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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AB77 it is the complementary color #3A5488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AB77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AB77 shade: #CAAB72, #DBBD85, #ECCF98, #FDE1AB and #FFF3BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AB77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AB77 shade: #C5AB77, #B49964, #A38751, #92753E and #81632B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AB77 shade: #C4AB77, #C49677, #C48177 and #C47777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AB77 shade: #C4AB77, #C4BF77, #B4C477, #9FC477 and #8BC477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AB77 shade matches the following richer shades: #C4AB77, #D4B067, #E4B557 and #F3BA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AB77 shade: #C4AB77, #B5A587, #A5A096, #959BA6 and #8696B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AB77 shade: #C48177, #C49677, #C4AB77, #C4BF77 and #B5C477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AB77 shade: #A38446, #B8995A, #C4AB77, #D1BC94 and #DDCEB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AB77 shade: #C5AB77, #81C477 and #8C77C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AB77 shade: #C5AB77, #77C4AB and #AB77C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AB77 shade: #C5AB77, #81C477, #7791C4 and #BA77C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AB77 shade: #C5AB77, #77C484, #7791C4 and #C477B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

Complementary color

CMYK 57 / 38 / 0 / 47

HEX #3A5488

RGB 58 84 136

HSL 220, 0.4%, 0.38%

LAB 36.02, 6.67, -32.03

 

CMYK 0 / 15 / 44 / 21

HEX #CAAB72

RGB 202 171 114

HSL 38.86, 0.45%, 0.62%

LAB 71.49, 3.62, 33.5

 

CMYK 0 / 14 / 39 / 14

HEX #DBBD85

RGB 219 189 133

HSL 39.07, 0.54%, 0.69%

LAB 77.96, 2.99, 32.26

 

CMYK 0 / 12 / 36 / 7

HEX #ECCF98

RGB 236 207 152

HSL 39.29, 0.69%, 0.76%

LAB 84.34, 2.45, 31.09

 

CMYK 0 / 11 / 32 / 1

HEX #FDE1AB

RGB 253 225 171

HSL 39.51, 0.95%, 0.83%

LAB 90.63, 1.98, 29.98

 

CMYK 0 / 5 / 25 / 0

HEX #FFF3BE

RGB 255 243 190

HSL 48.92, 1%, 0.87%

LAB 95.61, -3.98, 27.06

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

CMYK 0 / 15 / 44 / 29

HEX #B49964

RGB 180 153 100

HSL 39.75, 0.35%, 0.55%

LAB 64.49, 2.76, 31.52

 

CMYK 0 / 17 / 50 / 36

HEX #A38751

RGB 163 135 81

HSL 39.51, 0.34%, 0.48%

LAB 57.76, 3.51, 32.86

 

CMYK 0 / 20 / 58 / 43

HEX #92753E

RGB 146 117 62

HSL 39.29, 0.4%, 0.41%

LAB 50.9, 4.43, 34.27

 

CMYK 0 / 23 / 67 / 49

HEX #81632B

RGB 129 99 43

HSL 39.07, 0.5%, 0.34%

LAB 43.89, 5.59, 35.65

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 23 / 39 / 23

HEX #C49677

RGB 196 150 119

HSL 24.16, 0.39%, 0.62%

LAB 65.66, 13.12, 23.01

 

CMYK 0 / 34 / 39 / 23

HEX #C48177

RGB 196 129 119

HSL 7.79, 0.39%, 0.62%

LAB 60.58, 24.67, 16.08

 

CMYK 0 / 39 / 39 / 23

HEX #C47777

RGB 196 119 119

HSL 0, 0.39%, 0.62%

LAB 58.28, 30.13, 12.89

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 3 / 39 / 23

HEX #C4BF77

RGB 196 191 119

HSL 56.1, 0.39%, 0.62%

LAB 76.27, -8.82, 36.93

 

CMYK 8 / 0 / 39 / 23

HEX #B4C477

RGB 180 196 119

HSL 72.47, 0.39%, 0.62%

LAB 76.38, -17.7, 36.82

 

CMYK 19 / 0 / 39 / 23

HEX #9FC477

RGB 159 196 119

HSL 88.83, 0.39%, 0.62%

LAB 74.94, -25.69, 34.68

 

CMYK 29 / 0 / 39 / 23

HEX #8BC477

RGB 139 196 119

HSL 104.42, 0.39%, 0.62%

LAB 73.74, -32.86, 32.89

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 17 / 51 / 17

HEX #D4B067

RGB 212 176 103

HSL 40.18, 0.56%, 0.62%

LAB 73.56, 4.01, 42

 

