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Color name
HEX #C5B015

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B015 it is the complementary color #3A4FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B015 shade: #CAB010, #DBC223, #ECD436, #FDE649 and #FFF85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B015 shade: #C5B015, #B49E02, #A38C00, #927A00 and #816800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B015 shade: #C6B114, #C68114, #C65114, #C62114 and #C61414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B015 shade: #C6B114, #ABC614, #7BC614, #4BC614 and #1CC614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B015 shade matches the following richer shades: #C6B114 and #D8BE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B015 shade: #C6B114, #B4A326, #A29638, #91884A and #7F7B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B015 shade: #C65014, #C67F14, #C6AE14, #AEC614 and #7FC614

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B015 shade: #7B6E0C, #A18F10, #C6B114, #E7CF1D and #EBD742

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B015 shade: #C5B015, #14C620 and #6714C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B015 shade: #C5B015, #14C6AE and #AE14C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B015 shade: #C5B015, #14C620, #142CC6 and #C614BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B015 shade: #C5B015, #14C655, #142CC6 and #C61485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

Complementary color

CMYK 75 / 66 / 0 / 8

HEX #3A4FEA

RGB 58 79 234

HSL 232.84, 0.81%, 0.57%

LAB 41.89, 44.81, -80.06

 

CMYK 0 / 13 / 92 / 21

HEX #CAB010

RGB 202 176 16

HSL 51.61, 0.85%, 0.43%

LAB 71.99, -4.65, 72.33

 

CMYK 0 / 11 / 84 / 14

HEX #DBC223

RGB 219 194 35

HSL 51.85, 0.72%, 0.5%

LAB 78.32, -6.18, 74.25

 

CMYK 0 / 10 / 77 / 7

HEX #ECD436

RGB 236 212 54

HSL 52.09, 0.83%, 0.57%

LAB 84.58, -7.49, 75

 

CMYK 0 / 9 / 71 / 1

HEX #FDE649

RGB 253 230 73

HSL 52.33, 0.98%, 0.64%

LAB 90.76, -8.62, 75

 

CMYK 0 / 3 / 64 / 0

HEX #FFF85C

RGB 255 248 92

HSL 57.42, 1%, 0.68%

LAB 95.65, -15.67, 72.89

 

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

CMYK 0 / 12 / 99 / 29

HEX #B49E02

RGB 180 158 2

HSL 52.58, 0.98%, 0.36%

LAB 65.09, -5.13, 68.12

 

CMYK 0 / 14 / 100 / 36

HEX #A38C00

RGB 163 140 0

HSL 51.53, 1%, 0.32%

LAB 58.55, -3.2, 62.99

 

CMYK 0 / 16 / 100 / 43

HEX #927A00

RGB 146 122 0

HSL 50.14, 1%, 0.29%

LAB 51.87, -1.15, 57.47

 

CMYK 0 / 19 / 100 / 49

HEX #816800

RGB 129 104 0

HSL 48.37, 1%, 0.25%

LAB 45.04, 0.99, 51.82

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 0 / 35 / 90 / 22

HEX #C68114

RGB 198 129 20

HSL 36.74, 0.82%, 0.43%

LAB 59.67, 19, 61.98

 

CMYK 0 / 59 / 90 / 22

HEX #C65114

RGB 198 81 20

HSL 20.56, 0.82%, 0.43%

LAB 49.42, 44.05, 54.22

 

CMYK 0 / 83 / 90 / 22

HEX #C62114

RGB 198 33 20

HSL 4.38, 0.82%, 0.43%

LAB 42.98, 61.63, 49.49

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 14 / 0 / 90 / 22

HEX #ABC614

RGB 171 198 20

HSL 69.1, 0.82%, 0.43%

LAB 75.51, -28.99, 73.38

 

CMYK 38 / 0 / 90 / 22

HEX #7BC614

RGB 123 198 20

HSL 85.28, 0.82%, 0.43%

LAB 72.66, -47.54, 69.88

 

CMYK 62 / 0 / 90 / 22

HEX #4BC614

RGB 75 198 20

HSL 101.46, 0.82%, 0.43%

LAB 70.83, -61.67, 67.6

 

CMYK 86 / 0 / 90 / 22

HEX #1CC614

RGB 28 198 20

HSL 117.3, 0.82%, 0.43%

LAB 69.96, -69.19, 66.51

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 0 / 12 / 99 / 15

HEX #D8BE03

RGB 216 190 3

HSL 52.68, 0.97%, 0.43%

LAB 76.94, -5.92, 78.08

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 0 / 9 / 79 / 29

HEX #B4A326

RGB 180 163 38

HSL 52.82, 0.65%, 0.43%

LAB 66.55, -7, 61.87

 

