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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59597 it is the complementary color #3A6A68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59597 shade: #CA9592, #DBA7A5, #ECB9B8, #FDCBCB and #FFDDDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59597 shade: #C59597, #B48384, #A37171, #925F5E and #814D4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59597 shade: #C59597 and #C59595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59597 shade: #C59597, #C595A4, #C595B1, #C595BD and #BF95C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59597 shade matches the following richer shades: #C59597, #D2888B, #DF7B7F, #EC6E73 and #F96067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59597 shade: #C59597, #B7A2A3, #AAB0AF, #9DBDBC and #90CAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59597 shade: #C595B1, #C595A4, #C59598, #C59F95 and #C5AC95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59597 shade: #A76063, #B67B7D, #C59597, #D3B0B1 and #E2CACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59597 shade: #C59597, #BDC595 and #95ABC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59597 shade: #C59597, #98C595 and #9598C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59597 shade: #C59597, #BDC595, #95C5C2 and #9C95C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59597 shade: #C59597, #AFC595, #95C5C2 and #AB95C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

Complementary color

CMYK 45 / 0 / 2 / 58

HEX #3A6A68

RGB 58 106 104

HSL 177.5, 0.29%, 0.32%

LAB 41.54, -16.83, -3.98

 

CMYK 0 / 26 / 28 / 21

HEX #CA9592

RGB 202 149 146

HSL 3.21, 0.35%, 0.68%

LAB 66.62, 19.5, 9.41

 

CMYK 0 / 24 / 25 / 14

HEX #DBA7A5

RGB 219 167 165

HSL 2.22, 0.43%, 0.75%

LAB 73.16, 18.83, 8.45

 

CMYK 0 / 22 / 22 / 7

HEX #ECB9B8

RGB 236 185 184

HSL 1.15, 0.58%, 0.82%

LAB 79.61, 18.22, 7.55

 

CMYK 0 / 20 / 20 / 1

HEX #FDCBCB

RGB 253 203 203

HSL 0, 0.93%, 0.89%

LAB 85.96, 17.67, 6.72

 

CMYK 0 / 13 / 13 / 0

HEX #FFDDDE

RGB 255 221 222

HSL 358.24, 1%, 0.93%

LAB 90.89, 11.89, 3.84

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 27 / 27 / 29

HEX #B48384

RGB 180 131 132

HSL 358.78, 0.25%, 0.61%

LAB 59.53, 19.01, 6.91

 

CMYK 0 / 31 / 31 / 36

HEX #A37171

RGB 163 113 113

HSL 0, 0.21%, 0.54%

LAB 52.72, 19.79, 7.96

 

CMYK 0 / 35 / 36 / 43

HEX #925F5E

RGB 146 95 94

HSL 1.15, 0.22%, 0.47%

LAB 45.78, 20.68, 9.16

 

CMYK 0 / 40 / 42 / 49

HEX #814D4B

RGB 129 77 75

HSL 2.22, 0.26%, 0.4%

LAB 38.7, 21.71, 10.55

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 24 / 24 / 23

HEX #C59595

RGB 197 149 149

HSL 0, 0.29%, 0.68%

LAB 66.16, 18.02, 7.01

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 24 / 17 / 23

HEX #C595A4

RGB 197 149 164

HSL 341.25, 0.29%, 0.68%

LAB 66.55, 20.33, -0.84

 

CMYK 0 / 24 / 10 / 23

HEX #C595B1

RGB 197 149 177

HSL 325, 0.29%, 0.68%

LAB 66.93, 22.5, -7.57

 

CMYK 0 / 24 / 4 / 23

HEX #C595BD

RGB 197 149 189

HSL 310, 0.29%, 0.68%

LAB 67.31, 24.63, -13.72

 

CMYK 3 / 24 / 0 / 23

HEX #BF95C5

RGB 191 149 197

HSL 292.5, 0.29%, 0.68%

LAB 66.98, 24.11, -18.74

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 35 / 34 / 18

HEX #D2888B

RGB 210 136 139

HSL 357.57, 0.45%, 0.68%

LAB 64.3, 28.7, 10.19

 

CMYK 0 / 45 / 43 / 13

HEX #DF7B7F

RGB 223 123 127

HSL 357.6, 0.61%, 0.68%

LAB 62.83, 39.05, 15.18

 

CMYK 0 / 53 / 51 / 7

HEX #EC6E73

RGB 236 110 115

HSL 357.62, 0.77%, 0.68%

LAB 61.85, 49.07, 20.96

 

CMYK 0 / 61 / 59 / 2

HEX #F96067

RGB 249 96 103

HSL 357.25, 0.93%, 0.68%

LAB 61.21, 58.91, 27.32

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 11 / 11 / 28

HEX #B7A2A3

RGB 183 162 163

HSL 357.14, 0.13%, 0.68%

LAB 68.43, 7.83, 2.28

 

