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Color name
HEX #C58E10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58E10 it is the complementary color #3A71EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58E10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58E10 shade: #CA8E0B, #DBA01E, #ECB231, #FDC444 and #FFD657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58E10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58E10 shade: #C58E10, #B47C00, #A36A00, #925800 and #814600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58E10 shade: #C68E10, #C65D10, #C62C10 and #C61010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58E10 shade: #C68E10, #C6BF10, #9BC610, #6AC610 and #39C610

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58E10 shade matches the following richer shades: #C68E10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58E10 shade: #C68E10, #B48821, #A38132, #927A44 and #807355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58E10 shade: #C62B10, #C65B10, #C68C10, #C6BD10 and #9EC610

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58E10 shade: #795709, #9F730C, #C68E10, #EBAA13 and #EFB739

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58E10 shade: #C58E10, #25C610 and #4310C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58E10 shade: #C58E10, #10C68C and #8C10C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58E10 shade: #C58E10, #25C610, #1049C6 and #B010C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58E10 shade: #C58E10, #10C631, #1049C6 and #C610A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

Complementary color

CMYK 76 / 53 / 0 / 6

HEX #3A71EF

RGB 58 113 239

HSL 221.77, 0.85%, 0.58%

LAB 50.62, 25.46, -68.64

 

CMYK 0 / 30 / 95 / 21

HEX #CA8E0B

RGB 202 142 11

HSL 41.15, 0.9%, 0.42%

LAB 63.28, 13.52, 66.62

 

CMYK 0 / 27 / 86 / 14

HEX #DBA01E

RGB 219 160 30

HSL 41.27, 0.76%, 0.49%

LAB 69.68, 11.59, 68.41

 

CMYK 0 / 25 / 79 / 7

HEX #ECB231

RGB 236 178 49

HSL 41.39, 0.83%, 0.56%

LAB 76.01, 9.9, 68.86

 

CMYK 0 / 23 / 73 / 1

HEX #FDC444

RGB 253 196 68

HSL 41.51, 0.98%, 0.63%

LAB 82.26, 8.44, 68.54

 

CMYK 0 / 16 / 66 / 0

HEX #FFD657

RGB 255 214 87

HSL 45.36, 1%, 0.67%

LAB 87.02, 0.96, 65.84

 

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

CMYK 0 / 31 / 100 / 29

HEX #B47C00

RGB 180 124 0

HSL 41.33, 1%, 0.35%

LAB 56.21, 13.47, 62.24

 

CMYK 0 / 35 / 100 / 36

HEX #A36A00

RGB 163 106 0

HSL 39.02, 1%, 0.32%

LAB 49.61, 15.87, 56.85

 

CMYK 0 / 40 / 100 / 43

HEX #925800

RGB 146 88 0

HSL 36.16, 1%, 0.29%

LAB 42.9, 18.37, 51.39

 

CMYK 0 / 46 / 100 / 49

HEX #814600

RGB 129 70 0

HSL 32.56, 1%, 0.25%

LAB 36.08, 20.98, 45.86

 

CMYK 0 / 28 / 92 / 22

HEX #C68E10

RGB 198 142 16

HSL 41.54, 0.85%, 0.42%

LAB 62.83, 11.81, 65.24

 

CMYK 0 / 53 / 92 / 22

HEX #C65D10

RGB 198 93 16

HSL 25.38, 0.85%, 0.42%

LAB 51.69, 38.11, 57.07

 

CMYK 0 / 78 / 92 / 22

HEX #C62C10

RGB 198 44 16

HSL 9.23, 0.85%, 0.42%

LAB 44.01, 58.61, 51.75

 

CMYK 0 / 92 / 92 / 22

HEX #C61010

RGB 198 16 16

HSL 0, 0.85%, 0.42%

LAB 41.87, 64.7, 50.34

 

CMYK 0 / 28 / 92 / 22

HEX #C68E10

RGB 198 142 16

HSL 41.54, 0.85%, 0.42%

LAB 62.83, 11.81, 65.24

 

CMYK 0 / 4 / 92 / 22

HEX #C6BF10

RGB 198 191 16

HSL 57.69, 0.85%, 0.42%

LAB 75.64, -14.12, 74.96

 

CMYK 22 / 0 / 92 / 22

HEX #9BC610

RGB 155 198 16

HSL 74.18, 0.85%, 0.42%

LAB 74.44, -35.58, 72.67

 

CMYK 46 / 0 / 92 / 22

HEX #6AC610

RGB 106 198 16

HSL 90.33, 0.85%, 0.42%

LAB 71.89, -53.28, 69.54

 

CMYK 71 / 0 / 92 / 22

HEX #39C610

RGB 57 198 16

HSL 106.48, 0.85%, 0.42%

LAB 70.38, -65.46, 67.68

 

CMYK 0 / 28 / 92 / 22

HEX #C68E10

RGB 198 142 16

HSL 41.54, 0.85%, 0.42%

LAB 62.83, 11.81, 65.24

 

CMYK 0 / 28 / 92 / 22

HEX #C68E10

RGB 198 142 16

HSL 41.54, 0.85%, 0.42%

LAB 62.83, 11.81, 65.24

 

