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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AF4D it is the complementary color #3A50B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AF4D shade: #CAAF48, #DBC15B, #ECD36E, #FDE581 and #FFF794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AF4D shade: #C5AF4D, #B49D3A, #A38B27, #927914 and #816701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AF4D shade: #C5AF4D, #C58F4D, #C56F4D, #C54E4D and #C54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AF4D shade: #C5AF4D, #BBC54D, #9AC54D, #7AC54D and #5AC54D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AF4D shade matches the following richer shades: #C5AF4D, #D8BB3A, #EBC727 and #FED314

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AF4D shade: #C5AF4D, #B2A360, #9F9773, #8C8B86 and #797F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AF4D shade: #C56F4D, #C58F4D, #C5AF4D, #BBC54D and #9BC54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AF4D shade: #917F2F, #B09A39, #C5AF4D, #CFBD6D and #D9CB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AF4D shade: #C5AF4D, #4DC54F and #7F4DC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AF4D shade: #C5AF4D, #4DC5AF and #AF4DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AF4D shade: #C5AF4D, #4DC54F, #4D63C5 and #C54DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AF4D shade: #C5AF4D, #4DC573, #4D63C5 and #C54D9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

Complementary color

CMYK 67 / 55 / 0 / 30

HEX #3A50B2

RGB 58 80 178

HSL 229, 0.51%, 0.46%

LAB 37.57, 24.36, -54.77

 

CMYK 0 / 13 / 64 / 21

HEX #CAAF48

RGB 202 175 72

HSL 47.54, 0.55%, 0.54%

LAB 72.02, -2.03, 54.79

 

CMYK 0 / 12 / 58 / 14

HEX #DBC15B

RGB 219 193 91

HSL 47.81, 0.64%, 0.61%

LAB 78.44, -2.96, 53.73

 

CMYK 0 / 11 / 53 / 7

HEX #ECD36E

RGB 236 211 110

HSL 48.1, 0.77%, 0.68%

LAB 84.76, -3.75, 52.58

 

CMYK 0 / 9 / 49 / 1

HEX #FDE581

RGB 253 229 129

HSL 48.39, 0.97%, 0.75%

LAB 91.01, -4.43, 51.39

 

CMYK 0 / 3 / 42 / 0

HEX #FFF794

RGB 255 247 148

HSL 55.51, 1%, 0.79%

LAB 95.96, -10.82, 48.42

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 0 / 13 / 68 / 29

HEX #B49D3A

RGB 180 157 58

HSL 48.69, 0.51%, 0.47%

LAB 65.06, -2.86, 52.89

 

CMYK 0 / 15 / 76 / 36

HEX #A38B27

RGB 163 139 39

HSL 48.39, 0.61%, 0.4%

LAB 58.41, -1.66, 53.43

 

CMYK 0 / 17 / 86 / 43

HEX #927914

RGB 146 121 20

HSL 48.1, 0.76%, 0.33%

LAB 51.65, -0.19, 53.06

 

CMYK 0 / 20 / 99 / 49

HEX #816701

RGB 129 103 1

HSL 47.81, 0.98%, 0.25%

LAB 44.76, 1.59, 51.38

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 0 / 27 / 61 / 23

HEX #C58F4D

RGB 197 143 77

HSL 33, 0.51%, 0.54%

LAB 63.39, 13.41, 42.59

 

CMYK 0 / 44 / 61 / 23

HEX #C56F4D

RGB 197 111 77

HSL 17, 0.51%, 0.54%

LAB 55.86, 30.87, 33.59

 

CMYK 0 / 60 / 61 / 23

HEX #C54E4D

RGB 197 78 77

HSL 0.5, 0.51%, 0.54%

LAB 49.32, 47.5, 25.37

 

CMYK 0 / 61 / 61 / 23

HEX #C54D4D

RGB 197 77 77

HSL 0, 0.51%, 0.54%

LAB 49.15, 47.96, 25.15

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 5 / 0 / 61 / 23

HEX #BBC54D

RGB 187 197 77

HSL 65, 0.51%, 0.54%

LAB 76.7, -19.33, 57.3

 

CMYK 22 / 0 / 61 / 23

HEX #9AC54D

RGB 154 197 77

HSL 81.5, 0.51%, 0.54%

LAB 74.41, -32.56, 54.13

 

CMYK 38 / 0 / 61 / 23

HEX #7AC54D

RGB 122 197 77

HSL 97.5, 0.51%, 0.54%

LAB 72.63, -44.15, 51.66

 

CMYK 54 / 0 / 61 / 23

HEX #5AC54D

RGB 90 197 77

HSL 113.5, 0.51%, 0.54%

LAB 71.31, -53.77, 49.82

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 0 / 13 / 73 / 15

HEX #D8BB3A

RGB 216 187 58

HSL 48.99, 0.67%, 0.54%

LAB 76.34, -3.05, 65.3

 

