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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B534 it is the complementary color #3A4ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B534 shade: #CAB52F, #DBC742, #ECD955, #FDEB68 and #FFFD7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B534 shade: #C5B534, #B4A321, #A3910E, #927F00 and #816D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B534 shade: #C5B534, #C58E34, #C56734, #C54034 and #C53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B534 shade: #C5B534, #AEC534, #87C534, #60C534 and #39C534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B534 shade matches the following richer shades: #C5B534, #D9C520 and #EDD40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B534 shade: #C5B534, #B1A548, #9C955C, #888671 and #747685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B534 shade: #C56734, #C58D34, #C5B434, #AFC534 and #89C534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B534 shade: #847923, #A4972B, #C5B534, #D1C352 and #D9CE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B534 shade: #C5B534, #34C540 and #7A34C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B534 shade: #C5B534, #34C5B4 and #B434C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B534 shade: #C5B534, #34C540, #3445C5 and #C534B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B534 shade: #C5B534, #34C56C, #3445C5 and #C5348D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

Complementary color

CMYK 71 / 64 / 0 / 20

HEX #3A4ACB

RGB 58 74 203

HSL 233.38, 0.58%, 0.51%

LAB 38.04, 37.12, -68.64

 

CMYK 0 / 10 / 77 / 21

HEX #CAB52F

RGB 202 181 47

HSL 51.87, 0.62%, 0.49%

LAB 73.42, -6.44, 65.94

 

CMYK 0 / 9 / 70 / 14

HEX #DBC742

RGB 219 199 66

HSL 52.16, 0.68%, 0.56%

LAB 79.78, -7.57, 65.78

 

CMYK 0 / 8 / 64 / 7

HEX #ECD955

RGB 236 217 85

HSL 52.45, 0.8%, 0.63%

LAB 86.06, -8.54, 65.15

 

CMYK 0 / 7 / 59 / 1

HEX #FDEB68

RGB 253 235 104

HSL 52.75, 0.97%, 0.7%

LAB 92.26, -9.36, 64.27

 

CMYK 0 / 1 / 52 / 0

HEX #FFFD7B

RGB 255 253 123

HSL 59.09, 1%, 0.74%

LAB 97.2, -15.98, 61.57

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 9 / 82 / 29

HEX #B4A321

RGB 180 163 33

HSL 53.06, 0.69%, 0.42%

LAB 66.53, -7.18, 63.36

 

CMYK 0 / 11 / 91 / 36

HEX #A3910E

RGB 163 145 14

HSL 52.75, 0.84%, 0.35%

LAB 59.95, -5.7, 61.8

 

CMYK 0 / 13 / 100 / 43

HEX #927F00

RGB 146 127 0

HSL 52.19, 1%, 0.29%

LAB 53.27, -3.95, 58.45

 

CMYK 0 / 16 / 100 / 49

HEX #816D00

RGB 129 109 0

HSL 50.7, 1%, 0.25%

LAB 46.45, -1.89, 52.82

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 28 / 74 / 23

HEX #C58E34

RGB 197 142 52

HSL 37.24, 0.58%, 0.49%

LAB 62.9, 12.47, 53.81

 

CMYK 0 / 48 / 74 / 23

HEX #C56734

RGB 197 103 52

HSL 21.1, 0.58%, 0.49%

LAB 53.83, 33.64, 44.47

 

CMYK 0 / 68 / 74 / 23

HEX #C54034

RGB 197 64 52

HSL 4.97, 0.58%, 0.49%

LAB 46.69, 52.17, 36.69

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 12 / 0 / 74 / 23

HEX #AEC534

RGB 174 197 52

HSL 69.52, 0.58%, 0.49%

LAB 75.56, -26.19, 65.47

 

CMYK 31 / 0 / 74 / 23

HEX #87C534

RGB 135 197 52

HSL 85.66, 0.58%, 0.49%

LAB 73.11, -41.49, 62.25

 

CMYK 51 / 0 / 74 / 23

HEX #60C534

RGB 96 197 52

HSL 101.79, 0.58%, 0.49%

LAB 71.33, -54.32, 59.9

 

CMYK 71 / 0 / 74 / 23

HEX #39C534

RGB 57 197 52

HSL 117.93, 0.58%, 0.49%

LAB 70.21, -63.34, 58.41

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 9 / 85 / 15

HEX #D9C520

RGB 217 197 32

HSL 53.51, 0.74%, 0.49%

LAB 78.92, -8.65, 75.36

 