CMYK 0 / 21 / 62 / 11

HEX #E4B557

RGB 228 181 87

HSL 40, 0.72%, 0.62%

LAB 76.21, 6.81, 53.3

 

CMYK 0 / 23 / 70 / 5

HEX #F3BA48

RGB 243 186 72

HSL 40, 0.88%, 0.62%

LAB 78.83, 9.63, 63.18

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 9 / 25 / 29

HEX #B5A587

RGB 181 165 135

HSL 39.13, 0.24%, 0.62%

LAB 68.38, 1.02, 17.68

 

CMYK 0 / 3 / 9 / 35

HEX #A5A096

RGB 165 160 150

HSL 40, 0.08%, 0.62%

LAB 66.01, 0, 5.84

 

CMYK 10 / 7 / 0 / 35

HEX #959BA6

RGB 149 155 166

HSL 218.82, 0.09%, 0.62%

LAB 63.82, 0.1, -6.48

 

CMYK 26 / 18 / 0 / 29

HEX #8696B6

RGB 134 150 182

HSL 220, 0.25%, 0.62%

LAB 61.88, 1.63, -18.53

 

CMYK 0 / 34 / 39 / 23

HEX #C48177

RGB 196 129 119

HSL 7.79, 0.39%, 0.62%

LAB 60.58, 24.67, 16.08

 

CMYK 0 / 23 / 39 / 23

HEX #C49677

RGB 196 150 119

HSL 24.16, 0.39%, 0.62%

LAB 65.66, 13.12, 23.01

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 3 / 39 / 23

HEX #C4BF77

RGB 196 191 119

HSL 56.1, 0.39%, 0.62%

LAB 76.27, -8.82, 36.93

 

CMYK 8 / 0 / 39 / 23

HEX #B5C477

RGB 181 196 119

HSL 71.69, 0.39%, 0.62%

LAB 76.46, -17.31, 36.93

 

CMYK 0 / 19 / 57 / 36

HEX #A38446

RGB 163 132 70

HSL 40, 0.4%, 0.46%

LAB 56.81, 4.19, 37.53

 

CMYK 0 / 17 / 51 / 28

HEX #B8995A

RGB 184 153 90

HSL 40.21, 0.4%, 0.54%

LAB 64.73, 3.45, 37.2

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

CMYK 0 / 10 / 29 / 18

HEX #D1BC94

RGB 209 188 148

HSL 39.34, 0.4%, 0.7%

LAB 77.08, 1.42, 22.99

 

CMYK 0 / 7 / 20 / 13

HEX #DDCEB1

RGB 221 206 177

HSL 39.55, 0.39%, 0.78%

LAB 83.28, 0.58, 16.31

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

CMYK 34 / 0 / 39 / 23

HEX #81C477

RGB 129 196 119

HSL 112.21, 0.39%, 0.62%

LAB 73.21, -36.23, 32.09

 

CMYK 29 / 39 / 0 / 23

HEX #8C77C4

RGB 140 119 196

HSL 256.36, 0.39%, 0.62%

LAB 54.82, 24.95, -37.35

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

CMYK 39 / 0 / 13 / 23

HEX #77C4AB

RGB 119 196 171

HSL 160.52, 0.39%, 0.62%

LAB 73.77, -29.58, 5.09

 

CMYK 13 / 39 / 0 / 23

HEX #AB77C4

RGB 171 119 196

HSL 280.52, 0.39%, 0.62%

LAB 57.88, 34.22, -32.33

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

CMYK 34 / 0 / 39 / 23

HEX #81C477

RGB 129 196 119

HSL 112.21, 0.39%, 0.62%

LAB 73.21, -36.23, 32.09

 

CMYK 39 / 26 / 0 / 23

HEX #7791C4

RGB 119 145 196

HSL 219.74, 0.39%, 0.62%

LAB 60.03, 3.77, -29.34

 

CMYK 5 / 39 / 0 / 23

HEX #BA77C4

RGB 186 119 196

HSL 292.21, 0.39%, 0.62%

LAB 59.54, 38.84, -29.63

 

CMYK 0 / 13 / 40 / 23

HEX #C5AB77

RGB 197 171 119

HSL 40, 0.4%, 0.62%

LAB 71.1, 2.13, 30.26

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 39 / 26 / 0 / 23

HEX #7791C4

RGB 119 145 196

HSL 219.74, 0.39%, 0.62%

LAB 60.03, 3.77, -29.34

 

CMYK 0 / 39 / 7 / 23

HEX #C477B7

RGB 196 119 183

HSL 310.13, 0.39%, 0.62%

LAB 60.2, 39.59, -21.12

 

Description

Color code: HEX #C5AB77 | qconv.com Color code: HEX #C5AB77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 171 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 171 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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