CMYK 0 / 24 / 82 / 29

HEX #B48821

RGB 180 136 33

HSL 42.04, 0.69%, 0.42%

LAB 59.36, 7.46, 57.09

 

CMYK 0 / 21 / 69 / 36

HEX #A38132

RGB 163 129 50

HSL 41.95, 0.53%, 0.42%

LAB 55.8, 4.46, 46.22

 

CMYK 0 / 16 / 53 / 43

HEX #927A44

RGB 146 122 68

HSL 41.54, 0.36%, 0.42%

LAB 52.34, 2.12, 32.79

 

CMYK 0 / 10 / 34 / 50

HEX #807355

RGB 128 115 85

HSL 41.86, 0.2%, 0.42%

LAB 48.89, 0.19, 18.47

 

CMYK 0 / 78 / 92 / 22

HEX #C62B10

RGB 198 43 16

HSL 8.9, 0.85%, 0.42%

LAB 43.9, 58.91, 51.68

 

CMYK 0 / 54 / 92 / 22

HEX #C65B10

RGB 198 91 16

HSL 24.73, 0.85%, 0.42%

LAB 51.3, 39.11, 56.79

 

CMYK 0 / 29 / 92 / 22

HEX #C68C10

RGB 198 140 16

HSL 40.88, 0.85%, 0.42%

LAB 62.34, 12.91, 64.87

 

CMYK 0 / 5 / 92 / 22

HEX #C6BD10

RGB 198 189 16

HSL 57.03, 0.85%, 0.42%

LAB 75.1, -13.11, 74.55

 

CMYK 20 / 0 / 92 / 22

HEX #9EC610

RGB 158 198 16

HSL 73.19, 0.85%, 0.42%

LAB 74.63, -34.37, 72.9

 

CMYK 0 / 28 / 93 / 53

HEX #795709

RGB 121 87 9

HSL 41.79, 0.86%, 0.25%

LAB 39.41, 7.32, 44.93

 

CMYK 0 / 28 / 92 / 38

HEX #9F730C

RGB 159 115 12

HSL 42.04, 0.86%, 0.34%

LAB 51.45, 9.1, 55.47

 

CMYK 0 / 28 / 92 / 22

HEX #C68E10

RGB 198 142 16

HSL 41.54, 0.85%, 0.42%

LAB 62.83, 11.81, 65.24

 

CMYK 0 / 28 / 92 / 8

HEX #EBAA13

RGB 235 170 19

HSL 41.94, 0.85%, 0.5%

LAB 73.84, 12.99, 74.73

 

CMYK 0 / 23 / 76 / 6

HEX #EFB739

RGB 239 183 57

HSL 41.54, 0.85%, 0.58%

LAB 77.59, 8.85, 67.65

 

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

CMYK 81 / 0 / 92 / 22

HEX #25C610

RGB 37 198 16

HSL 113.08, 0.85%, 0.42%

LAB 70.05, -68.39, 67.26

 

CMYK 66 / 92 / 0 / 22

HEX #4310C6

RGB 67 16 198

HSL 256.81, 0.85%, 0.42%

LAB 28.49, 63.81, -81.46

 

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

CMYK 92 / 0 / 29 / 22

HEX #10C68C

RGB 16 198 140

HSL 160.88, 0.85%, 0.42%

LAB 71.14, -54.64, 17.73

 

CMYK 29 / 92 / 0 / 22

HEX #8C10C6

RGB 140 16 198

HSL 280.88, 0.85%, 0.42%

LAB 37.88, 70.94, -65.64

 

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

CMYK 81 / 0 / 92 / 22

HEX #25C610

RGB 37 198 16

HSL 113.08, 0.85%, 0.42%

LAB 70.05, -68.39, 67.26

 

CMYK 92 / 63 / 0 / 22

HEX #1049C6

RGB 16 73 198

HSL 221.21, 0.85%, 0.42%

LAB 35.89, 32.54, -69.31

 

CMYK 11 / 92 / 0 / 22

HEX #B010C6

RGB 176 16 198

HSL 292.75, 0.85%, 0.42%

LAB 43.77, 76.19, -55.82

 

CMYK 0 / 28 / 92 / 23

HEX #C58E10

RGB 197 142 16

HSL 41.77, 0.85%, 0.42%

LAB 62.72, 11.37, 65.1

 

CMYK 92 / 0 / 75 / 22

HEX #10C631

RGB 16 198 49

HSL 130.88, 0.85%, 0.42%

LAB 69.98, -68.51, 59.04

 

CMYK 92 / 63 / 0 / 22

HEX #1049C6

RGB 16 73 198

HSL 221.21, 0.85%, 0.42%

LAB 35.89, 32.54, -69.31

 

CMYK 0 / 92 / 17 / 22

HEX #C610A4

RGB 198 16 164

HSL 311.21, 0.85%, 0.42%

LAB 45.71, 75.09, -32.46

 

Description

Color code: HEX #C58E10 | qconv.com Color code: HEX #C58E10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 142 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 142 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 92 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 92% 23% C M Y K

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Provide designers and agencies with accurate color values.

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