CMYK 0 / 7 / 65 / 36

HEX #A29638

RGB 162 150 56

HSL 53.21, 0.49%, 0.43%

LAB 61.46, -7.17, 49.47

 

CMYK 0 / 6 / 49 / 43

HEX #91884A

RGB 145 136 74

HSL 52.39, 0.32%, 0.43%

LAB 56.21, -5.58, 34.29

 

CMYK 0 / 3 / 28 / 50

HEX #7F7B5B

RGB 127 123 91

HSL 53.33, 0.17%, 0.43%

LAB 51.19, -3.96, 18.09

 

CMYK 0 / 60 / 90 / 22

HEX #C65014

RGB 198 80 20

HSL 20.22, 0.82%, 0.43%

LAB 49.24, 44.52, 54.09

 

CMYK 0 / 36 / 90 / 22

HEX #C67F14

RGB 198 127 20

HSL 36.07, 0.82%, 0.43%

LAB 59.19, 20.09, 61.61

 

CMYK 0 / 12 / 90 / 22

HEX #C6AE14

RGB 198 174 20

HSL 51.91, 0.82%, 0.43%

LAB 71.1, -5.3, 70.82

 

CMYK 12 / 0 / 90 / 22

HEX #AEC614

RGB 174 198 20

HSL 68.09, 0.82%, 0.43%

LAB 75.72, -27.74, 73.64

 

CMYK 36 / 0 / 90 / 22

HEX #7FC614

RGB 127 198 20

HSL 83.93, 0.82%, 0.43%

LAB 72.86, -46.13, 70.12

 

CMYK 0 / 11 / 90 / 52

HEX #7B6E0C

RGB 123 110 12

HSL 52.97, 0.82%, 0.26%

LAB 46.16, -5.08, 49.66

 

CMYK 0 / 11 / 90 / 37

HEX #A18F10

RGB 161 143 16

HSL 52.55, 0.82%, 0.35%

LAB 59.21, -5.5, 60.76

 

CMYK 0 / 11 / 90 / 22

HEX #C6B114

RGB 198 177 20

HSL 52.92, 0.82%, 0.43%

LAB 71.89, -6.87, 71.44

 

CMYK 0 / 10 / 87 / 9

HEX #E7CF1D

RGB 231 207 29

HSL 52.87, 0.81%, 0.51%

LAB 82.76, -7.78, 79.59

 

CMYK 0 / 9 / 72 / 8

HEX #EBD742

RGB 235 215 66

HSL 52.9, 0.81%, 0.59%

LAB 85.33, -8.94, 71.69

 

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

CMYK 90 / 0 / 84 / 22

HEX #14C620

RGB 20 198 32

HSL 124.04, 0.82%, 0.43%

LAB 69.92, -69.33, 63.97

 

CMYK 48 / 90 / 0 / 22

HEX #6714C6

RGB 103 20 198

HSL 267.98, 0.82%, 0.43%

LAB 32.83, 65.8, -74.13

 

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

CMYK 90 / 0 / 12 / 22

HEX #14C6AE

RGB 20 198 174

HSL 171.91, 0.82%, 0.43%

LAB 71.96, -45.94, 0.52

 

CMYK 12 / 90 / 0 / 22

HEX #AE14C6

RGB 174 20 198

HSL 291.91, 0.82%, 0.43%

LAB 43.62, 75.31, -56.08

 

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

CMYK 90 / 0 / 84 / 22

HEX #14C620

RGB 20 198 32

HSL 124.04, 0.82%, 0.43%

LAB 69.92, -69.33, 63.97

 

CMYK 90 / 78 / 0 / 22

HEX #142CC6

RGB 20 44 198

HSL 231.91, 0.82%, 0.43%

LAB 29.48, 50.41, -79.88

 

CMYK 0 / 90 / 6 / 22

HEX #C614BA

RGB 198 20 186

HSL 304.04, 0.82%, 0.43%

LAB 47.04, 77.55, -43.36

 

CMYK 0 / 11 / 89 / 23

HEX #C5B015

RGB 197 176 21

HSL 52.84, 0.81%, 0.43%

LAB 71.54, -6.77, 70.94

 

CMYK 90 / 0 / 57 / 22

HEX #14C655

RGB 20 198 85

HSL 141.91, 0.82%, 0.43%

LAB 70.31, -64.47, 44.65

 

CMYK 90 / 78 / 0 / 22

HEX #142CC6

RGB 20 44 198

HSL 231.91, 0.82%, 0.43%

LAB 29.48, 50.41, -79.88

 

CMYK 0 / 90 / 33 / 22

HEX #C61485

RGB 198 20 133

HSL 321.91, 0.82%, 0.43%

LAB 44.52, 70.94, -15.57

 

Description

Color code: HEX #C5B015 | qconv.com Color code: HEX #C5B015 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 176 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 176 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 89% 23% C M Y K

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