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Color name
HEX #C58A15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58A15 it is the complementary color #3A75EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58A15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58A15 shade: #CA8A10, #DB9C23, #ECAE36, #FDC049 and #FFD25C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58A15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58A15 shade: #C58A15, #B47802, #A36600, #925400 and #814200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58A15 shade: #C68A14, #C65B14, #C62B14 and #C61414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58A15 shade: #C68A14, #C6BA14, #A2C614, #72C614 and #42C614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58A15 shade matches the following richer shades: #C68A14 and #D89003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58A15 shade: #C68A14, #B48526, #A27F38, #91794A and #7F735B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58A15 shade: #C62914, #C65814, #C68814, #C6B714 and #A5C614

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58A15 shade: #7B560C, #A17010, #C68A14, #E7A31D and #EBB242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58A15 shade: #C58A15, #2FC614 and #4114C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58A15 shade: #C58A15, #14C688 and #8814C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58A15 shade: #C58A15, #2FC614, #1453C6 and #AB14C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58A15 shade: #C58A15, #14C62F, #1453C6 and #C614AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

Complementary color

CMYK 75 / 50 / 0 / 8

HEX #3A75EA

RGB 58 117 234

HSL 219.89, 0.81%, 0.57%

LAB 51.34, 21.13, -64.68

 

CMYK 0 / 32 / 92 / 21

HEX #CA8A10

RGB 202 138 16

HSL 39.35, 0.85%, 0.43%

LAB 62.31, 15.77, 65.06

 

CMYK 0 / 29 / 84 / 14

HEX #DB9C23

RGB 219 156 35

HSL 39.46, 0.72%, 0.5%

LAB 68.72, 13.85, 66.23

 

CMYK 0 / 26 / 77 / 7

HEX #ECAE36

RGB 236 174 54

HSL 39.56, 0.83%, 0.57%

LAB 75.06, 12.19, 66.25

 

CMYK 0 / 24 / 71 / 1

HEX #FDC049

RGB 253 192 73

HSL 39.67, 0.98%, 0.64%

LAB 81.33, 10.74, 65.64

 

CMYK 0 / 18 / 64 / 0

HEX #FFD25C

RGB 255 210 92

HSL 43.44, 1%, 0.68%

LAB 86.07, 3.3, 62.7

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 0 / 33 / 99 / 29

HEX #B47802

RGB 180 120 2

HSL 39.78, 0.98%, 0.36%

LAB 55.22, 15.72, 61.21

 

CMYK 0 / 37 / 100 / 36

HEX #A36600

RGB 163 102 0

HSL 37.55, 1%, 0.32%

LAB 48.62, 18.13, 56.21

 

CMYK 0 / 42 / 100 / 43

HEX #925400

RGB 146 84 0

HSL 34.52, 1%, 0.29%

LAB 41.93, 20.67, 50.77

 

CMYK 0 / 49 / 100 / 49

HEX #814200

RGB 129 66 0

HSL 30.7, 1%, 0.25%

LAB 35.13, 23.28, 45.28

 

CMYK 0 / 30 / 90 / 22

HEX #C68A14

RGB 198 138 20

HSL 39.78, 0.82%, 0.43%

LAB 61.85, 14.07, 63.66

 

CMYK 0 / 54 / 90 / 22

HEX #C65B14

RGB 198 91 20

HSL 23.93, 0.82%, 0.43%

LAB 51.31, 39.18, 55.64

 

CMYK 0 / 78 / 90 / 22

HEX #C62B14

RGB 198 43 20

HSL 7.75, 0.82%, 0.43%

LAB 43.92, 58.97, 50.17

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 30 / 90 / 22

HEX #C68A14

RGB 198 138 20

HSL 39.78, 0.82%, 0.43%

LAB 61.85, 14.07, 63.66

 

CMYK 0 / 6 / 90 / 22

HEX #C6BA14

RGB 198 186 20

HSL 55.96, 0.82%, 0.43%

LAB 74.3, -11.52, 73.32

 

CMYK 18 / 0 / 90 / 22

HEX #A2C614

RGB 162 198 20

HSL 72.13, 0.82%, 0.43%

LAB 74.9, -32.68, 72.63

 

CMYK 42 / 0 / 90 / 22

HEX #72C614

RGB 114 198 20

HSL 88.31, 0.82%, 0.43%

LAB 72.24, -50.61, 69.35

 

CMYK 67 / 0 / 90 / 22

HEX #42C614

RGB 66 198 20

HSL 104.49, 0.82%, 0.43%

LAB 70.59, -63.63, 67.31

 

CMYK 0 / 30 / 90 / 22

HEX #C68A14

RGB 198 138 20

HSL 39.78, 0.82%, 0.43%

LAB 61.85, 14.07, 63.66

 

CMYK 0 / 33 / 99 / 15

HEX #D89003

RGB 216 144 3

HSL 39.72, 0.97%, 0.43%

LAB 65.4, 18.48, 70

 

