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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B08C it is the complementary color #3A4F73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B08C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B08C shade: #CAB087, #DBC29A, #ECD4AD, #FDE6C0 and #FFF8D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B08C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B08C shade: #C5B08C, #B49E79, #A38C66, #927A53 and #816840

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B08C shade: #C4AF8B, #C4A08B, #C4908B and #C48B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B08C shade: #C4AF8B, #C4BF8B, #BBC48B, #ABC48B and #9CC48B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B08C shade matches the following richer shades: #C4AF8B, #D2B37D, #E0B76F, #EEBA61 and #FDBE53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B08C shade: #C4AF8B, #B6AC99, #A8A8A7, #9AA4B5 and #8CA1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B08C shade: #C4908B, #C49F8B, #C4AE8B, #C4BE8B and #BCC48B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B08C shade: #A88A55, #B79C70, #C4AF8B, #D2C2A7 and #E0D5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B08C shade: #C5B08C, #96C48B and #988BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B08C shade: #C5B08C, #8BC4AE and #AE8BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B08C shade: #C5B08C, #96C48B, #8BA1C4 and #BA8BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B08C shade: #C5B08C, #8BC492, #8BA1C4 and #C48BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

Complementary color

CMYK 50 / 31 / 0 / 55

HEX #3A4F73

RGB 58 79 115

HSL 217.89, 0.33%, 0.34%

LAB 33.41, 2.76, -23.15

 

CMYK 0 / 13 / 33 / 21

HEX #CAB087

RGB 202 176 135

HSL 36.72, 0.39%, 0.66%

LAB 73.13, 3.37, 24.48

 

CMYK 0 / 11 / 30 / 14

HEX #DBC29A

RGB 219 194 154

HSL 36.92, 0.47%, 0.73%

LAB 79.6, 2.91, 23.39

 

CMYK 0 / 10 / 27 / 7

HEX #ECD4AD

RGB 236 212 173

HSL 37.14, 0.62%, 0.8%

LAB 85.97, 2.5, 22.36

 

CMYK 0 / 9 / 24 / 1

HEX #FDE6C0

RGB 253 230 192

HSL 37.38, 0.94%, 0.87%

LAB 92.26, 2.13, 21.39

 

CMYK 0 / 3 / 17 / 0

HEX #FFF8D3

RGB 255 248 211

HSL 50.45, 1%, 0.91%

LAB 97.27, -3.56, 18.63

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 0 / 12 / 33 / 29

HEX #B49E79

RGB 180 158 121

HSL 37.63, 0.28%, 0.59%

LAB 66.17, 2.51, 22.33

 

CMYK 0 / 14 / 37 / 36

HEX #A38C66

RGB 163 140 102

HSL 37.38, 0.25%, 0.52%

LAB 59.44, 3.04, 23.52

 

CMYK 0 / 16 / 43 / 43

HEX #927A53

RGB 146 122 83

HSL 37.14, 0.28%, 0.45%

LAB 52.57, 3.68, 24.8

 

CMYK 0 / 19 / 50 / 49

HEX #816840

RGB 129 104 64

HSL 36.92, 0.34%, 0.38%

LAB 45.55, 4.48, 26.2

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 18 / 29 / 23

HEX #C4A08B

RGB 196 160 139

HSL 22.11, 0.33%, 0.66%

LAB 68.56, 10.18, 15.95

 

CMYK 0 / 27 / 29 / 23

HEX #C4908B

RGB 196 144 139

HSL 5.26, 0.33%, 0.66%

LAB 64.6, 18.97, 10.39

 

CMYK 0 / 29 / 29 / 23

HEX #C48B8B

RGB 196 139 139

HSL 0, 0.33%, 0.66%

LAB 63.4, 21.73, 8.68

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 3 / 29 / 23

HEX #C4BF8B

RGB 196 191 139

HSL 54.74, 0.33%, 0.66%

LAB 76.6, -6.39, 26.93

 

CMYK 5 / 0 / 29 / 23

HEX #BBC48B

RGB 187 196 139

HSL 69.47, 0.33%, 0.66%

LAB 77.23, -12.45, 27.65

 

CMYK 13 / 0 / 29 / 23

HEX #ABC48B

RGB 171 196 139

HSL 86.32, 0.33%, 0.66%

LAB 76.07, -18.47, 25.9

 

CMYK 20 / 0 / 29 / 23

HEX #9CC48B

RGB 156 196 139

HSL 102.11, 0.33%, 0.66%

LAB 75.08, -23.9, 24.4

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 15 / 40 / 18

HEX #D2B37D

RGB 210 179 125

HSL 38.12, 0.49%, 0.66%

LAB 74.46, 3.79, 31.71

 

CMYK 0 / 18 / 50 / 12

HEX #E0B76F

RGB 224 183 111

HSL 38.23, 0.65%, 0.66%

LAB 76.6, 5.97, 41.95

 

