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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AF3E it is the complementary color #3A50C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AF3E shade: #CAAF39, #DBC14C, #ECD35F, #FDE572 and #FFF785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AF3E shade: #C5AF3E, #B49D2B, #A38B18, #927905 and #816700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AF3E shade: #C5AF3E, #C58B3E, #C5663E, #C5423E and #C53E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AF3E shade: #C5AF3E, #B7C53E, #92C53E, #6EC53E and #49C53E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AF3E shade matches the following richer shades: #C5AF3E, #D9BD2A and #EDCA16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AF3E shade: #C5AF3E, #B1A152, #9D9467, #88867B and #74798F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AF3E shade: #C5673E, #C58B3E, #C5AF3E, #B8C53E and #94C53E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AF3E shade: #887928, #A89532, #C5AF3E, #CFBC5E and #D8C97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AF3E shade: #C5AF3E, #3EC543 and #793EC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AF3E shade: #C5AF3E, #3EC5AF and #AF3EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AF3E shade: #C5AF3E, #3EC543, #3E55C5 and #C53EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AF3E shade: #C5AF3E, #3EC56B, #3E55C5 and #C53E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

Complementary color

CMYK 70 / 59 / 0 / 24

HEX #3A50C1

RGB 58 80 193

HSL 230.22, 0.54%, 0.49%

LAB 38.7, 29.77, -61.74

 

CMYK 0 / 13 / 72 / 21

HEX #CAAF39

RGB 202 175 57

HSL 48.83, 0.58%, 0.51%

LAB 71.9, -2.87, 60.9

 

CMYK 0 / 12 / 65 / 14

HEX #DBC14C

RGB 219 193 76

HSL 49.09, 0.67%, 0.58%

LAB 78.3, -3.95, 60.23

 

CMYK 0 / 11 / 60 / 7

HEX #ECD35F

RGB 236 211 95

HSL 49.36, 0.79%, 0.65%

LAB 84.61, -4.87, 59.29

 

CMYK 0 / 9 / 55 / 1

HEX #FDE572

RGB 253 229 114

HSL 49.64, 0.97%, 0.72%

LAB 90.84, -5.65, 58.2

 

CMYK 0 / 3 / 48 / 0

HEX #FFF785

RGB 255 247 133

HSL 56.07, 1%, 0.76%

LAB 95.78, -12.22, 55.31

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 0 / 13 / 76 / 29

HEX #B49D2B

RGB 180 157 43

HSL 49.93, 0.61%, 0.44%

LAB 64.96, -3.61, 58.72

 

CMYK 0 / 15 / 85 / 36

HEX #A38B18

RGB 163 139 24

HSL 49.64, 0.74%, 0.37%

LAB 58.34, -2.2, 58.25

 

CMYK 0 / 17 / 97 / 43

HEX #927905

RGB 146 121 5

HSL 49.36, 0.93%, 0.3%

LAB 51.61, -0.5, 56.3

 

CMYK 0 / 20 / 100 / 49

HEX #816700

RGB 129 103 0

HSL 47.91, 1%, 0.25%

LAB 44.76, 1.57, 51.63

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 0 / 29 / 69 / 23

HEX #C58B3E

RGB 197 139 62

HSL 34.22, 0.54%, 0.51%

LAB 62.24, 14.64, 48.64

 

CMYK 0 / 48 / 69 / 23

HEX #C5663E

RGB 197 102 62

HSL 17.78, 0.54%, 0.51%

LAB 53.73, 34.68, 39.2

 

CMYK 0 / 66 / 69 / 23

HEX #C5423E

RGB 197 66 62

HSL 1.78, 0.54%, 0.51%

LAB 47.12, 51.84, 31.46

 

CMYK 0 / 69 / 69 / 23

HEX #C53E3E

RGB 197 62 62

HSL 0, 0.54%, 0.51%

LAB 46.53, 53.45, 30.74

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 7 / 0 / 69 / 23

HEX #B7C53E

RGB 183 197 62

HSL 66.22, 0.54%, 0.51%

LAB 76.28, -21.94, 62.82

 

CMYK 26 / 0 / 69 / 23

HEX #92C53E

RGB 146 197 62

HSL 82.67, 0.54%, 0.51%

LAB 73.8, -36.75, 59.5

 

CMYK 44 / 0 / 69 / 23

HEX #6EC53E

RGB 110 197 62

HSL 98.67, 0.54%, 0.51%

LAB 71.96, -49.37, 57.02

 

CMYK 63 / 0 / 69 / 23

HEX #49C53E

RGB 73 197 62

HSL 115.11, 0.54%, 0.51%

LAB 70.66, -59.35, 55.26

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 0 / 13 / 81 / 15

HEX #D9BD2A

RGB 217 189 42

HSL 50.4, 0.7%, 0.51%

LAB 76.87, -4.26, 71.09

 