CMYK 0 / 15 / 83 / 8

HEX #EBC727

RGB 235 199 39

HSL 48.98, 0.83%, 0.54%

LAB 81.1, -1.76, 76.17

 

CMYK 0 / 17 / 92 / 0

HEX #FED314

RGB 254 211 20

HSL 48.97, 0.99%, 0.54%

LAB 85.86, -0.14, 84.37

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 0 / 8 / 46 / 30

HEX #B2A360

RGB 178 163 96

HSL 49.02, 0.35%, 0.54%

LAB 66.9, -3.91, 36.65

 

CMYK 0 / 5 / 28 / 38

HEX #9F9773

RGB 159 151 115

HSL 49.09, 0.19%, 0.54%

LAB 62.29, -2.95, 20.07

 

CMYK 0 / 1 / 4 / 45

HEX #8C8B86

RGB 140 139 134

HSL 50, 0.03%, 0.54%

LAB 57.81, -0.59, 2.79

 

CMYK 21 / 17 / 0 / 40

HEX #797F99

RGB 121 127 153

HSL 228.75, 0.14%, 0.54%

LAB 53.54, 3.61, -14.69

 

CMYK 0 / 44 / 61 / 23

HEX #C56F4D

RGB 197 111 77

HSL 17, 0.51%, 0.54%

LAB 55.86, 30.87, 33.59

 

CMYK 0 / 27 / 61 / 23

HEX #C58F4D

RGB 197 143 77

HSL 33, 0.51%, 0.54%

LAB 63.39, 13.41, 42.59

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 5 / 0 / 61 / 23

HEX #BBC54D

RGB 187 197 77

HSL 65, 0.51%, 0.54%

LAB 76.7, -19.33, 57.3

 

CMYK 21 / 0 / 61 / 23

HEX #9BC54D

RGB 155 197 77

HSL 81, 0.51%, 0.54%

LAB 74.47, -32.17, 54.22

 

CMYK 0 / 12 / 68 / 43

HEX #917F2F

RGB 145 127 47

HSL 48.98, 0.51%, 0.38%

LAB 53.39, -2.79, 44.48

 

CMYK 0 / 13 / 68 / 31

HEX #B09A39

RGB 176 154 57

HSL 48.91, 0.51%, 0.46%

LAB 63.87, -3.07, 51.96

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 0 / 9 / 47 / 19

HEX #CFBD6D

RGB 207 189 109

HSL 48.98, 0.51%, 0.62%

LAB 76.54, -4.35, 42.53

 

CMYK 0 / 6 / 35 / 15

HEX #D9CB8C

RGB 217 203 140

HSL 49.09, 0.5%, 0.7%

LAB 81.49, -4.29, 33.22

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 61 / 0 / 60 / 23

HEX #4DC54F

RGB 77 197 79

HSL 121, 0.51%, 0.54%

LAB 70.92, -56.72, 48.37

 

CMYK 36 / 61 / 0 / 23

HEX #7F4DC5

RGB 127 77 197

HSL 265, 0.51%, 0.54%

LAB 44.02, 45.88, -55.19

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 61 / 0 / 11 / 23

HEX #4DC5AF

RGB 77 197 175

HSL 169, 0.51%, 0.54%

LAB 72.63, -38.73, 1.08

 

CMYK 11 / 61 / 0 / 23

HEX #AF4DC5

RGB 175 77 197

HSL 289, 0.51%, 0.54%

LAB 50.04, 57.32, -45.21

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 61 / 0 / 60 / 23

HEX #4DC54F

RGB 77 197 79

HSL 121, 0.51%, 0.54%

LAB 70.92, -56.72, 48.37

 

CMYK 61 / 50 / 0 / 23

HEX #4D63C5

RGB 77 99 197

HSL 229, 0.51%, 0.54%

LAB 44.99, 22.11, -53.84

 

CMYK 0 / 61 / 1 / 23

HEX #C54DC3

RGB 197 77 195

HSL 301, 0.51%, 0.54%

LAB 53.08, 62.43, -39.05

 

CMYK 0 / 11 / 61 / 23

HEX #C5AF4D

RGB 197 175 77

HSL 49, 0.51%, 0.54%

LAB 71.6, -3.84, 51.95

 

CMYK 61 / 0 / 42 / 23

HEX #4DC573

RGB 77 197 115

HSL 139, 0.51%, 0.54%

LAB 71.38, -51.57, 31.39

 

CMYK 61 / 50 / 0 / 23

HEX #4D63C5

RGB 77 99 197

HSL 229, 0.51%, 0.54%

LAB 44.99, 22.11, -53.84

 

CMYK 0 / 61 / 19 / 23

HEX #C54D9F

RGB 197 77 159

HSL 319, 0.51%, 0.54%

LAB 51.47, 56.77, -20.56

 

Description

Color code: HEX #C5AF4D | qconv.com Color code: HEX #C5AF4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 175 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 175 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 61 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 61% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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