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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58A58 it is the complementary color #3A75A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58A58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58A58 shade: #CA8A53, #DB9C66, #ECAE79, #FDC08C and #FFD29F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58A58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58A58 shade: #C58A58, #B47845, #A36632, #92541F and #81420C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58A58 shade: #C48A58, #C46D58 and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58A58 shade: #C48A58, #C4A758, #C4C458, #A7C458 and #8AC458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58A58 shade matches the following richer shades: #C48A58, #D68846, #E88734 and #FB8522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58A58 shade: #C48A58, #B28B6B, #A08D7D, #8E8E8F and #7C90A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58A58 shade: #C45861, #C46C58, #C48958, #C4A658 and #C4C258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58A58 shade: #966134, #B4753F, #C48A58, #CF9F77 and #DAB596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58A58 shade: #C58A58, #7EC458 and #5E58C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58A58 shade: #C58A58, #58C489 and #8958C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58A58 shade: #C58A58, #7EC458, #5894C4 and #9E58C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58A58 shade: #C58A58, #5EC458, #5894C4 and #BF58C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

Complementary color

CMYK 65 / 30 / 0 / 35

HEX #3A75A7

RGB 58 117 167

HSL 207.52, 0.48%, 0.44%

LAB 47.51, -3.06, -32.45

 

CMYK 0 / 32 / 59 / 21

HEX #CA8A53

RGB 202 138 83

HSL 27.73, 0.53%, 0.56%

LAB 62.81, 18.71, 38.96

 

CMYK 0 / 29 / 53 / 14

HEX #DB9C66

RGB 219 156 102

HSL 27.69, 0.62%, 0.63%

LAB 69.32, 17.54, 37.43

 

CMYK 0 / 26 / 49 / 7

HEX #ECAE79

RGB 236 174 121

HSL 27.65, 0.75%, 0.7%

LAB 75.75, 16.52, 35.99

 

CMYK 0 / 24 / 45 / 1

HEX #FDC08C

RGB 253 192 140

HSL 27.61, 0.97%, 0.77%

LAB 82.1, 15.63, 34.64

 

CMYK 0 / 18 / 38 / 0

HEX #FFD29F

RGB 255 210 159

HSL 31.88, 1%, 0.81%

LAB 86.93, 9.05, 31.22

 

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

CMYK 0 / 33 / 62 / 29

HEX #B47845

RGB 180 120 69

HSL 27.57, 0.45%, 0.49%

LAB 55.65, 18.27, 37.14

 

CMYK 0 / 37 / 69 / 36

HEX #A36632

RGB 163 102 50

HSL 27.61, 0.53%, 0.42%

LAB 48.91, 19.74, 38.78

 

CMYK 0 / 42 / 79 / 43

HEX #92541F

RGB 146 84 31

HSL 27.65, 0.65%, 0.35%

LAB 42.08, 21.49, 40.31

 

CMYK 0 / 49 / 91 / 49

HEX #81420C

RGB 129 66 12

HSL 27.69, 0.83%, 0.28%

LAB 35.18, 23.55, 41.14

 

CMYK 0 / 30 / 55 / 23

HEX #C48A58

RGB 196 138 88

HSL 27.78, 0.48%, 0.56%

LAB 62.18, 16.59, 35.39

 

CMYK 0 / 44 / 55 / 23

HEX #C46D58

RGB 196 109 88

HSL 11.67, 0.48%, 0.56%

LAB 55.46, 32.4, 26.88

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 30 / 55 / 23

HEX #C48A58

RGB 196 138 88

HSL 27.78, 0.48%, 0.56%

LAB 62.18, 16.59, 35.39

 

CMYK 0 / 15 / 55 / 23

HEX #C4A758

RGB 196 167 88

HSL 43.89, 0.48%, 0.56%

LAB 69.52, 0.81, 44.28

 

CMYK 0 / 0 / 55 / 23

HEX #C4C458

RGB 196 196 88

HSL 60, 0.48%, 0.56%

LAB 77.23, -14.3, 53.22

 

CMYK 15 / 0 / 55 / 23

HEX #A7C458

RGB 167 196 88

HSL 76.11, 0.48%, 0.56%

LAB 75.08, -26.05, 50.18

 

CMYK 30 / 0 / 55 / 23

HEX #8AC458

RGB 138 196 88

HSL 92.22, 0.48%, 0.56%

LAB 73.28, -37.04, 47.63

 

CMYK 0 / 30 / 55 / 23

HEX #C48A58

RGB 196 138 88

HSL 27.78, 0.48%, 0.56%

LAB 62.18, 16.59, 35.39

 

CMYK 0 / 36 / 67 / 16

HEX #D68846

RGB 214 136 70

HSL 27.5, 0.64%, 0.56%

LAB 63.63, 23.95, 46.89

 

CMYK 0 / 42 / 78 / 9

HEX #E88734

RGB 232 135 52

HSL 27.67, 0.8%, 0.56%

LAB 65.54, 31.07, 57.84

 

CMYK 0 / 47 / 86 / 2

HEX #FB8522

RGB 251 133 34

HSL 27.37, 0.96%, 0.56%

LAB 67.58, 39.2, 67.24

 