CMYK 0 / 30 / 90 / 22

HEX #C68A14

RGB 198 138 20

HSL 39.78, 0.82%, 0.43%

LAB 61.85, 14.07, 63.66

 

CMYK 0 / 26 / 79 / 29

HEX #B48526

RGB 180 133 38

HSL 40.14, 0.65%, 0.43%

LAB 58.62, 9.3, 54.64

 

CMYK 0 / 22 / 65 / 36

HEX #A27F38

RGB 162 127 56

HSL 40.19, 0.49%, 0.43%

LAB 55.22, 5.5, 42.73

 

CMYK 0 / 17 / 49 / 43

HEX #91794A

RGB 145 121 74

HSL 39.72, 0.32%, 0.43%

LAB 52.05, 2.83, 29.14

 

CMYK 0 / 9 / 28 / 50

HEX #7F735B

RGB 127 115 91

HSL 40, 0.17%, 0.43%

LAB 48.92, 0.62, 14.99

 

CMYK 0 / 79 / 90 / 22

HEX #C62914

RGB 198 41 20

HSL 7.08, 0.82%, 0.43%

LAB 43.72, 59.55, 50.02

 

CMYK 0 / 56 / 90 / 22

HEX #C65814

RGB 198 88 20

HSL 22.92, 0.82%, 0.43%

LAB 50.73, 40.67, 55.2

 

CMYK 0 / 31 / 90 / 22

HEX #C68814

RGB 198 136 20

HSL 39.1, 0.82%, 0.43%

LAB 61.36, 15.16, 63.28

 

CMYK 0 / 8 / 90 / 22

HEX #C6B714

RGB 198 183 20

HSL 54.94, 0.82%, 0.43%

LAB 73.5, -9.98, 72.69

 

CMYK 17 / 0 / 90 / 22

HEX #A5C614

RGB 165 198 20

HSL 71.12, 0.82%, 0.43%

LAB 75.1, -31.46, 72.88

 

CMYK 0 / 30 / 90 / 52

HEX #7B560C

RGB 123 86 12

HSL 40, 0.82%, 0.26%

LAB 39.4, 8.95, 44.18

 

CMYK 0 / 30 / 90 / 37

HEX #A17010

RGB 161 112 16

HSL 39.72, 0.82%, 0.35%

LAB 50.92, 11.81, 54.24

 

CMYK 0 / 30 / 90 / 22

HEX #C68A14

RGB 198 138 20

HSL 39.78, 0.82%, 0.43%

LAB 61.85, 14.07, 63.66

 

CMYK 0 / 29 / 87 / 9

HEX #E7A31D

RGB 231 163 29

HSL 39.8, 0.81%, 0.51%

LAB 71.74, 15.15, 70.87

 

CMYK 0 / 24 / 72 / 8

HEX #EBB242

RGB 235 178 66

HSL 39.76, 0.81%, 0.59%

LAB 76.01, 10.16, 62.51

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 76 / 0 / 90 / 22

HEX #2FC614

RGB 47 198 20

HSL 110.9, 0.82%, 0.43%

LAB 70.21, -66.96, 66.83

 

CMYK 67 / 90 / 0 / 22

HEX #4114C6

RGB 65 20 198

HSL 255.17, 0.82%, 0.43%

LAB 28.65, 62.66, -81.2

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 90 / 0 / 31 / 22

HEX #14C688

RGB 20 198 136

HSL 159.1, 0.82%, 0.43%

LAB 71.09, -55.33, 19.8

 

CMYK 31 / 90 / 0 / 22

HEX #8814C6

RGB 136 20 198

HSL 279.1, 0.82%, 0.43%

LAB 37.5, 69.71, -66.29

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 76 / 0 / 90 / 22

HEX #2FC614

RGB 47 198 20

HSL 110.9, 0.82%, 0.43%

LAB 70.21, -66.96, 66.83

 

CMYK 90 / 58 / 0 / 22

HEX #1453C6

RGB 20 83 198

HSL 218.76, 0.82%, 0.43%

LAB 38.57, 26.13, -64.92

 

CMYK 14 / 90 / 0 / 22

HEX #AB14C6

RGB 171 20 198

HSL 290.9, 0.82%, 0.43%

LAB 43.12, 74.84, -56.92

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 90 / 0 / 76 / 22

HEX #14C62F

RGB 20 198 47

HSL 129.1, 0.82%, 0.43%

LAB 69.99, -68.42, 59.73

 

CMYK 90 / 58 / 0 / 22

HEX #1453C6

RGB 20 83 198

HSL 218.76, 0.82%, 0.43%

LAB 38.57, 26.13, -64.92

 

CMYK 0 / 90 / 14 / 22

HEX #C614AB

RGB 198 20 171

HSL 309.1, 0.82%, 0.43%

LAB 46.24, 75.49, -35.79

 

Description

Color code: HEX #C58A15 | qconv.com Color code: HEX #C58A15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 138 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 138 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 89% 23% C M Y K

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Provide designers and agencies with accurate color values.

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