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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59E6C it is the complementary color #3A6193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59E6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59E6C shade: #CA9E67, #DBB07A, #ECC28D, #FDD4A0 and #FFE6B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59E6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59E6C shade: #C59E6C, #B48C59, #A37A46, #926833 and #815620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59E6C shade: #C49E6D, #C4866D, #C46F6D and #C46D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59E6C shade: #C49E6D, #C4B66D, #BBC46D, #A4C46D and #8CC46D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59E6C shade matches the following richer shades: #C49E6D, #D5A05C, #E5A24C and #F6A43B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59E6C shade: #C49E6D, #B49C7D, #A39A8E, #93989E and #8296AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59E6C shade: #C46E6D, #C4856D, #C49D6D, #C4B46D and #BDC46D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59E6C shade: #9F753F, #B98A4F, #C49E6D, #D0B18A and #DCC5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59E6C shade: #C59E6C, #83C46D and #7A6DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59E6C shade: #C59E6C, #6DC49D and #9D6DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59E6C shade: #C59E6C, #83C46D, #6D94C4 and #AE6DC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59E6C shade: #C59E6C, #6DC471, #6D94C4 and #C46DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

Complementary color

CMYK 61 / 34 / 0 / 42

HEX #3A6193

RGB 58 97 147

HSL 213.71, 0.43%, 0.4%

LAB 40.5, 2.22, -31.62

 

CMYK 0 / 22 / 49 / 21

HEX #CA9E67

RGB 202 158 103

HSL 33.33, 0.48%, 0.6%

LAB 68.01, 9.52, 34.87

 

CMYK 0 / 20 / 44 / 14

HEX #DBB07A

RGB 219 176 122

HSL 33.4, 0.57%, 0.67%

LAB 74.52, 8.7, 33.53

 

CMYK 0 / 18 / 40 / 7

HEX #ECC28D

RGB 236 194 141

HSL 33.47, 0.71%, 0.74%

LAB 80.93, 7.99, 32.28

 

CMYK 0 / 16 / 37 / 1

HEX #FDD4A0

RGB 253 212 160

HSL 33.55, 0.96%, 0.81%

LAB 87.25, 7.36, 31.1

 

CMYK 0 / 10 / 30 / 0

HEX #FFE6B3

RGB 255 230 179

HSL 40.26, 1%, 0.85%

LAB 92.18, 1.17, 28

 

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

CMYK 0 / 22 / 51 / 29

HEX #B48C59

RGB 180 140 89

HSL 33.63, 0.38%, 0.53%

LAB 60.94, 8.8, 32.92

 

CMYK 0 / 25 / 57 / 36

HEX #A37A46

RGB 163 122 70

HSL 33.55, 0.4%, 0.46%

LAB 54.18, 9.83, 34.38

 

CMYK 0 / 29 / 65 / 43

HEX #926833

RGB 146 104 51

HSL 33.47, 0.48%, 0.39%

LAB 47.3, 11.06, 35.88

 

CMYK 0 / 33 / 75 / 49

HEX #815620

RGB 129 86 32

HSL 33.4, 0.6%, 0.32%

LAB 40.29, 12.6, 37.28

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 32 / 44 / 23

HEX #C4866D

RGB 196 134 109

HSL 17.24, 0.42%, 0.6%

LAB 61.56, 20.8, 23.06

 

CMYK 0 / 43 / 44 / 23

HEX #C46F6D

RGB 196 111 109

HSL 1.38, 0.42%, 0.6%

LAB 56.3, 33.33, 15.92

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6D

RGB 196 109 109

HSL 0, 0.42%, 0.6%

LAB 55.86, 34.39, 15.32

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 7 / 44 / 23

HEX #C4B66D

RGB 196 182 109

HSL 50.34, 0.42%, 0.6%

LAB 73.74, -5.2, 38.84

 

CMYK 5 / 0 / 44 / 23

HEX #BBC46D

RGB 187 196 109

HSL 66.21, 0.42%, 0.6%

LAB 76.77, -16.05, 42.45

 

CMYK 16 / 0 / 44 / 23

HEX #A4C46D

RGB 164 196 109

HSL 82.07, 0.42%, 0.6%

LAB 75.12, -25.05, 40.05

 

CMYK 29 / 0 / 44 / 23

HEX #8CC46D

RGB 140 196 109

HSL 98.62, 0.42%, 0.6%

LAB 73.65, -33.88, 37.88

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 29 / 67 / 10

HEX #E5A24C

RGB 229 162 76

HSL 33.73, 0.75%, 0.6%

LAB 71.57, 16.64, 53.29

 

CMYK 0 / 33 / 76 / 4

HEX #F6A43B

RGB 246 164 59

HSL 33.69, 0.91%, 0.6%

LAB 73.84, 21.87, 63.59

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 13 / 31 / 29

HEX #B49C7D

RGB 180 156 125

HSL 33.82, 0.27%, 0.6%

LAB 65.72, 4.13, 19.52

 