CMYK 0 / 30 / 55 / 23

HEX #C48A58

RGB 196 138 88

HSL 27.78, 0.48%, 0.56%

LAB 62.18, 16.59, 35.39

 

CMYK 0 / 22 / 40 / 30

HEX #B28B6B

RGB 178 139 107

HSL 27.04, 0.32%, 0.56%

LAB 60.77, 10.44, 22.78

 

CMYK 0 / 12 / 22 / 37

HEX #A08D7D

RGB 160 141 125

HSL 27.43, 0.16%, 0.56%

LAB 59.89, 4.47, 11.14

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 23 / 11 / 0 / 37

HEX #7C90A1

RGB 124 144 161

HSL 207.57, 0.16%, 0.56%

LAB 58.79, -3.23, -11.35

 

CMYK 0 / 55 / 51 / 23

HEX #C45861

RGB 196 88 97

HSL 355, 0.48%, 0.56%

LAB 51.36, 43.99, 16.18

 

CMYK 0 / 45 / 55 / 23

HEX #C46C58

RGB 196 108 88

HSL 11.11, 0.48%, 0.56%

LAB 55.24, 32.93, 26.6

 

CMYK 0 / 30 / 55 / 23

HEX #C48958

RGB 196 137 88

HSL 27.22, 0.48%, 0.56%

LAB 61.94, 17.14, 35.09

 

CMYK 0 / 15 / 55 / 23

HEX #C4A658

RGB 196 166 88

HSL 43.33, 0.48%, 0.56%

LAB 69.26, 1.35, 43.98

 

CMYK 0 / 1 / 55 / 23

HEX #C4C258

RGB 196 194 88

HSL 58.89, 0.48%, 0.56%

LAB 76.69, -13.28, 52.61

 

CMYK 0 / 35 / 65 / 41

HEX #966134

RGB 150 97 52

HSL 27.55, 0.49%, 0.4%

LAB 46.02, 16.98, 34.01

 

CMYK 0 / 35 / 65 / 29

HEX #B4753F

RGB 180 117 63

HSL 27.69, 0.48%, 0.48%

LAB 54.85, 19.52, 39.36

 

CMYK 0 / 30 / 55 / 23

HEX #C48A58

RGB 196 138 88

HSL 27.78, 0.48%, 0.56%

LAB 62.18, 16.59, 35.39

 

CMYK 0 / 23 / 43 / 19

HEX #CF9F77

RGB 207 159 119

HSL 27.27, 0.48%, 0.64%

LAB 69.04, 12.67, 27.72

 

CMYK 0 / 17 / 31 / 15

HEX #DAB596

RGB 218 181 150

HSL 27.35, 0.48%, 0.72%

LAB 76.16, 8.89, 20.8

 

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

CMYK 36 / 0 / 55 / 23

HEX #7EC458

RGB 126 196 88

HSL 98.89, 0.48%, 0.56%

LAB 72.64, -41.24, 46.72

 

CMYK 52 / 55 / 0 / 23

HEX #5E58C4

RGB 94 88 196

HSL 243.33, 0.48%, 0.56%

LAB 43.28, 31.99, -55.96

 

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

CMYK 55 / 0 / 30 / 23

HEX #58C489

RGB 88 196 137

HSL 147.22, 0.48%, 0.56%

LAB 71.8, -44.65, 20.45

 

CMYK 30 / 55 / 0 / 23

HEX #8958C4

RGB 137 88 196

HSL 267.22, 0.48%, 0.56%

LAB 47.34, 41.98, -49.21

 

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

CMYK 36 / 0 / 55 / 23

HEX #7EC458

RGB 126 196 88

HSL 98.89, 0.48%, 0.56%

LAB 72.64, -41.24, 46.72

 

CMYK 55 / 24 / 0 / 23

HEX #5894C4

RGB 88 148 196

HSL 206.67, 0.48%, 0.56%

LAB 59.2, -5.57, -30.77

 

CMYK 19 / 55 / 0 / 23

HEX #9E58C4

RGB 158 88 196

HSL 278.89, 0.48%, 0.56%

LAB 49.78, 47.39, -45.18

 

CMYK 0 / 30 / 55 / 23

HEX #C58A58

RGB 197 138 88

HSL 27.52, 0.48%, 0.56%

LAB 62.3, 17.01, 35.56

 

CMYK 52 / 0 / 55 / 23

HEX #5EC458

RGB 94 196 88

HSL 116.67, 0.48%, 0.56%

LAB 71.26, -51.05, 44.75

 

CMYK 55 / 24 / 0 / 23

HEX #5894C4

RGB 88 148 196

HSL 206.67, 0.48%, 0.56%

LAB 59.2, -5.57, -30.77

 

CMYK 3 / 55 / 0 / 23

HEX #BF58C4

RGB 191 88 196

HSL 297.22, 0.48%, 0.56%

LAB 54.07, 56.15, -38.12

 

Description

Color code: HEX #C58A58 | qconv.com Color code: HEX #C58A58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 138 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 138 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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