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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AA71 it is the complementary color #3A558E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AA71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AA71 shade: #CAAA6C, #DBBC7F, #ECCE92, #FDE0A5 and #FFF2B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AA71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AA71 shade: #C5AA71, #B4985E, #A3864B, #927438 and #816225

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AA71 shade: #C5AA71, #C59371, #C57D71 and #C57171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AA71 shade: #C5AA71, #C5C071, #B3C571, #9CC571 and #86C571

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AA71 shade matches the following richer shades: #C5AA71, #D5B061, #E5B551 and #F5BB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AA71 shade: #C5AA71, #B5A481, #A59E91, #9599A2 and #8493B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AA71 shade: #C57C71, #C59371, #C5A971, #C5BF71 and #B4C571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AA71 shade: #A28342, #B99854, #C5AA71, #D1BB8F and #DDCDAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AA71 shade: #C5AA71, #7CC571 and #8871C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AA71 shade: #C5AA71, #71C5A9 and #A971C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AA71 shade: #C5AA71, #7CC571, #718DC5 and #BA71C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AA71 shade: #C5AA71, #71C57F, #718DC5 and #C571B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

Complementary color

CMYK 59 / 40 / 0 / 44

HEX #3A558E

RGB 58 85 142

HSL 220.71, 0.42%, 0.39%

LAB 36.65, 8.13, -34.68

 

CMYK 0 / 16 / 47 / 21

HEX #CAAA6C

RGB 202 170 108

HSL 39.57, 0.47%, 0.61%

LAB 71.14, 3.54, 36.2

 

CMYK 0 / 14 / 42 / 14

HEX #DBBC7F

RGB 219 188 127

HSL 39.78, 0.56%, 0.68%

LAB 77.61, 2.87, 34.93

 

CMYK 0 / 13 / 38 / 7

HEX #ECCE92

RGB 236 206 146

HSL 40, 0.7%, 0.75%

LAB 83.99, 2.28, 33.72

 

CMYK 0 / 11 / 35 / 1

HEX #FDE0A5

RGB 253 224 165

HSL 40.23, 0.96%, 0.82%

LAB 90.28, 1.78, 32.58

 

CMYK 0 / 5 / 28 / 0

HEX #FFF2B8

RGB 255 242 184

HSL 49.01, 1%, 0.86%

LAB 95.26, -4.25, 29.63

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 16 / 48 / 29

HEX #B4985E

RGB 180 152 94

HSL 40.47, 0.36%, 0.54%

LAB 64.13, 2.68, 34.27

 

CMYK 0 / 18 / 54 / 36

HEX #A3864B

RGB 163 134 75

HSL 40.23, 0.37%, 0.47%

LAB 57.41, 3.51, 35.63

 

CMYK 0 / 21 / 62 / 43

HEX #927438

RGB 146 116 56

HSL 40, 0.45%, 0.4%

LAB 50.56, 4.52, 37.01

 

CMYK 0 / 24 / 71 / 49

HEX #816225

RGB 129 98 37

HSL 39.78, 0.55%, 0.33%

LAB 43.56, 5.78, 38.27

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 25 / 43 / 23

HEX #C59371

RGB 197 147 113

HSL 24.29, 0.42%, 0.61%

LAB 64.91, 14.5, 25.33

 

CMYK 0 / 37 / 43 / 23

HEX #C57D71

RGB 197 125 113

HSL 8.57, 0.42%, 0.61%

LAB 59.64, 26.57, 18.23

 

CMYK 0 / 43 / 43 / 23

HEX #C57171

RGB 197 113 113

HSL 0, 0.42%, 0.61%

LAB 56.95, 33.07, 14.52

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 3 / 43 / 23

HEX #C5C071

RGB 197 192 113

HSL 56.43, 0.42%, 0.61%

LAB 76.53, -9.57, 40.33

 

CMYK 9 / 0 / 43 / 23

HEX #B3C571

RGB 179 197 113

HSL 72.86, 0.42%, 0.61%

LAB 76.5, -19.28, 39.99

 

CMYK 21 / 0 / 43 / 23

HEX #9CC571

RGB 156 197 113

HSL 89.29, 0.42%, 0.61%

LAB 74.95, -28.06, 37.71

 

CMYK 32 / 0 / 43 / 23

HEX #86C571

RGB 134 197 113

HSL 105, 0.42%, 0.61%

LAB 73.67, -35.88, 35.82

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 17 / 54 / 16

HEX #D5B061

RGB 213 176 97

HSL 40.86, 0.58%, 0.61%

LAB 73.58, 3.91, 45.05

 

CMYK 0 / 21 / 65 / 10

HEX #E5B551

RGB 229 181 81

HSL 40.54, 0.74%, 0.61%

LAB 76.25, 6.85, 56.13

 