CMYK 0 / 15 / 91 / 7

HEX #EDCA16

RGB 237 202 22

HSL 50.23, 0.86%, 0.51%

LAB 82, -2.79, 80.46

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 0 / 9 / 54 / 31

HEX #B1A152

RGB 177 161 82

HSL 49.89, 0.38%, 0.51%

LAB 66.09, -4.58, 42.77

 

CMYK 0 / 6 / 34 / 38

HEX #9D9467

RGB 157 148 103

HSL 50, 0.22%, 0.51%

LAB 61.07, -3.74, 25.03

 

CMYK 0 / 1 / 10 / 47

HEX #88867B

RGB 136 134 123

HSL 50.77, 0.05%, 0.51%

LAB 55.8, -1.32, 6.18

 

CMYK 19 / 15 / 0 / 44

HEX #74798F

RGB 116 121 143

HSL 228.89, 0.11%, 0.51%

LAB 51.12, 3.04, -12.55

 

CMYK 0 / 48 / 69 / 23

HEX #C5673E

RGB 197 103 62

HSL 18.22, 0.54%, 0.51%

LAB 53.94, 34.15, 39.44

 

CMYK 0 / 29 / 69 / 23

HEX #C58B3E

RGB 197 139 62

HSL 34.22, 0.54%, 0.51%

LAB 62.24, 14.64, 48.64

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 7 / 0 / 69 / 23

HEX #B8C53E

RGB 184 197 62

HSL 65.78, 0.54%, 0.51%

LAB 76.36, -21.52, 62.92

 

CMYK 25 / 0 / 69 / 23

HEX #94C53E

RGB 148 197 62

HSL 81.78, 0.54%, 0.51%

LAB 73.92, -35.98, 59.66

 

CMYK 0 / 11 / 71 / 47

HEX #887928

RGB 136 121 40

HSL 50.63, 0.55%, 0.35%

LAB 50.76, -4, 44.59

 

CMYK 0 / 11 / 70 / 34

HEX #A89532

RGB 168 149 50

HSL 50.34, 0.54%, 0.43%

LAB 61.7, -4.32, 52.45

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 0 / 9 / 55 / 19

HEX #CFBC5E

RGB 207 188 94

HSL 49.91, 0.54%, 0.59%

LAB 76.09, -5.15, 49.35

 

CMYK 0 / 7 / 42 / 15

HEX #D8C97E

RGB 216 201 126

HSL 50, 0.54%, 0.67%

LAB 80.67, -5.22, 39.31

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 69 / 0 / 66 / 23

HEX #3EC543

RGB 62 197 67

HSL 122.22, 0.54%, 0.51%

LAB 70.43, -61.11, 52.9

 

CMYK 39 / 69 / 0 / 23

HEX #793EC5

RGB 121 62 197

HSL 266.22, 0.54%, 0.51%

LAB 40.48, 52.39, -60.95

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 69 / 0 / 11 / 23

HEX #3EC5AF

RGB 62 197 175

HSL 170.22, 0.54%, 0.51%

LAB 72.26, -41.19, 0.5

 

CMYK 11 / 69 / 0 / 23

HEX #AF3EC5

RGB 175 62 197

HSL 290.22, 0.54%, 0.51%

LAB 47.74, 63.71, -48.87

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 69 / 0 / 66 / 23

HEX #3EC543

RGB 62 197 67

HSL 122.22, 0.54%, 0.51%

LAB 70.43, -61.11, 52.9

 

CMYK 69 / 57 / 0 / 23

HEX #3E55C5

RGB 62 85 197

HSL 229.78, 0.54%, 0.51%

LAB 40.5, 28.55, -61.14

 

CMYK 0 / 69 / 2 / 23

HEX #C53EC1

RGB 197 62 193

HSL 301.78, 0.54%, 0.51%

LAB 50.88, 67.95, -41.36

 

CMYK 0 / 11 / 69 / 23

HEX #C5AF3E

RGB 197 175 62

HSL 50.22, 0.54%, 0.51%

LAB 71.47, -4.77, 58.33

 

CMYK 69 / 0 / 46 / 23

HEX #3EC56B

RGB 62 197 107

HSL 140, 0.54%, 0.51%

LAB 70.88, -55.83, 34.76

 

CMYK 69 / 57 / 0 / 23

HEX #3E55C5

RGB 62 85 197

HSL 229.78, 0.54%, 0.51%

LAB 40.5, 28.55, -61.14

 

CMYK 0 / 69 / 23 / 23

HEX #C53E98

RGB 197 62 152

HSL 320, 0.54%, 0.51%

LAB 48.99, 61.89, -20.23

 

Description

Color code: HEX #C5AF3E | qconv.com Color code: HEX #C5AF3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 175 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 175 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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