.32

 

CMYK 20 / 55 / 0 / 23

HEX #9D58C4

RGB 157 88 196

HSL 278.33, 0.48%, 0.56%

LAB 49.66, 47.13, -45.38

 

CMYK 0 / 31 / 55 / 23

HEX #C58859

RGB 197 136 89

HSL 26.11, 0.48%, 0.56%

LAB 61.83, 18.2, 34.44

 

CMYK 51 / 0 / 55 / 23

HEX #60C458

RGB 96 196 88

HSL 115.56, 0.48%, 0.56%

LAB 71.33, -50.51, 44.85

 

CMYK 55 / 24 / 0 / 23

HEX #5895C4

RGB 88 149 196

HSL 206.11, 0.48%, 0.56%

LAB 59.48, -6.14, -30.32

 

CMYK 4 / 55 / 0 / 23

HEX #BD58C4

RGB 189 88 196

HSL 296.11, 0.48%, 0.56%

LAB 53.8, 55.61, -38.57

 

Description

Color code: HEX #C58859 | qconv.com Color code: HEX #C58859 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 136 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 136 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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