CMYK 0 / 22 / 59 / 7

HEX #EEBA61

RGB 238 186 97

HSL 37.87, 0.81%, 0.66%

LAB 78.55, 9.04, 51.53

 

CMYK 0 / 25 / 67 / 1

HEX #FDBE53

RGB 253 190 83

HSL 37.76, 0.98%, 0.66%

LAB 80.92, 12.29, 61.01

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 5 / 16 / 29

HEX #B6AC99

RGB 182 172 153

HSL 39.31, 0.17%, 0.66%

LAB 70.7, 0.35, 11.06

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 15 / 9 / 0 / 29

HEX #9AA4B5

RGB 154 164 181

HSL 217.78, 0.15%, 0.66%

LAB 67.09, 0.02, -9.97

 

CMYK 28 / 17 / 0 / 24

HEX #8CA1C3

RGB 140 161 195

HSL 217.09, 0.31%, 0.66%

LAB 65.75, 0.49, -19.88

 

CMYK 0 / 27 / 29 / 23

HEX #C4908B

RGB 196 144 139

HSL 5.26, 0.33%, 0.66%

LAB 64.6, 18.97, 10.39

 

CMYK 0 / 19 / 29 / 23

HEX #C49F8B

RGB 196 159 139

HSL 21.05, 0.33%, 0.66%

LAB 68.31, 10.73, 15.6

 

CMYK 0 / 11 / 29 / 23

HEX #C4AE8B

RGB 196 174 139

HSL 36.84, 0.33%, 0.66%

LAB 72.14, 2.6, 20.89

 

CMYK 0 / 3 / 29 / 23

HEX #C4BE8B

RGB 196 190 139

HSL 53.68, 0.33%, 0.66%

LAB 76.33, -5.87, 26.57

 

CMYK 4 / 0 / 29 / 23

HEX #BCC48B

RGB 188 196 139

HSL 68.42, 0.33%, 0.66%

LAB 77.3, -12.06, 27.77

 

CMYK 0 / 18 / 49 / 34

HEX #A88A55

RGB 168 138 85

HSL 38.31, 0.33%, 0.5%

LAB 59.12, 4.39, 32.52

 

CMYK 0 / 15 / 39 / 28

HEX #B79C70

RGB 183 156 112

HSL 37.18, 0.33%, 0.58%

LAB 65.76, 3.71, 26.75

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 8 / 20 / 18

HEX #D2C2A7

RGB 210 194 167

HSL 37.67, 0.32%, 0.74%

LAB 79.08, 1.3, 15.62

 

CMYK 0 / 5 / 13 / 12

HEX #E0D5C2

RGB 224 213 194

HSL 38, 0.33%, 0.82%

LAB 85.67, 0.63, 10.74

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 23 / 0 / 29 / 23

HEX #96C48B

RGB 150 196 139

HSL 108.42, 0.33%, 0.66%

LAB 74.72, -26.01, 23.84

 

CMYK 22 / 29 / 0 / 23

HEX #988BC4

RGB 152 139 196

HSL 253.68, 0.33%, 0.66%

LAB 60.89, 16.93, -27.81

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 29 / 0 / 11 / 23

HEX #8BC4AE

RGB 139 196 174

HSL 156.84, 0.33%, 0.66%

LAB 74.84, -23.12, 5.14

 

CMYK 11 / 29 / 0 / 23

HEX #AE8BC4

RGB 174 139 196

HSL 276.84, 0.33%, 0.66%

LAB 62.89, 23.91, -24.58

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 23 / 0 / 29 / 23

HEX #96C48B

RGB 150 196 139

HSL 108.42, 0.33%, 0.66%

LAB 74.72, -26.01, 23.84

 

CMYK 29 / 18 / 0 / 23

HEX #8BA1C4

RGB 139 161 196

HSL 216.84, 0.33%, 0.66%

LAB 65.72, 0.44, -20.49

 

CMYK 5 / 29 / 0 / 23

HEX #BA8BC4

RGB 186 139 196

HSL 289.47, 0.33%, 0.66%

LAB 64.07, 27.82, -22.66

 

CMYK 0 / 11 / 29 / 23

HEX #C5B08C

RGB 197 176 140

HSL 37.89, 0.33%, 0.66%

LAB 72.77, 2.06, 21.23

 

CMYK 29 / 0 / 26 / 23

HEX #8BC492

RGB 139 196 146

HSL 127.37, 0.33%, 0.66%

LAB 74.22, -28.53, 19.33

 

CMYK 29 / 18 / 0 / 23

HEX #8BA1C4

RGB 139 161 196

HSL 216.84, 0.33%, 0.66%

LAB 65.72, 0.44, -20.49

 

CMYK 0 / 29 / 3 / 23

HEX #C48BBE

RGB 196 139 190

HSL 306.32, 0.33%, 0.66%

LAB 64.9, 29.99, -17.93

 

Description

Color code: HEX #C5B08C | qconv.com Color code: HEX #C5B08C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 176 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 176 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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