CMYK 3 / 0 / 1 / 31

HEX #AAB0AF

RGB 170 176 175

HSL 170, 0.04%, 0.68%

LAB 71.35, -2.29, -0.23

 

CMYK 17 / 0 / 1 / 26

HEX #9DBDBC

RGB 157 189 188

HSL 178.13, 0.2%, 0.68%

LAB 74.31, -10.94, -3.1

 

CMYK 29 / 0 / 1 / 21

HEX #90CAC8

RGB 144 202 200

HSL 177.93, 0.35%, 0.68%

LAB 77.48, -18.97, -5.02

 

CMYK 0 / 24 / 10 / 23

HEX #C595B1

RGB 197 149 177

HSL 325, 0.29%, 0.68%

LAB 66.93, 22.5, -7.57

 

CMYK 0 / 24 / 17 / 23

HEX #C595A4

RGB 197 149 164

HSL 341.25, 0.29%, 0.68%

LAB 66.55, 20.33, -0.84

 

CMYK 0 / 24 / 23 / 23

HEX #C59598

RGB 197 149 152

HSL 356.25, 0.29%, 0.68%

LAB 66.24, 18.47, 5.44

 

CMYK 0 / 19 / 24 / 23

HEX #C59F95

RGB 197 159 149

HSL 12.5, 0.29%, 0.68%

LAB 68.63, 12.53, 10.53

 

CMYK 0 / 13 / 24 / 23

HEX #C5AC95

RGB 197 172 149

HSL 28.75, 0.29%, 0.68%

LAB 71.92, 5.46, 15.16

 

CMYK 0 / 43 / 41 / 35

HEX #A76063

RGB 167 96 99

HSL 357.46, 0.29%, 0.52%

LAB 48.86, 29.14, 10.89

 

CMYK 0 / 32 / 31 / 29

HEX #B67B7D

RGB 182 123 125

HSL 357.97, 0.29%, 0.6%

LAB 57.65, 23.27, 8.29

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 0 / 17 / 16 / 17

HEX #D3B0B1

RGB 211 176 177

HSL 358.29, 0.28%, 0.76%

LAB 74.87, 12.81, 4.23

 

CMYK 0 / 11 / 10 / 11

HEX #E2CACB

RGB 226 202 203

HSL 357.5, 0.29%, 0.84%

LAB 83.3, 8.56, 2.56

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 4 / 0 / 24 / 23

HEX #BDC595

RGB 189 197 149

HSL 70, 0.29%, 0.68%

LAB 77.83, -10.8, 23.22

 

CMYK 24 / 13 / 0 / 23

HEX #95ABC5

RGB 149 171 197

HSL 212.5, 0.29%, 0.68%

LAB 69.15, -1.81, -15.79

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 23 / 0 / 24 / 23

HEX #98C595

RGB 152 197 149

HSL 116.25, 0.29%, 0.68%

LAB 75.31, -24.15, 19.36

 

CMYK 24 / 23 / 0 / 23

HEX #9598C5

RGB 149 152 197

HSL 236.25, 0.29%, 0.68%

LAB 64.06, 8.8, -23.52

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 4 / 0 / 24 / 23

HEX #BDC595

RGB 189 197 149

HSL 70, 0.29%, 0.68%

LAB 77.83, -10.8, 23.22

 

CMYK 24 / 0 / 2 / 23

HEX #95C5C2

RGB 149 197 194

HSL 176.25, 0.29%, 0.68%

LAB 76.2, -16.29, -3.63

 

CMYK 21 / 24 / 0 / 23

HEX #9C95C5

RGB 156 149 197

HSL 248.75, 0.29%, 0.68%

LAB 63.83, 12.69, -23.83

 

CMYK 0 / 24 / 23 / 23

HEX #C59597

RGB 197 149 151

HSL 357.5, 0.29%, 0.68%

LAB 66.21, 18.32, 5.96

 

CMYK 11 / 0 / 24 / 23

HEX #AFC595

RGB 175 197 149

HSL 87.5, 0.29%, 0.68%

LAB 76.81, -16, 21.66

 

CMYK 24 / 0 / 2 / 23

HEX #95C5C2

RGB 149 197 194

HSL 176.25, 0.29%, 0.68%

LAB 76.2, -16.29, -3.63

 

CMYK 13 / 24 / 0 / 23

HEX #AB95C5

RGB 171 149 197

HSL 267.5, 0.29%, 0.68%

LAB 65.11, 17.51, -21.76

 

Description

Color code: HEX #C59597 | qconv.com Color code: HEX #C59597 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 149 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 149 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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