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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59B75 it is the complementary color #3A648A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59B75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59B75 shade: #CA9B70, #DBAD83, #ECBF96, #FDD1A9 and #FFE3BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59B75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59B75 shade: #C59B75, #B48962, #A3774F, #92653C and #815329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59B75 shade: #C59C76, #C58676 and #C57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59B75 shade: #C59C76, #C5B176, #C4C576, #AFC576 and #99C576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59B75 shade matches the following richer shades: #C59C76, #D59B66, #E59A57 and #F49947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59B75 shade: #C59C76, #B69C86, #A69D95, #969EA5 and #879FB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59B75 shade: #C5767B, #C58676, #C59B76, #C5B076 and #C5C576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59B75 shade: #A47244, #B98759, #C59C76, #D2B193 and #DEC6B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59B75 shade: #C59B75, #90C576 and #7B76C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59B75 shade: #C59B75, #76C59B and #9B76C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59B75 shade: #C59B75, #90C576, #76A0C5 and #AB76C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59B75 shade: #C59B75, #79C576, #76A0C5 and #C376C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

Complementary color

CMYK 58 / 28 / 0 / 46

HEX #3A648A

RGB 58 100 138

HSL 208.5, 0.41%, 0.38%

LAB 40.97, -2.74, -25.46

 

CMYK 0 / 23 / 45 / 21

HEX #CA9B70

RGB 202 155 112

HSL 28.67, 0.46%, 0.62%

LAB 67.4, 12.06, 29.27

 

CMYK 0 / 21 / 40 / 14

HEX #DBAD83

RGB 219 173 131

HSL 28.64, 0.55%, 0.69%

LAB 73.92, 11.27, 27.98

 

CMYK 0 / 19 / 36 / 7

HEX #ECBF96

RGB 236 191 150

HSL 28.6, 0.69%, 0.76%

LAB 80.35, 10.58, 26.78

 

CMYK 0 / 17 / 33 / 1

HEX #FDD1A9

RGB 253 209 169

HSL 28.57, 0.95%, 0.83%

LAB 86.68, 9.97, 25.66

 

CMYK 0 / 11 / 26 / 0

HEX #FFE3BC

RGB 255 227 188

HSL 34.93, 1%, 0.87%

LAB 91.61, 3.86, 22.58

 

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

CMYK 0 / 24 / 46 / 29

HEX #B48962

RGB 180 137 98

HSL 28.54, 0.35%, 0.55%

LAB 60.32, 11.38, 27.21

 

CMYK 0 / 27 / 52 / 36

HEX #A3774F

RGB 163 119 79

HSL 28.57, 0.35%, 0.47%

LAB 53.54, 12.34, 28.66

 

CMYK 0 / 31 / 59 / 43

HEX #92653C

RGB 146 101 60

HSL 28.6, 0.42%, 0.4%

LAB 46.64, 13.5, 30.23

 

CMYK 0 / 36 / 68 / 49

HEX #815329

RGB 129 83 41

HSL 28.64, 0.52%, 0.33%

LAB 39.6, 14.92, 31.9

 

CMYK 0 / 21 / 40 / 23

HEX #C59C76

RGB 197 156 118

HSL 28.86, 0.41%, 0.62%

LAB 67.24, 10.13, 25.7

 

CMYK 0 / 32 / 40 / 23

HEX #C58676

RGB 197 134 118

HSL 12.15, 0.41%, 0.62%

LAB 61.85, 22.21, 18.42

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 21 / 40 / 23

HEX #C59C76

RGB 197 156 118

HSL 28.86, 0.41%, 0.62%

LAB 67.24, 10.13, 25.7

 

CMYK 0 / 10 / 40 / 23

HEX #C5B176

RGB 197 177 118

HSL 44.81, 0.41%, 0.62%

LAB 72.64, -1.19, 32.8

 

CMYK 1 / 0 / 40 / 23

HEX #C4C576

RGB 196 197 118

HSL 60.76, 0.41%, 0.62%

LAB 77.86, -12.01, 39.46

 

CMYK 11 / 0 / 40 / 23

HEX #AFC576

RGB 175 197 118

HSL 76.71, 0.41%, 0.62%

LAB 76.29, -20.25, 37.13

 

CMYK 22 / 0 / 40 / 23

HEX #99C576

RGB 153 197 118

HSL 93.42, 0.41%, 0.62%

LAB 74.83, -28.51, 34.98

 

CMYK 0 / 21 / 40 / 23

HEX #C59C76

RGB 197 156 118

HSL 28.86, 0.41%, 0.62%

LAB 67.24, 10.13, 25.7

 

CMYK 0 / 27 / 52 / 16

HEX #D59B66

RGB 213 155 102

HSL 28.65, 0.57%, 0.62%

LAB 68.42, 15.61, 36.16

 

CMYK 0 / 33 / 62 / 10

HEX #E59A57

RGB 229 154 87

HSL 28.31, 0.73%, 0.62%

LAB 69.79, 21.59, 45.97

 

CMYK 0 / 37 / 71 / 4

HEX #F49947

RGB 244 153 71

HSL 28.44, 0.89%, 0.62%

LAB 71.19, 27.35, 55.71

 

