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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C582D7 it is the complementary color #3A7D28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C582D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C582D7 shade: #CA82D2, #DB94E5, #ECA6F8, #FDB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C582D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C582D7 shade: #C582D7, #B470C4, #A35EB1, #924C9E and #813A8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C582D7 shade: #C582D7, #D782D2, #D782BC, #D782A5 and #D7828E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C582D7 shade: #C582D7, #AE82D7, #9882D7 and #8282D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C582D7 shade matches the following richer shades: #C582D7, #CD75E5 and #D568F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C582D7 shade: #C582D7, #BE90CA, #B69DBD, #AFAAB0 and #A7B7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C582D7 shade: #9882D7, #AE82D7, #C582D7, #D782D3 and #D782BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C582D7 shade: #A844C4, #B763CD, #C582D7, #D4A2E1 and #E2C1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C582D7 shade: #C582D7, #D78284 and #82D7A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C582D7 shade: #C582D7, #D7C582 and #82D7C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C582D7 shade: #C582D7, #D78284, #95D782 and #82D7D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C582D7 shade: #C582D7, #D79B82, #95D782 and #82BFD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

Complementary color

CMYK 54 / 0 / 68 / 51

HEX #3A7D28

RGB 58 125 40

HSL 107.29, 0.52%, 0.32%

LAB 46.6, -38.12, 38.57

 

CMYK 4 / 38 / 0 / 18

HEX #CA82D2

RGB 202 130 210

HSL 294, 0.47%, 0.67%

LAB 64.3, 40.58, -30

 

CMYK 4 / 35 / 0 / 10

HEX #DB94E5

RGB 219 148 229

HSL 292.59, 0.61%, 0.74%

LAB 70.8, 39.84, -30.34

 

CMYK 5 / 33 / 0 / 3

HEX #ECA6F8

RGB 236 166 248

HSL 291.22, 0.85%, 0.81%

LAB 77.21, 39.13, -30.66

 

CMYK 1 / 28 / 0 / 0

HEX #FDB8FF

RGB 253 184 255

HSL 298.31, 1%, 0.86%

LAB 83.12, 36.24, -25.22

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 8 / 43 / 0 / 23

HEX #B470C4

RGB 180 112 196

HSL 288.57, 0.42%, 0.6%

LAB 57.34, 40.8, -33.1

 

CMYK 8 / 47 / 0 / 31

HEX #A35EB1

RGB 163 94 177

HSL 289.88, 0.35%, 0.53%

LAB 50.65, 41.58, -32.76

 

CMYK 8 / 52 / 0 / 38

HEX #924C9E

RGB 146 76 158

HSL 291.22, 0.35%, 0.46%

LAB 43.87, 42.33, -32.35

 

CMYK 7 / 58 / 0 / 45

HEX #813A8B

RGB 129 58 139

HSL 292.59, 0.41%, 0.39%

LAB 37.04, 42.95, -31.79

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 40 / 2 / 16

HEX #D782D2

RGB 215 130 210

HSL 303.53, 0.52%, 0.68%

LAB 65.8, 44.59, -27.57

 

CMYK 0 / 40 / 13 / 16

HEX #D782BC

RGB 215 130 188

HSL 319.06, 0.52%, 0.68%

LAB 65, 40.82, -16.45

 

CMYK 0 / 40 / 23 / 16

HEX #D782A5

RGB 215 130 165

HSL 335.29, 0.52%, 0.68%

LAB 64.27, 37.27, -4.54

 

CMYK 0 / 40 / 34 / 16

HEX #D7828E

RGB 215 130 142

HSL 351.53, 0.52%, 0.68%

LAB 63.64, 34.16, 7.63

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 19 / 40 / 0 / 16

HEX #AE82D7

RGB 174 130 215

HSL 271.06, 0.52%, 0.68%

LAB 61.54, 33.15, -37.32

 

CMYK 29 / 40 / 0 / 16

HEX #9882D7

RGB 152 130 215

HSL 255.53, 0.52%, 0.68%

LAB 59.48, 26.79, -40.7

 

CMYK 40 / 40 / 0 / 16

HEX #8282D7

RGB 130 130 215

HSL 240, 0.52%, 0.68%

LAB 57.67, 20.8, -43.67

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 10 / 49 / 0 / 10

HEX #CD75E5

RGB 205 117 229

HSL 287.14, 0.68%, 0.68%

LAB 62.81, 51.96, -42.9

 