CMYK 0 / 11 / 95 / 7

HEX #EDD40C

RGB 237 212 12

HSL 53.33, 0.9%, 0.49%

LAB 84.54, -7.98, 83.63

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 7 / 59 / 31

HEX #B1A548

RGB 177 165 72

HSL 53.14, 0.42%, 0.49%

LAB 67.07, -7.51, 48.71

 

CMYK 0 / 4 / 41 / 39

HEX #9C955C

RGB 156 149 92

HSL 53.44, 0.26%, 0.49%

LAB 61.08, -6.04, 31

 

CMYK 0 / 1 / 17 / 47

HEX #888671

RGB 136 134 113

HSL 54.78, 0.09%, 0.49%

LAB 55.56, -3.05, 11.59

 

CMYK 13 / 11 / 0 / 48

HEX #747685

RGB 116 118 133

HSL 232.94, 0.07%, 0.49%

LAB 49.93, 2.48, -8.45

 

CMYK 0 / 48 / 74 / 23

HEX #C56734

RGB 197 103 52

HSL 21.1, 0.58%, 0.49%

LAB 53.83, 33.64, 44.47

 

CMYK 0 / 28 / 74 / 23

HEX #C58D34

RGB 197 141 52

HSL 36.83, 0.58%, 0.49%

LAB 62.65, 13.02, 53.56

 

CMYK 0 / 9 / 74 / 23

HEX #C5B434

RGB 197 180 52

HSL 52.97, 0.58%, 0.49%

LAB 72.73, -7.88, 63.41

 

CMYK 11 / 0 / 74 / 23

HEX #AFC534

RGB 175 197 52

HSL 69.1, 0.58%, 0.49%

LAB 75.63, -25.78, 65.56

 

CMYK 30 / 0 / 74 / 23

HEX #89C534

RGB 137 197 52

HSL 84.83, 0.58%, 0.49%

LAB 73.22, -40.75, 62.4

 

CMYK 0 / 8 / 73 / 48

HEX #847923

RGB 132 121 35

HSL 53.2, 0.58%, 0.33%

LAB 50.34, -6.13, 46.15

 

CMYK 0 / 8 / 74 / 36

HEX #A4972B

RGB 164 151 43

HSL 53.55, 0.58%, 0.41%

LAB 61.83, -7.54, 55.22

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 7 / 61 / 18

HEX #D1C352

RGB 209 195 82

HSL 53.39, 0.58%, 0.57%

LAB 77.99, -8.81, 57.05

 

CMYK 0 / 5 / 47 / 15

HEX #D9CE72

RGB 217 206 114

HSL 53.59, 0.58%, 0.65%

LAB 81.9, -8.56, 46.83

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 74 / 0 / 68 / 23

HEX #34C540

RGB 52 197 64

HSL 124.97, 0.58%, 0.49%

LAB 70.2, -63.13, 53.82

 

CMYK 38 / 74 / 0 / 23

HEX #7A34C5

RGB 122 52 197

HSL 268.97, 0.58%, 0.49%

LAB 38.94, 57.23, -63.44

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 74 / 0 / 9 / 23

HEX #34C5B4

RGB 52 197 180

HSL 172.97, 0.58%, 0.49%

LAB 72.2, -41.18, -2.34

 

CMYK 9 / 74 / 0 / 23

HEX #B434C5

RGB 180 52 197

HSL 292.97, 0.58%, 0.49%

LAB 47.22, 68.4, -49.66

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 74 / 0 / 68 / 23

HEX #34C540

RGB 52 197 64

HSL 124.97, 0.58%, 0.49%

LAB 70.2, -63.13, 53.82

 

CMYK 74 / 65 / 0 / 23

HEX #3445C5

RGB 52 69 197

HSL 232.97, 0.58%, 0.49%

LAB 36.02, 37.45, -68.47

 

CMYK 0 / 74 / 6 / 23

HEX #C534B9

RGB 197 52 185

HSL 304.97, 0.58%, 0.49%

LAB 49.29, 70.05, -39.23

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 74 / 0 / 45 / 23

HEX #34C56C

RGB 52 197 108

HSL 143.17, 0.58%, 0.49%

LAB 70.69, -57.26, 33.97

 

CMYK 74 / 65 / 0 / 23

HEX #3445C5

RGB 52 69 197

HSL 232.97, 0.58%, 0.49%

LAB 36.02, 37.45, -68.47

 

CMYK 0 / 74 / 28 / 23

HEX #C5348D

RGB 197 52 141

HSL 323.17, 0.58%, 0.49%

LAB 47.3, 64, -16.21

 

Description

Color code: HEX #C5B534 | qconv.com Color code: HEX #C5B534 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 181 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 181 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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