CMYK 0 / 21 / 40 / 23

HEX #C59C76

RGB 197 156 118

HSL 28.86, 0.41%, 0.62%

LAB 67.24, 10.13, 25.7

 

CMYK 0 / 14 / 26 / 29

HEX #B69C86

RGB 182 156 134

HSL 27.5, 0.25%, 0.62%

LAB 66.09, 6.18, 15.08

 

CMYK 0 / 5 / 10 / 35

HEX #A69D95

RGB 166 157 149

HSL 28.24, 0.09%, 0.62%

LAB 65.27, 1.85, 5.35

 

CMYK 9 / 4 / 0 / 35

HEX #969EA5

RGB 150 158 165

HSL 208, 0.08%, 0.62%

LAB 64.69, -1.42, -4.63

 

CMYK 25 / 12 / 0 / 29

HEX #879FB5

RGB 135 159 181

HSL 208.7, 0.24%, 0.62%

LAB 64.39, -3.33, -14.16

 

CMYK 0 / 40 / 38 / 23

HEX #C5767B

RGB 197 118 123

HSL 356.2, 0.41%, 0.62%

LAB 58.28, 31.53, 10.6

 

CMYK 0 / 32 / 40 / 23

HEX #C58676

RGB 197 134 118

HSL 12.15, 0.41%, 0.62%

LAB 61.85, 22.21, 18.42

 

CMYK 0 / 21 / 40 / 23

HEX #C59B76

RGB 197 155 118

HSL 28.1, 0.41%, 0.62%

LAB 66.99, 10.68, 25.37

 

CMYK 0 / 11 / 40 / 23

HEX #C5B076

RGB 197 176 118

HSL 44.05, 0.41%, 0.62%

LAB 72.38, -0.66, 32.46

 

CMYK 0 / 0 / 40 / 23

HEX #C5C576

RGB 197 197 118

HSL 60, 0.41%, 0.62%

LAB 77.94, -11.61, 39.58

 

CMYK 0 / 30 / 59 / 36

HEX #A47244

RGB 164 114 68

HSL 28.75, 0.41%, 0.45%

LAB 52.22, 14.64, 33.11

 

CMYK 0 / 27 / 52 / 27

HEX #B98759

RGB 185 135 89

HSL 28.75, 0.41%, 0.54%

LAB 60.22, 13.7, 32.12

 

CMYK 0 / 21 / 40 / 23

HEX #C59C76

RGB 197 156 118

HSL 28.86, 0.41%, 0.62%

LAB 67.24, 10.13, 25.7

 

CMYK 0 / 16 / 30 / 18

HEX #D2B193

RGB 210 177 147

HSL 28.57, 0.41%, 0.7%

LAB 74.35, 7.53, 19.8

 

CMYK 0 / 11 / 21 / 13

HEX #DEC6B0

RGB 222 198 176

HSL 28.7, 0.41%, 0.78%

LAB 81.32, 4.99, 14.11

 

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

CMYK 27 / 0 / 40 / 23

HEX #90C576

RGB 144 197 118

HSL 100.25, 0.41%, 0.62%

LAB 74.3, -31.73, 34.18

 

CMYK 38 / 40 / 0 / 23

HEX #7B76C5

RGB 123 118 197

HSL 243.8, 0.41%, 0.62%

LAB 53.17, 21.05, -40.62

 

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

CMYK 40 / 0 / 21 / 23

HEX #76C59B

RGB 118 197 155

HSL 148.1, 0.41%, 0.62%

LAB 73.64, -33.72, 13.55

 

CMYK 21 / 40 / 0 / 23

HEX #9B76C5

RGB 155 118 197

HSL 268.1, 0.41%, 0.62%

LAB 56.04, 30.18, -35.89

 

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

CMYK 27 / 0 / 40 / 23

HEX #90C576

RGB 144 197 118

HSL 100.25, 0.41%, 0.62%

LAB 74.3, -31.73, 34.18

 

CMYK 40 / 19 / 0 / 23

HEX #76A0C5

RGB 118 160 197

HSL 208.1, 0.41%, 0.62%

LAB 64.18, -4.72, -23.52

 

CMYK 13 / 40 / 0 / 23

HEX #AB76C5

RGB 171 118 197

HSL 280.25, 0.41%, 0.62%

LAB 57.7, 34.99, -33.19

 

CMYK 0 / 21 / 41 / 23

HEX #C59B75

RGB 197 155 117

HSL 28.5, 0.41%, 0.62%

LAB 66.97, 10.56, 25.89

 

CMYK 39 / 0 / 40 / 23

HEX #79C576

RGB 121 197 118

HSL 117.72, 0.41%, 0.62%

LAB 73.09, -39.4, 32.39

 

CMYK 40 / 19 / 0 / 23

HEX #76A0C5

RGB 118 160 197

HSL 208.1, 0.41%, 0.62%

LAB 64.18, -4.72, -23.52

 

CMYK 1 / 40 / 0 / 23

HEX #C376C5

RGB 195 118 197

HSL 298.48, 0.41%, 0.62%

LAB 60.42, 42.35, -28.75

 

Description

Color code: HEX #C59B75 | qconv.com Color code: HEX #C59B75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 155 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 155 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 41% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Café Blasón | Un tie...
Link: http://cafeblason.com.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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