CMYK 0 / 6 / 13 / 36

HEX #A39A8E

RGB 163 154 142

HSL 34.29, 0.1%, 0.6%

LAB 64.04, 1.17, 7.47

 

CMYK 7 / 4 / 0 / 38

HEX #93989E

RGB 147 152 158

HSL 212.73, 0.05%, 0.6%

LAB 62.62, -0.59, -3.78

 

CMYK 26 / 14 / 0 / 31

HEX #8296AF

RGB 130 150 175

HSL 213.33, 0.22%, 0.6%

LAB 61.35, -1.33, -15.4

 

CMYK 0 / 44 / 44 / 23

HEX #C46E6D

RGB 196 110 109

HSL 0.69, 0.42%, 0.6%

LAB 56.08, 33.86, 15.62

 

CMYK 0 / 32 / 44 / 23

HEX #C4856D

RGB 196 133 109

HSL 16.55, 0.42%, 0.6%

LAB 61.32, 21.35, 22.74

 

CMYK 0 / 20 / 44 / 23

HEX #C49D6D

RGB 196 157 109

HSL 33.1, 0.42%, 0.6%

LAB 67.24, 8.18, 30.56

 

CMYK 0 / 8 / 44 / 23

HEX #C4B46D

RGB 196 180 109

HSL 48.97, 0.42%, 0.6%

LAB 73.21, -4.15, 38.18

 

CMYK 4 / 0 / 44 / 23

HEX #BDC46D

RGB 189 196 109

HSL 64.83, 0.42%, 0.6%

LAB 76.92, -15.25, 42.68

 

CMYK 0 / 26 / 60 / 38

HEX #9F753F

RGB 159 117 63

HSL 33.75, 0.43%, 0.44%

LAB 52.34, 10.33, 35.8

 

CMYK 0 / 25 / 57 / 27

HEX #B98A4F

RGB 185 138 79

HSL 33.4, 0.43%, 0.52%

LAB 60.83, 11.17, 38.21

 

CMYK 0 / 19 / 44 / 23

HEX #C49E6D

RGB 196 158 109

HSL 33.79, 0.42%, 0.6%

LAB 67.5, 7.64, 30.89

 

CMYK 0 / 15 / 34 / 18

HEX #D0B18A

RGB 208 177 138

HSL 33.43, 0.43%, 0.68%

LAB 73.99, 5.59, 24.13

 

CMYK 0 / 10 / 24 / 14

HEX #DCC5A8

RGB 220 197 168

HSL 33.46, 0.43%, 0.76%

LAB 80.73, 3.61, 17.51

 

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

CMYK 33 / 0 / 44 / 23

HEX #83C46D

RGB 131 196 109

HSL 104.83, 0.42%, 0.6%

LAB 73.16, -36.98, 37.16

 

CMYK 38 / 44 / 0 / 23

HEX #7A6DC4

RGB 122 109 196

HSL 248.97, 0.42%, 0.6%

LAB 50.76, 25.89, -43.86

 

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

CMYK 44 / 0 / 20 / 23

HEX #6DC49D

RGB 109 196 157

HSL 153.1, 0.42%, 0.6%

LAB 73, -35.31, 11.51

 

CMYK 20 / 44 / 0 / 23

HEX #9D6DC4

RGB 157 109 196

HSL 273.1, 0.42%, 0.6%

LAB 54.12, 35.65, -38.32

 

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

CMYK 33 / 0 / 44 / 23

HEX #83C46D

RGB 131 196 109

HSL 104.83, 0.42%, 0.6%

LAB 73.16, -36.98, 37.16

 

CMYK 44 / 24 / 0 / 23

HEX #6D94C4

RGB 109 148 196

HSL 213.1, 0.42%, 0.6%

LAB 60.26, -0.6, -29.03

 

CMYK 11 / 44 / 0 / 23

HEX #AE6DC4

RGB 174 109 196

HSL 284.83, 0.42%, 0.6%

LAB 56.01, 40.64, -35.23

 

CMYK 0 / 20 / 45 / 23

HEX #C59E6C

RGB 197 158 108

HSL 33.71, 0.43%, 0.6%

LAB 67.58, 7.95, 31.55

 

CMYK 44 / 0 / 42 / 23

HEX #6DC471

RGB 109 196 113

HSL 122.76, 0.42%, 0.6%

LAB 72.18, -43.36, 33.66

 

CMYK 44 / 24 / 0 / 23

HEX #6D94C4

RGB 109 148 196

HSL 213.1, 0.42%, 0.6%

LAB 60.26, -0.6, -29.03

 

CMYK 0 / 44 / 2 / 23

HEX #C46DC0

RGB 196 109 192

HSL 302.76, 0.42%, 0.6%

LAB 58.49, 46.45, -28.89

 

Description

Color code: HEX #C59E6C | qconv.com Color code: HEX #C59E6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 158 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 158 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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