CMYK 12 / 57 / 0 / 5

HEX #D568F2

RGB 213 104 242

HSL 287.39, 0.84%, 0.68%

LAB 62.05, 62.91, -51.26

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 6 / 29 / 0 / 21

HEX #BE90CA

RGB 190 144 202

HSL 287.59, 0.35%, 0.68%

LAB 65.87, 27.55, -23.23

 

CMYK 4 / 17 / 0 / 26

HEX #B69DBD

RGB 182 157 189

HSL 286.88, 0.2%, 0.68%

LAB 67.82, 15.05, -13.09

 

CMYK 1 / 3 / 0 / 31

HEX #AFAAB0

RGB 175 170 176

HSL 290, 0.04%, 0.68%

LAB 70.17, 2.91, -2.45

 

CMYK 9 / 0 / 11 / 28

HEX #A7B7A3

RGB 167 183 163

HSL 108, 0.12%, 0.68%

LAB 72.71, -9.31, 8.29

 

CMYK 29 / 40 / 0 / 16

HEX #9882D7

RGB 152 130 215

HSL 255.53, 0.52%, 0.68%

LAB 59.48, 26.79, -40.7

 

CMYK 19 / 40 / 0 / 16

HEX #AE82D7

RGB 174 130 215

HSL 271.06, 0.52%, 0.68%

LAB 61.54, 33.15, -37.32

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 40 / 2 / 16

HEX #D782D3

RGB 215 130 211

HSL 302.82, 0.52%, 0.68%

LAB 65.84, 44.77, -28.07

 

CMYK 0 / 40 / 13 / 16

HEX #D782BC

RGB 215 130 188

HSL 319.06, 0.52%, 0.68%

LAB 65, 40.82, -16.45

 

CMYK 14 / 65 / 0 / 23

HEX #A844C4

RGB 168 68 196

HSL 286.88, 0.52%, 0.52%

LAB 47.55, 59.47, -48.65

 

CMYK 11 / 52 / 0 / 20

HEX #B763CD

RGB 183 99 205

HSL 287.55, 0.51%, 0.6%

LAB 55.48, 50.31, -41.12

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 6 / 28 / 0 / 12

HEX #D4A2E1

RGB 212 162 225

HSL 287.62, 0.51%, 0.76%

LAB 73.07, 29.32, -24.73

 

CMYK 4 / 18 / 0 / 8

HEX #E2C1EB

RGB 226 193 235

HSL 287.14, 0.51%, 0.84%

LAB 82, 19.05, -16.46

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 40 / 39 / 16

HEX #D78284

RGB 215 130 132

HSL 358.59, 0.52%, 0.68%

LAB 63.41, 32.96, 12.98

 

CMYK 40 / 0 / 24 / 16

HEX #82D7A3

RGB 130 215 163

HSL 143.29, 0.52%, 0.68%

LAB 79.61, -37.05, 17.72

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 8 / 40 / 16

HEX #D7C582

RGB 215 197 130

HSL 47.29, 0.52%, 0.68%

LAB 79.61, -3.12, 35.89

 

CMYK 40 / 0 / 8 / 16

HEX #82D7C5

RGB 130 215 197

HSL 167.29, 0.52%, 0.68%

LAB 80.39, -29.91, 0.78

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 40 / 39 / 16

HEX #D78284

RGB 215 130 132

HSL 358.59, 0.52%, 0.68%

LAB 63.41, 32.96, 12.98

 

CMYK 31 / 0 / 40 / 16

HEX #95D782

RGB 149 215 130

HSL 106.59, 0.52%, 0.68%

LAB 79.96, -36.66, 35.45

 

CMYK 40 / 0 / 0 / 16

HEX #82D7D6

RGB 130 215 214

HSL 179.29, 0.52%, 0.68%

LAB 80.85, -25.91, -7.62

 

CMYK 8 / 40 / 0 / 16

HEX #C582D7

RGB 197 130 215

HSL 287.29, 0.52%, 0.68%

LAB 63.95, 40.03, -33.38

 

CMYK 0 / 28 / 40 / 16

HEX #D79B82

RGB 215 155 130

HSL 17.65, 0.52%, 0.68%

LAB 69.11, 19.26, 21.98

 

CMYK 31 / 0 / 40 / 16

HEX #95D782

RGB 149 215 130

HSL 106.59, 0.52%, 0.68%

LAB 79.96, -36.66, 35.45

 

CMYK 40 / 11 / 0 / 16

HEX #82BFD7

RGB 130 191 215

HSL 196.94, 0.52%, 0.68%

LAB 74.13, -13.5, -18.22

 

Description

Color code: HEX #C582D7 | qconv.com Color code: HEX #C582D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 130 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 130 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 40 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 40% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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