CMYK 0 / 24 / 73 / 4

HEX #F5BB41

RGB 245 187 65

HSL 40.67, 0.9%, 0.61%

LAB 79.23, 9.62, 66.45

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 9 / 29 / 29

HEX #B5A481

RGB 181 164 129

HSL 40.38, 0.26%, 0.61%

LAB 67.99, 0.72, 20.44

 

CMYK 0 / 4 / 12 / 35

HEX #A59E91

RGB 165 158 145

HSL 39, 0.1%, 0.61%

LAB 65.36, 0.24, 7.69

 

CMYK 8 / 6 / 0 / 36

HEX #9599A2

RGB 149 153 162

HSL 221.54, 0.07%, 0.61%

LAB 63.16, 0.38, -5.21

 

CMYK 26 / 17 / 0 / 30

HEX #8493B2

RGB 132 147 178

HSL 220.43, 0.23%, 0.61%

LAB 60.77, 1.73, -17.97

 

CMYK 0 / 37 / 43 / 23

HEX #C57C71

RGB 197 124 113

HSL 7.86, 0.42%, 0.61%

LAB 59.41, 27.12, 17.92

 

CMYK 0 / 25 / 43 / 23

HEX #C59371

RGB 197 147 113

HSL 24.29, 0.42%, 0.61%

LAB 64.91, 14.5, 25.33

 

CMYK 0 / 14 / 43 / 23

HEX #C5A971

RGB 197 169 113

HSL 40, 0.42%, 0.61%

LAB 70.48, 2.53, 32.64

 

CMYK 0 / 3 / 43 / 23

HEX #C5BF71

RGB 197 191 113

HSL 55.71, 0.42%, 0.61%

LAB 76.27, -9.06, 40

 

CMYK 9 / 0 / 43 / 23

HEX #B4C571

RGB 180 197 113

HSL 72.14, 0.42%, 0.61%

LAB 76.57, -18.89, 40.1

 

CMYK 0 / 19 / 59 / 36

HEX #A28342

RGB 162 131 66

HSL 40.63, 0.42%, 0.45%

LAB 56.39, 3.99, 39.07

 

CMYK 0 / 18 / 55 / 27

HEX #B99854

RGB 185 152 84

HSL 40.4, 0.42%, 0.53%

LAB 64.49, 3.89, 40.03

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 0 / 11 / 32 / 18

HEX #D1BB8F

RGB 209 187 143

HSL 40, 0.42%, 0.69%

LAB 76.73, 1.3, 25.18

 

CMYK 0 / 7 / 22 / 13

HEX #DDCDAC

RGB 221 205 172

HSL 40.41, 0.42%, 0.77%

LAB 82.92, 0.37, 18.46

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 37 / 0 / 43 / 23

HEX #7CC571

RGB 124 197 113

HSL 112.14, 0.42%, 0.61%

LAB 73.16, -39.18, 35.06

 

CMYK 31 / 43 / 0 / 23

HEX #8871C5

RGB 136 113 197

HSL 256.43, 0.42%, 0.61%

LAB 53.03, 27.59, -40.75

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 43 / 0 / 14 / 23

HEX #71C5A9

RGB 113 197 169

HSL 160, 0.42%, 0.61%

LAB 73.74, -32.11, 6.1

 

CMYK 14 / 43 / 0 / 23

HEX #A971C5

RGB 169 113 197

HSL 280, 0.42%, 0.61%

LAB 56.36, 37.17, -35.29

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 37 / 0 / 43 / 23

HEX #7CC571

RGB 124 197 113

HSL 112.14, 0.42%, 0.61%

LAB 73.16, -39.18, 35.06

 

CMYK 43 / 28 / 0 / 23

HEX #718DC5

RGB 113 141 197

HSL 220, 0.42%, 0.61%

LAB 58.59, 4.76, -32.17

 

CMYK 6 / 43 / 0 / 23

HEX #BA71C5

RGB 186 113 197

HSL 292.14, 0.42%, 0.61%

LAB 58.3, 42.27, -32.12

 

CMYK 0 / 14 / 43 / 23

HEX #C5AA71

RGB 197 170 113

HSL 40.71, 0.42%, 0.61%

LAB 70.74, 2, 32.97

 

CMYK 43 / 0 / 36 / 23

HEX #71C57F

RGB 113 197 127

HSL 130, 0.42%, 0.61%

LAB 72.88, -40.37, 27.36

 

CMYK 43 / 28 / 0 / 23

HEX #718DC5

RGB 113 141 197

HSL 220, 0.42%, 0.61%

LAB 58.59, 4.76, -32.17

 

CMYK 0 / 43 / 7 / 23

HEX #C571B7

RGB 197 113 183

HSL 310, 0.42%, 0.61%

LAB 59.07, 43.09, -22.85

 

Description

Color code: HEX #C5AA71 | qconv.com Color code: HEX #C5AA71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 170 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 170 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 43 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 43% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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